Category: Reviews

The latest “whodunit” from Rian Johnson brings an all star cast together in one of the most entertaining movies of the year.

A detective investigates the death of a patriarch of an eccentric, combative family

Nothing brings family together quite like a good old fashioned murder. That’s exactly what happens in Rian Johnson’s latest film, that stars so many famous people, it’s like a buffet of Hollywood’s elite. You’ll have a ton of fun with Knives Out, it keeps you guessing until the very end, and isn’t just a run of the mill murder mystery. With top-notch performances and fantastic cast, this is the movie to see right now in theatres. Legit the perfect date night movie.

Everything is going as usual at the Thrombey residence, it’s Harlan Thrombey’s (Christopher Plummer) 85th birthday and the entire family has gathered to celebrate. He’s an extremely wealthy man, a celebrated author and has collected a vast wealth over his life span. Here’s the thing, he’s growing weary and tired of his blood-sucking family who essentially have been leaching off him for their entire lives. His children Linda (Jamie Lee Curtis) Walt (Michael Shannon) and Joni, who is his daughter-in-law but treats her as his own (Toni Collette) are all after one thing, money. Even their own children have turned into money craving lunatics. There’s one person who Harlan wants to spend time with, his only true friend left on planet Earth, his nurse Marta (Ana de Armas). So when dear old dad dies, it’s a legit free for all on who is going to get what. That’s also not a spoiler, it’s in the trailer. Ana de Armas is so lovable and sweet throughout the movie. She might not be a giant household name, but she’ll be climbing those ranks after this.

So obviously with a murder it brings police. Not only that it brings world class detective Benoit Blanc (Daniel Craig) who has been tracked down and hired to help solve this case. Here’s the kicker, he is usure of who as contacted him and hired him, but he’s here none the less. Daniel Craig is so good here, he’s got this deep southern accent that gets you every time. Actually referred to as “CSI KFC” at one point. There’s so much talent on screen at all times, Don Johnson, LaKeith Stanfield, and then the standout of the film, Captain American himself, Mr. Chris Evans. Who plays Harlan’s grandson Ransom, who is known as the black sheep of the family. Chris Evans is so awesome in this, funny, charming, bit of a prick. It’s always nice to see actors step away from the capes and turn in a memorable performance. It’s refreshing to see Evans in a role like this, complete opposite of what we are used to as an audience, and he really comes in during the second half of the film, but he fills up the box score pretty quick with limited minutes.

Movies like Knives Out are complicated to discuss because well you don’t want to ruin or spoil a single thing. This movie is just so well made, from the production design, the whole thing is basically set in the Thrombey mansion and it’s spectacular. Everyone is having so much fun “hamming” it up with their performances. We often don’t get movies like this, and it’s one of the best “whodunit” movies in recent memory. Rian Johnson just continues to impress the hell out of me. 3 movies in a row, 3 vastly different genres and they’ve all been great. That’s a hard feat to pull off.

Try to go into Knives Out knowing as little as humanly possible. Watch maybe a trailer but not even. I guess if you’re reading this review prior to seeing the movie, you know just enough. It’s just a crap load of fun at the movies, you’ll be entertained the entire time, and it keeps you guessing the entire time, I thought I knew what was up within 10 minutes, I was so wrong. Just go see this movie so we can get more like it will ya.

Knives Out = 88/100

A pulse pounding, emotional roller coaster that will leave you breathless.

Traces the journey of a suburban family – led by a well intentioned but domineering father – as they navigate love, forgiveness and coming together.

They don’t really make many films like this anymore. Waves is a literal gut-punch of raw and intense emotion, that tells the story of what happens when things suddenly fall apart in the lives of a perfect family. Everything can change in the blink of an eye, a millisecond, your entire life can shift from one extreme to the other. There are no guarantees in life and certainly no free passes. At times Waves can become a difficult watch, not due to the movie being bad but because of the context being presented. Certain scenes and certain moments will leave you floored, in fact the entire audience during my screening let out a collective gasp at the exact moment during one of the most emotionally driven scenes I’ve seen all year.

