Reviews

‘No Time To Die’ Trailer Is Here!

Daniel Craig returns for the final time in the conclusion to the greatest stretch of Bond films the world has ever seen.


It’s really going to be sad when the title of James Bond no longer applies to Daniel Craig. Without doubt the best to ever wear that suit and has starred in the most action-packed, and overall best Bond movies ever. Fresh off the heels of Spectre, he’s suiting up one last time and going toe-to-toe with none other than Oscar winner himself, Rami Malek.

Bond just wants to finally live the retired life. Off active duty he is thrust back into the limelight when a mysterious villain with some extremely dangerous technology comes knocking at his door. Stepping away from the camera is Sam Mendes but insert Cary Fukunaga and this could be something really eerie and special. Known for his horror, this Bond could end up being kind of scary or at least more bizarre than previous films.

Toss in Ana de Armas who just starred with Craig in Knives Out and Latasha Lynch as the newest 007 agent, this looks so promising. Even if the trailer wasn’t that well put together, there are too many impressive pieces at play here not to have this high on the most anticipated list for 2020. It’s Daniel Craig’s swan song, get excited!

Reviews

‘Mulan’ Trailer Hits!

The live action Disney adaptations just keep coming. Thing is, Mulan looks like the best one yet.


Disney just keeps on coming. Whether it’s the MCU, Disney+, Star Wars, they are always in the news and most importantly making money. Can’t hate on greatness, but some feel that it’s a Disney overload at this point. Well get used to it, and honestly, if they make films like Mulan, I’m all for it. The latest animated feature to get the live action spruce up looks simply incredible.

The thing that separates Mulan from the rest, it seems like they are going far off script from the animated version and it’s the right call. Lion King was essentially cut and paste from the original and people wanted some more originality. They want it to seem fresh, that’s why the newer ideas put in Aladdin worked. What’s the point in just rehashing old material if it’s going to be the exact same thing that everyone in the world has already seen. The new trailer is larger in scale and really showing off just how much money they have invested in this thing. Mulan will be a box-office juggernaut that is a fore gone conclusion.

The only thing everyone will miss surely is clearly Mushu, but that’s what the sequel will be for obviously.

See for yourself below. Just a really well-done trailer!

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‘Black Widow’ Trailer

Black Widow is finally getting her own movie. Just terrible timing for sweet Natasha.

What a cute and adorable family Natasha has! Fans wanted it, fans are getting it. Black Widow is actually going to get her own solo flick, too bad it couldn’t have come at a worst possible time. You know that whole her being dead thing kind of puts a damper on the thing. Everyone knows that she really bit the dust in Avengers: Endgame and this will serve as a pseudo prequel before the days she was working with Hawkeye and Nick Fury. We are heading back to the 90s!

If it wasn’t for some just terrible Russian accents, this would have been a good teaser trailer. Meet her family, Florence Pugh, 2019’s darling, Rachel Weisz and David Harbour. All fantastic actors and I’m sure will help elevate this film. After the disaster that was the Hellboy reboot, it will be nice to see Harbour in a competent comic book franchise.

This would have just been so much more effective if this came out maybe after Iron Man 2? Or after Avengers, just it’s been so long and now with her being dead, it just feels like a throwaway film for Marvel and it’s serving more as fan service then something that will add to the MCU as a whole.

Hits theatres in May 2020!

Reviews

‘Knives Out’ Review

The latest “whodunit” from Rian Johnson brings an all star cast together in one of the most entertaining movies of the year.

A detective investigates the death of a patriarch of an eccentric, combative family


Nothing brings family together quite like a good old fashioned murder. That’s exactly what happens in Rian Johnson’s latest film, that stars so many famous people, it’s like a buffet of Hollywood’s elite. You’ll have a ton of fun with Knives Out, it keeps you guessing until the very end, and isn’t just a run of the mill murder mystery. With top-notch performances and fantastic cast, this is the movie to see right now in theatres. Legit the perfect date night movie.

Everything is going as usual at the Thrombey residence, it’s Harlan Thrombey’s (Christopher Plummer) 85th birthday and the entire family has gathered to celebrate. He’s an extremely wealthy man, a celebrated author and has collected a vast wealth over his life span. Here’s the thing, he’s growing weary and tired of his blood-sucking family who essentially have been leaching off him for their entire lives. His children Linda (Jamie Lee Curtis) Walt (Michael Shannon) and Joni, who is his daughter-in-law but treats her as his own (Toni Collette) are all after one thing, money. Even their own children have turned into money craving lunatics. There’s one person who Harlan wants to spend time with, his only true friend left on planet Earth, his nurse Marta (Ana de Armas). So when dear old dad dies, it’s a legit free for all on who is going to get what. That’s also not a spoiler, it’s in the trailer. Ana de Armas is so lovable and sweet throughout the movie. She might not be a giant household name, but she’ll be climbing those ranks after this.