Trey Edward Shults writer and director has crafted something so beautiful, so powerful so well-made it’s remarkable he was just 30 years old when he filmed it. The opening scene is so beautiful and so happy, you know from the very opening moments that this experience will be something you remember. Waves is essentially two different movies in one. A Moonlight blueprint as you will, where it tells two different stories, each complimenting each other, while neither could exist without the other. The first half of the film follows Tyler (Kelvin Harrison Jr) in his quest to please his father Ronald (Sterling K Brown). His father is trying to push his son not because he wants to but because he has too. You see Ronald believes they have to work 1000 times harder than anyone else to get anywhere in life. Being now successful himself he wants to install that knowledge and work ethic into his son. Even if that means Tyler does almost anything to make sure he doesn’t disappoint his dad. Their relationship is a complicated one, because it appears they spend a lot of time together, yet they are never really truly bonding as a father and son should. Waves is definitely one of those films where the less you know going in the better the experience is going to be. Even the trailer does a fantastic job at providing a background but doesn’t spoil anything, the movie I thought I was going to see and the movie I ended up watching were completely different things, and I’m glad.

When tragedy strikes it’s a ripple effect for those closest to you. That’s where the second part of the movie comes in. It deals with Tyler’s sister Emily (Taylor Russell) who finds herself lost and without anyone to connect to. Waves does a fantastic job at showcasing how a tragic event can follow you not just in a personal manner, but in an online way as well. How you can’t really escape something from your past. Soon Emily meets Luke (Lucas Hedges) and they quickly bond and it’s the driving force for the second half of this film. It’s such a shift in everything we are watching in the first hour and in most cases when films do this, it just doesn’t work. For me, this works so incredibly well and really puts a nice bow on the entire thing. Hedges and Russell just have terrific chemistry, seeing Hedges act as a goofy high school kid was charming and he sweeps Emily off her feet just when she thinks all hope is lost. When a family is shattered to pieces it takes time to put it back together. It’s piece by piece but sure enough everything will fall back into place.

Waves is tricky to discuss because you don’t want to spoil anything and going in blind will lead to the most satisfying experience. Sterling K Brown is a tour de force yet again, every time he is on screen it’s a treat. I honestly can’t say enough good things about this movie and I certainly can’t wait to talk about it with anyone who sees it. There’s a 20 minute stretch that is just heart breaking material and I haven’t stopped thinking about since I walked out of the theatre. This is right now the leader in the clubhouse for my favourite movie of the year.

Waves = 96/100

Who knew the movie with the most heart this year would deal with children wanting to be Natzi.

A young boy in Hitler’s army finds out his mother is hiding a Jewish girl in their home.

Somewhere out there Hitler is rolling in his grave, due to laughing so hard. The reason? Taika Waititi’s latest comedy satire about young boys waning to join the ranks of Hitler’s army all while discovering there is way more to life than simply becoming at Natzi. Coming off the massive success of Thor: Ragnorok, Taika is trading in his cape for a swastika. A film about love, friendship, forming new and unique bonds and most importantly, never judging a book by its cover.

Jojo is a ten year old boy who is growing up in Germany. Unlike most little boys, who enjoy climbing trees, being with friends and all around just being a kid, Jojo takes life pretty serious. He has mission, become Hitler’s right hand man, his best friend, he wants to do something to gain the respect from their “great leader.” When he attends a Natzi Boy Scouts kind of camp and injures himself, he finds himself lonely and disfigured. Ashamed of his new looks, he confides in the comfort of his own home, where his mother Rosie (Scarlett Johansson) is hiding Elsa (Thomasin McKenzie) a young Jewish runaway. Jojo quickly becomes very conflicted with his feelings, because everything he has ever learned about Jewish people has not been pleasant, yet here sits this girl he befriends almost immediately. He learns that his mother is one of the few true good people in his life and has a hard time understanding why she doesn’t support their country in the war. They become closer than ever, once Jojo finally understands his mother’s intentions and realizes how special she is.

Jojo takes up a job helping his former instructor Captain Klenzendorf (Sam Rockwell) do things all around their little town. They also form a bond, as Jojo who’s father is away, sees him as a father figure and goes to him for advice. Sam Rockwell actually doesn’t play a crazy racist in a movie for once! More of a low-key flamboyant army Captain, he also much like Jojo’s mother has a kind heart. He just doesn’t show it. He wants what’s best for Jojo and tries to guide him towards being just a regular ten-year-old kid. They end up sharing a few heartfelt moments together, one in particular at the end of the film where you truly see the good in the Captain, and was always looking out for Jojo. For a movie I found to be so funny, the most I’ve laughed at a movie in 2019, it certainly has some touching moments, and has one of the biggest 180 emotional turns I can remember in a movie. Things go from so happy and delightful to gut-wrenching in about 5 seconds, it was almost hard to watch.