So obviously with a murder it brings police. Not only that it brings world class detective Benoit Blanc (Daniel Craig) who has been tracked down and hired to help solve this case. Here’s the kicker, he is usure of who as contacted him and hired him, but he’s here none the less. Daniel Craig is so good here, he’s got this deep southern accent that gets you every time. Actually referred to as “CSI KFC” at one point. There’s so much talent on screen at all times, Don Johnson, LaKeith Stanfield, and then the standout of the film, Captain American himself, Mr. Chris Evans. Who plays Harlan’s grandson Ransom, who is known as the black sheep of the family. Chris Evans is so awesome in this, funny, charming, bit of a prick. It’s always nice to see actors step away from the capes and turn in a memorable performance. It’s refreshing to see Evans in a role like this, complete opposite of what we are used to as an audience, and he really comes in during the second half of the film, but he fills up the box score pretty quick with limited minutes.

Movies like Knives Out are complicated to discuss because well you don’t want to ruin or spoil a single thing. This movie is just so well made, from the production design, the whole thing is basically set in the Thrombey mansion and it’s spectacular. Everyone is having so much fun “hamming” it up with their performances. We often don’t get movies like this, and it’s one of the best “whodunit” movies in recent memory. Rian Johnson just continues to impress the hell out of me. 3 movies in a row, 3 vastly different genres and they’ve all been great. That’s a hard feat to pull off.

Try to go into Knives Out knowing as little as humanly possible. Watch maybe a trailer but not even. I guess if you’re reading this review prior to seeing the movie, you know just enough. It’s just a crap load of fun at the movies, you’ll be entertained the entire time, and it keeps you guessing the entire time, I thought I knew what was up within 10 minutes, I was so wrong. Just go see this movie so we can get more like it will ya.

Knives Out = 88/100

Reviews

‘Waves’ Review

A pulse pounding, emotional roller coaster that will leave you breathless.

Traces the journey of a suburban family – led by a well intentioned but domineering father – as they navigate love, forgiveness and coming together.


They don’t really make many films like this anymore. Waves is a literal gut-punch of raw and intense emotion, that tells the story of what happens when things suddenly fall apart in the lives of a perfect family. Everything can change in the blink of an eye, a millisecond, your entire life can shift from one extreme to the other. There are no guarantees in life and certainly no free passes. At times Waves can become a difficult watch, not due to the movie being bad but because of the context being presented. Certain scenes and certain moments will leave you floored, in fact the entire audience during my screening let out a collective gasp at the exact moment during one of the most emotionally driven scenes I’ve seen all year.

Trey Edward Shults writer and director has crafted something so beautiful, so powerful so well-made it’s remarkable he was just 30 years old when he filmed it. The opening scene is so beautiful and so happy, you know from the very opening moments that this experience will be something you remember. Waves is essentially two different movies in one. A Moonlight blueprint as you will, where it tells two different stories, each complimenting each other, while neither could exist without the other. The first half of the film follows Tyler (Kelvin Harrison Jr) in his quest to please his father Ronald (Sterling K Brown). His father is trying to push his son not because he wants to but because he has too. You see Ronald believes they have to work 1000 times harder than anyone else to get anywhere in life. Being now successful himself he wants to install that knowledge and work ethic into his son. Even if that means Tyler does almost anything to make sure he doesn’t disappoint his dad. Their relationship is a complicated one, because it appears they spend a lot of time together, yet they are never really truly bonding as a father and son should. Waves is definitely one of those films where the less you know going in the better the experience is going to be. Even the trailer does a fantastic job at providing a background but doesn’t spoil anything, the movie I thought I was going to see and the movie I ended up watching were completely different things, and I’m glad.

When tragedy strikes it’s a ripple effect for those closest to you. That’s where the second part of the movie comes in. It deals with Tyler’s sister Emily (Taylor Russell) who finds herself lost and without anyone to connect to. Waves does a fantastic job at showcasing how a tragic event can follow you not just in a personal manner, but in an online way as well. How you can’t really escape something from your past. Soon Emily meets Luke (Lucas Hedges) and they quickly bond and it’s the driving force for the second half of this film. It’s such a shift in everything we are watching in the first hour and in most cases when films do this, it just doesn’t work. For me, this works so incredibly well and really puts a nice bow on the entire thing. Hedges and Russell just have terrific chemistry, seeing Hedges act as a goofy high school kid was charming and he sweeps Emily off her feet just when she thinks all hope is lost. When a family is shattered to pieces it takes time to put it back together. It’s piece by piece but sure enough everything will fall back into place.

Waves is tricky to discuss because you don’t want to spoil anything and going in blind will lead to the most satisfying experience. Sterling K Brown is a tour de force yet again, every time he is on screen it’s a treat. I honestly can’t say enough good things about this movie and I certainly can’t wait to talk about it with anyone who sees it. There’s a 20 minute stretch that is just heart breaking material and I haven’t stopped thinking about since I walked out of the theatre. This is right now the leader in the clubhouse for my favourite movie of the year.

Waves = 96/100

News

‘The Way Back’ Trailer

Ben Affleck + Basketball = recipe for success

Well, that a gut punch early on in the morning. Art imitating life. Ben Affleck is losing the cape and cowl for good and substituting it for a clip board. We all know about his own personal struggles with alcohol abuse and that’s why this movie has a real shot of being nothing short of spectacular, at least his performance.

Who would be Ben Affleck’s basketball comparison? What a question, because in The Way Back he was once a high school star and I haven’t stopped thinking about that. Ben re-teams with Gavin O’Connor director of Warrior and The Accountant, and you already know this will pack a serious emotional punch. Ben Affleck in a sports movie, love to see it. A mix between Coach Carter and Half Nelson perhaps, this overall just looks really good. The world hasn’t had a great quote on quote sports movie in a long time and hopefully this can break that streak.

You know this role probably means a lot to Affleck and him playing it close to his own chest, and I’m excited to see what he does with this material. It doesn’t look like just another cliche sports movie, because of the serious weight the trailer carries. It’s great to see Ben branching out and trying new things and more importantly being in a movie. He didn’t have a theatrical release in all of 2019.

It’s always great to have this man back in our lives, such a talent.

News

New & Improved ‘Sonic The Hedgehog’ Trailer

Okay, sometimes maybe it is a good thing to listen to internet crybabies. This new design has everyone thinking positive thoughts about Sonic.

We all cried and they listened. It finally worked and yes I’m sure people had to work countless hours of overtime and put a ton of hard work into changing the design of Sonic, but it’s a complete success!

The trailer is pretty much the same one we got months ago, but it’s been upgraded and it even feels more fresh. Like there’s been life pumped back into this film. The voice work of Ben Schwartz always worked and everyone is excited to see what Jim Carey does in this role. Now we have almost a flawless Sonic design to go along with all of this. Could be a recipe for success. Who knows, but after all the hard work it would be cruel and rude not to reward the people by going to see their movie.

Sonic sprints into theatres this Valentines Day!

News

‘Scoob’ Trailer

This property is finally going back to its roots, where it rightfully belongs, animation.

After the semi-success of the live-action adaptations, Scooby-Doo has been on a serious hiatus, until now. Let’s all pile in the Mystery Machine and embark on a righteous adventure. The gang is all here including everyone’s favourite talking dog, Scooby-Doo. We are even getting an origin story of sorts about how the team came to be and more important how Scoob and Shaggy ended up in each other’s lives.

It’s already pretty obvious this looks heartfelt and hilarious, and could be a serious box-office success. With a talented cast, some great animation and it’s a well known property being given the proper treatment. Everything about this trailer just screams cute, it feels good to have Scoob back in our lives. 2020 is shaping up to be one great year for animation!

Reviews

‘Jojo Rabbit’ Review

Who knew the movie with the most heart this year would deal with children wanting to be Natzi.

A young boy in Hitler’s army finds out his mother is hiding a Jewish girl in their home.


Somewhere out there Hitler is rolling in his grave, due to laughing so hard. The reason? Taika Waititi’s latest comedy satire about young boys waning to join the ranks of Hitler’s army all while discovering there is way more to life than simply becoming at Natzi. Coming off the massive success of Thor: Ragnorok, Taika is trading in his cape for a swastika. A film about love, friendship, forming new and unique bonds and most importantly, never judging a book by its cover.

Jojo is a ten year old boy who is growing up in Germany. Unlike most little boys, who enjoy climbing trees, being with friends and all around just being a kid, Jojo takes life pretty serious. He has mission, become Hitler’s right hand man, his best friend, he wants to do something to gain the respect from their “great leader.” When he attends a Natzi Boy Scouts kind of camp and injures himself, he finds himself lonely and disfigured. Ashamed of his new looks, he confides in the comfort of his own home, where his mother Rosie (Scarlett Johansson) is hiding Elsa (Thomasin McKenzie) a young Jewish runaway. Jojo quickly becomes very conflicted with his feelings, because everything he has ever learned about Jewish people has not been pleasant, yet here sits this girl he befriends almost immediately. He learns that his mother is one of the few true good people in his life and has a hard time understanding why she doesn’t support their country in the war. They become closer than ever, once Jojo finally understands his mother’s intentions and realizes how special she is.