Obviously most of the laughs are coming from the man himself, the director and the stand out performance of the film, Taika. He’s playing Hitler, but just serves has Jojo’s imaginary friend, so the things that happen between them, well, you can imagine. Every time he was on screen, you’re laughing, even if he’s not talking, one scene in general when he’s in a swimming pool. Just the facial expressions alone are making the audience giggle. The back and forth that occurs between Jojo and his mind Hitler comes to a pretty epic conclusion. At times, this can deal with some serious issues, but it’s a satire, and you also have moments where ten year olds are carrying rocket launchers around, so big, it takes two of them to move it. Another standout is Jojo’s best friend, well second best friend next to Hitler obviously is Yorki (Archie Yates) who almost steals every scene he is in. Just a loveable character. It’s when they’re together you realize just how silly this whole movie can be and even though they are suppose to be Natzi, they are just goody ten year old kids, who will believe anything they hear.

I’m not going to lie, I didn’t have high hopes for this, the trailers were just okay, and I wasn’t super interested in seeing it, but boy was I wrong. Jojo Rabbit blew me away, and without doubt enters my top 5 films of the year so far. The humour, the heart and the laughs is enough for anyone. If you like Taika’s brand of comedy and want to see Hitler act like an idiot then this movie will be for you. Top notch performances all-around, a great story and an even better message, this film can pack a punch emotionally at times, and have you howling in the very next scene. Jojo Rabbit is a must see.

Nate’s Movie Tour Reviews – Jojo Rabbit = 84/100

Strap in for an unlikely pairing of William DaFoe and Robert Pattinson as lighthouse keepers who drive each other insane, all while drinking and farting up a storm. It’s a remarkable film.

The hypotonic and hallucinatory tale of two lighthouse keepers on a remote and mysterious New England island in the 1980s.

Boy, these two guys must have just stunk. Levels of smell I can’t even fathom. One of the first takeaways from Robert Eggers newest movie, The Lighthouse, which finds two men stranded at a lighthouse, where everything isn’t as it seems. There is so much to unpack from The Lighthouse as it deals with many themes, and takes a lot of its mythos from Greek Mythology. Curiosity, obsession and insanity, all 3 of these things drive these men. The Lighthouse is the central figure of this story. Thomas Wake (DaFoe) is the keeper while Ephraim Winslow (Pattinson) is the new comer who mostly acts as a house wife. He does everything except see whatever is inside the lantern room. He is forbidden from going inside, and that is what ultimately drives him to madness.

It acts as a forbidden object, where Icarus once flew to closely to the sun or how Adam and Eve ate the fruit, there is a mythological factor to whatever is inside, and no one truly knows the power behind it. As these men bond over alcohol and argue over everything else, including farts, the chemistry between was palpable.

One thing I should mention, it’s a pretty big detail, this film is in black and white, and it elevates it, in ways colours simply could not do. It makes for a more surreal experience and makes things seem more eerie and more bizarre. These two men, are isolated, trapped on this rock for weeks. Their only outlet is one another, and the only time they are truly bonding is when they are both getting hammered drunk. It’s what brings them together and what tares them apart. Both Pattinson and DaFoe give carrer defining performances, I was blown away by the pair. DaFoe’s character acts much like a god would, with his biblical monologues, his beard and his overall presence. While Pattinson is driven further into madness with each passing scene. The answer he is seeking most, what’s atop the lighthouse, will drive him to his breaking point. Parts of this film reminded me of The Shinning, where being alone and isolated can drive a person mad, being cut off from resources and any form of communication. And actually the one scare in it, works so well and reminded me of one of the more iconic scares in all of horror, from Psycho. Jump scares work so much better without the use of sound, and just everything about the making of this film is pretty much flawless. The score, which beats you to death, with the overbearing sound of a foghorn, never stops. The set design, the use of water, the script. I just thought everything worked so well, but it’s one of those movies where everything sort of has a double meaning and really makes you think.

Even the ending, which can be broken down, and with further watches, answers will be revealed, it’s hard to decipher what Eggers is trying to say. One thing is certain, do not, and I mean do not, mess with seagulls. That will come back to haunt you in a big way.

The Lighthouse = 90/100.