Jojo takes up a job helping his former instructor Captain Klenzendorf (Sam Rockwell) do things all around their little town. They also form a bond, as Jojo who’s father is away, sees him as a father figure and goes to him for advice. Sam Rockwell actually doesn’t play a crazy racist in a movie for once! More of a low-key flamboyant army Captain, he also much like Jojo’s mother has a kind heart. He just doesn’t show it. He wants what’s best for Jojo and tries to guide him towards being just a regular ten-year-old kid. They end up sharing a few heartfelt moments together, one in particular at the end of the film where you truly see the good in the Captain, and was always looking out for Jojo. For a movie I found to be so funny, the most I’ve laughed at a movie in 2019, it certainly has some touching moments, and has one of the biggest 180 emotional turns I can remember in a movie. Things go from so happy and delightful to gut-wrenching in about 5 seconds, it was almost hard to watch.

Obviously most of the laughs are coming from the man himself, the director and the stand out performance of the film, Taika. He’s playing Hitler, but just serves has Jojo’s imaginary friend, so the things that happen between them, well, you can imagine. Every time he was on screen, you’re laughing, even if he’s not talking, one scene in general when he’s in a swimming pool. Just the facial expressions alone are making the audience giggle. The back and forth that occurs between Jojo and his mind Hitler comes to a pretty epic conclusion. At times, this can deal with some serious issues, but it’s a satire, and you also have moments where ten year olds are carrying rocket launchers around, so big, it takes two of them to move it. Another standout is Jojo’s best friend, well second best friend next to Hitler obviously is Yorki (Archie Yates) who almost steals every scene he is in. Just a loveable character. It’s when they’re together you realize just how silly this whole movie can be and even though they are suppose to be Natzi, they are just goody ten year old kids, who will believe anything they hear.

I’m not going to lie, I didn’t have high hopes for this, the trailers were just okay, and I wasn’t super interested in seeing it, but boy was I wrong. Jojo Rabbit blew me away, and without doubt enters my top 5 films of the year so far. The humour, the heart and the laughs is enough for anyone. If you like Taika’s brand of comedy and want to see Hitler act like an idiot then this movie will be for you. Top notch performances all-around, a great story and an even better message, this film can pack a punch emotionally at times, and have you howling in the very next scene. Jojo Rabbit is a must see.

Nate’s Movie Tour Reviews – Jojo Rabbit = 84/100

Reviews

‘The Lighthouse’ Review

Strap in for an unlikely pairing of William DaFoe and Robert Pattinson as lighthouse keepers who drive each other insane, all while drinking and farting up a storm. It’s a remarkable film.

The hypotonic and hallucinatory tale of two lighthouse keepers on a remote and mysterious New England island in the 1980s.


Boy, these two guys must have just stunk. Levels of smell I can’t even fathom. One of the first takeaways from Robert Eggers newest movie, The Lighthouse, which finds two men stranded at a lighthouse, where everything isn’t as it seems. There is so much to unpack from The Lighthouse as it deals with many themes, and takes a lot of its mythos from Greek Mythology. Curiosity, obsession and insanity, all 3 of these things drive these men. The Lighthouse is the central figure of this story. Thomas Wake (DaFoe) is the keeper while Ephraim Winslow (Pattinson) is the new comer who mostly acts as a house wife. He does everything except see whatever is inside the lantern room. He is forbidden from going inside, and that is what ultimately drives him to madness.

It acts as a forbidden object, where Icarus once flew to closely to the sun or how Adam and Eve ate the fruit, there is a mythological factor to whatever is inside, and no one truly knows the power behind it. As these men bond over alcohol and argue over everything else, including farts, the chemistry between was palpable.

One thing I should mention, it’s a pretty big detail, this film is in black and white, and it elevates it, in ways colours simply could not do. It makes for a more surreal experience and makes things seem more eerie and more bizarre. These two men, are isolated, trapped on this rock for weeks. Their only outlet is one another, and the only time they are truly bonding is when they are both getting hammered drunk. It’s what brings them together and what tares them apart. Both Pattinson and DaFoe give carrer defining performances, I was blown away by the pair. DaFoe’s character acts much like a god would, with his biblical monologues, his beard and his overall presence. While Pattinson is driven further into madness with each passing scene. The answer he is seeking most, what’s atop the lighthouse, will drive him to his breaking point. Parts of this film reminded me of The Shinning, where being alone and isolated can drive a person mad, being cut off from resources and any form of communication. And actually the one scare in it, works so well and reminded me of one of the more iconic scares in all of horror, from Psycho. Jump scares work so much better without the use of sound, and just everything about the making of this film is pretty much flawless. The score, which beats you to death, with the overbearing sound of a foghorn, never stops. The set design, the use of water, the script. I just thought everything worked so well, but it’s one of those movies where everything sort of has a double meaning and really makes you think.

Even the ending, which can be broken down, and with further watches, answers will be revealed, it’s hard to decipher what Eggers is trying to say. One thing is certain, do not, and I mean do not, mess with seagulls. That will come back to haunt you in a big way.

The Lighthouse = 90/100.