Dive deep into the mythos of one of the most iconic and beloved comic book villains of all time. Joaquin Phoenix transcends into another atmosphere while playing the Clown Prince of Crime, but it’s not enough to save this film.

A gritty character study of Arthur Fleck, a man disregarded by society.

The Joker sure likes his cigarettes. He might not even be around long enough for Batman to punch him in his face, lung cancer might be the cause of death for this clown. Joker, written and directed by Todd Phillips, stars Joaquin Phoenix as Batman’s arch-nemesis, The Joker. What a complete whirlwind this movie as caused. So much controversy going into the release of Joker, but I will not be going into any of that here in this review. Another day, another comic-book movie that has divided the masses. Some are praising this to be a ‘masterpiece’, while others think it’s rather forgettable. I find myself somewhere in the middle.

A 1970’s character study about someone who is mentally ill. Struggling with everyday life, Arthur Fleck feels rejected and neglected from the outside world. He thinks up until a certain point that his life is, in fact, a travesty. Cut off from the world, Arthur feels alone and has a hard time connecting with anyone. Joker examines what it’s like to be severely mentally ill and how the outside world, not only treats you but perceives you. This is his origin story, how a simple man becomes the greatest foe to our Caped Crusader. It’s a haunting and dark tale, one that we’ve never seen told in a movie. Arthur has a hard time finding any joy in the world, that is until confronted with a decision to finally stand up for himself, and not let high-class society push him around anymore. Once Arthur breaks that point, once he is submerged into the deep end, there is no going back for this man. Anarchy, madness, mass hysteria are the driving force behind this man, he simply wants no order in the world. Chaos is his form of pleasure, and towards the end of this film, he’s neck-deep in it.

Honestly, Joaquin Phoenix is a revelation, he’s brilliant in every aspect of this role. He took this seriously, and it pays off for him. That doesn’t mean he makes for a great Joker, and that’s my biggest problem with the film, I could never get behind him or even take him seriously. I’m not taking anything away from his awe-inspiring work here, but I just don’t think at the end of the day, he was a great Joker. Call me crazy, but that’s how I felt. The movie for being so twisted, and dark and chaotic, I never felt a sense of horror or shock from what I was seeing on the screen. The tone of the movie at times is all over the place, especially in scenes where the tension is high and you know something terrible is about to happen, it never struck any sort of fear or intrigue on my part. Arthur has a disorder, where at times, he has an uncontrollable laughing attack, a homage to The Man Who Laughs, and this occurs a lot throughout the film. I disliked every aspect of his Joker laugh, I thought as the movie went on, his laugh would evolve and evoke more actual laughter, than a laugh that felt almost forced. It’s hard to explain, but I was so turned off by it, I felt it was taking me out of the entire movie.

This is a new tale about this character, but another thing I disliked a lot, was how terrible of a criminal he was. The Joker is supposed to be this criminal mastermind, someone who can intellectually go toe-to-toe with Batman, he is the master of grand schemes, huge plots that push Batman to his brink. Where Fleck can barely think 5 minutes into his future, and walk 10 feet without causing some sort of damage to either himself or someone close by. Like he is playing everything he is doing by ear, expect his one planned out ploy that comes to a pretty horrific conclusion towards the end of the film. Again, this is a new take on the character and this is how Phillips wanted to portray him, I just thought it was a misstep. Whereas, how they show his descent into madness, how when the literal curtain is pulled and Joker is essentially finally revealed his almost done to perfection. It’s slow and cathartic, where his mind is slowly breaking. He’s quote on quote “bent out of shape” mentally and physically. Not only his is mind breaking and contorting, but so is his body. Phillips does an incredible job at showing just how weird and twisted his body is, Joaquin is contorting his body and it was the most disturbing part about his performance. His body is so skinny and weak and empty, as his mind goes, so does his body and I thought that was an interesting theme.

Another aspect of the film that they do unbelievable service to, is the depiction of Gotham City. In every Batman tale, Gotham City is a character in itself, it becomes one with the movie. Where we are so used to seeing it through the eyes of the rich and powerful, through Bruce Wayne and Batman, while here we are seeing the very underbelly through the eyes of Arthur. It’s gross, dirty and a place where all hope is lost. Gotham is a disease and it’s dying. So when your body is infected, there’s only one thing to do and that’s fight back. The anti-virus just so happens to be Arthur, the symbol of hope for these people that feel they have been thrown away by the upper-class society of Gotham. Little do they know, this symbol they are rooting for is the worst thing that will ever happen to Gotham.

There’s a ton to unpack about this film, many layers, and themes, mostly surrounding mental health and how we ignore it for the most part. Joker has a quote, “The worst part of having a mental illness is people expect you to behave as if you don’t” was something that really stuck out for me. The world just wants him to be normal, they want everyone to be normal, and believe that mental illness is something one can shake off. When you ignore something, it tends to bubble up, it boils to a certain point where it’s no longer safe. The untreated disease will destroy the body, the infection will spread, and that’s exactly what happens to Arthur. There’s a great scene with Bruce Wayne, the Batman stuff is somewhat explored here, wherein this universe, the Joker is the reason why he will eventually dawn the mask. It’s a shame we won’t ever get to see that interaction, and when this movie was announced I wondered how seeing the Joker not interact with Batman, be in the world without Batman would work. I believe they need each other, I believe they feed off each other, and I just don’t think one works without the other.

I wanted to love this movie, but it falls flat, the first 30 minutes drags and I felt overall there are a solid 10 good minutes in here? The score by Hildur Guonadottir is chilling, hauntingly beautiful and one of the best of the year. This is a real film, there are no green screens, something that is expected with a comic-book movie, but not here. The cinematography is stunning, so many enriched shots, so many images that kind of burn into your mind and soul. All of this is not enough to save the movie. There are some great things happening here, but overall, I think it’s pretty hollow and empty. It’s the biggest flaw, the director. In more capable hands, I feel like the elements are changed and the tone and the vibe when things are gritty could have struck a more powerful cord. It’s going to be a massive hit, and people will love this movie, it just wasn’t my cup of tea.

JOKER = 66/100

Brad Pitt reminds us once again that he is indeed our greatest movie star. Ad Astra is a thing of beauty that literally shines under every colour of the rainbow.

Space, a vast emptiness that consumes you the further you explore it. The deeper you voyage into space, the darker it becomes. You are diving into darkness, and at some point, there’s no turning back. Space can very much be compared to loneliness and feeling vulnerable. When we are alone darkness can consume us, whether it’s because we are afraid to love or to be loved. For Brad Pitts Roy McBride his darkness stems from becoming his father and the fear and emptiness he feels inside. H. Clifford McBride (Tommy Lee Jones) once heralded has the pioneer in deep space travel is now at the centre of a controversy that could threaten our entire existence. Here’s the kicker, Roy has thought his father has been dead for nearly two decades, so when he’s recruited to go on one of the most dangerous space expeditions ever attempted by man, Roy, who usually is calm as a cucumber, feels for the first time in his life, emotion.

Isolation, it’s at the forefront of this epic science fiction tale. When you spend the majority of your time, miles above the earth surface, you tend to become isolated, just not from others, but from your own self-being. Roy is a man of peace, he enjoys his solitude, he is known for having a historic heart-rate, which basically means that this man doesn’t crack. Enter the opening of the film, as we watch Roy on a space station, high above the earth, doing some low key maintenance, when suddenly all hell breaks loose, and he is free-falling towards the surface, spinning out of control, and still nothing, no beats higher than 88 per minute. One thing director James Gray explores so well, is the meaning of fear. Roy is petrified to open himself to anyone else than fall from his death aboard a space station. Even when staring death in the face, during a sequence that felt much like Mad Max on the Moon, which was one of the highlights of the movie. Who knew that in the near future we would have space pirates on the Moon, chasing down a landrover for spare parts.

Here begins our mesmerizing journey to the far reaches out outer space. It’s a long trip, Earth to the Moon, to Mars and finally to Neptune. I say this because, the thing that stuck out the most from my experience while watching Ad Astra, was the rich colors each unique destination had to offer. Like each stop along this hypnotic trip was a character of their own. The Earth, so full of life, light and rich and chock-full of energy. The Moon dark and gloomy, full of grey and never-ending darkness. Mars, the Red Sun, so much orange and red, a place of pent up anger, mystery, a new beginning. Finally the last stop, Neptune, so much blue, like a vast open ocean, that seems all incasing.

Living in one’s shadow can always be intimidating and sometimes overbearing. Especially when that shadow happens to belong to the greatest living astronaut the world as ever seen. Roy McBride certainly has big shoes to fill, until he realizes that maybe everything he knew about his father wasn’t as clear and cut. Much like his father Roy enjoys solitude, he doesn’t want to show any emotion, he believes that letting people in can only make his job murkier. Ad Astra doesn’t lack emotion, even if there are long stretches of silence or lack of dialogue. For a movie that spans just shy of 2 hours and 20 minutes, the script, on the other hand, is pretty short. One of the main theme’s of this movie is about isolation, and how it can affect those around you. Pitts character might not showcase every single little emotion that runs through his body, but in a scene, that deals with him and a microphone, that’s all the emotion you need to see. Or the subtle facial expression, or single tear shed, speaks a thousand words. Something that no amount of dialogue could produce and that is simply the beauty of this film.

A movie like Ad Astra doesn’t get made unless it has a rockstar like Pitt in the driver’s seat. I feel like this has been a giant year for the actor, and I feel uneasy calling it a “come back.” Because Brad Pitt hasn’t really ever gone anyway, he just has had his focus elsewhere. Being at the forefront of two ginormous movies this year has propelled him back into the limelight and reminded us all why he is our greatest living movie star. The world has been watching Pitt in movies for nearly four decades now, and he is doing things in this movie, that he’s never done before. There in itself is the reason why you go sit in a theatre and watch Ad Astra, he’s been in our lives long enough, that every time you get a chance to see him act, you go. When it’s in a space epic, by a great film-maker, even better.

I really enjoyed this film, because I love watching masters of their craft, perform at the highest level, like LeBron James in a Game 7, or Tiger on the 18th hole at The Masters. These are events that shouldn’t be missed because once they are gone, there’s no replacing such things.

Ad Astra = 90/100

Get in losers, we’re going to kill a psychotic clown

Twenty-seven years after their first encounter with the terrifying Pennywise, the Losers Club have grown up and moved away, until a devastating phone call brings them back.

Everyone knows that growing up sucks. You have bills to pay, a job to go to and a shit ton of responsibilities. If being stressed from all of that wasn’t enough, tack on having to deal with all of your worst fears, and reliving your childhood drama all over again, in the form of a creepy clown that just wants to eat you alive. Well, truer words could not be spoken for the Losers Club. IT: Chapter 2 has finally arrived and our fellow losers are all grown up. It’s been 27 years, and Pennywise is back and terrorizing the town of Derry. No one can stop him except our heroes and after moving away and forgetting all about their eventful and traumatizing childhood, it’s not until a phone call from Mike Halon do they realize the oath that they made, and it’s time to finish IT once and for all.

IT: Chapter 1 was a bonafide success, a box-office juggernaut and helped launch the careers of some very talented young child actors. One of my personal favorite movies of 2017, I couldn’t wait for the next chapter. Growing up the TV Mini-Series really shook me to my core, and I became fascinated with the character of Pennywise. He truly is one of horrors best villains and such a unique and creepy character. When they tapped Bill Skarsgard to portray him I was intrigued. After he blew everyone away with his performance I couldn’t wait to see what he had in store next. With a runtime of just shy of 3 hours, we get plenty of Pennywise terrorizing not only the losers but the people of Derry as well. The body count is higher, the bloodshed has increased and the amount of scares goes through the roof, all things one would expect with the sequel. The sequel is bigger, bloodier and gets at times very weird. Remember, the book is insane, and sometimes that can be hard to translate onto the big screen, but what they managed to achieve and accomplish, with adding in their own little wrinkles, I felted that it worked to perfection. Yes, this movie is long, but I found myself invested the entire time, and it’s mainly due to the perfect casting choices used by director Andy Muschietti. It’s like the man built a time machine and went into the future and pluck the best possible candidates for our adult losers. Not just how they look, but how the act and interact with one another. I was blown away with how well the adult losers came across on the screen, and it’s the driving force.

So the losers are back in town, and this time around their goal is to stop IT for good. This is where things get a little complicated and a tad messy. The book is a mixed bag and has a ton of insane and weird elements, one of which involves a giant cosmic turtle. Thankfully, because it just wouldn’t have translated well onto the big screen, they bench the turtle. In order to defeat IT, the losers must perform the “Ritual of Chud” something that is powerful enough to defeat Pennywise. If the audience can get around this part of the movie because it’s never mentioned in Chapter 1, I do believe everyone will love this movie just as much. For me, it’s the only potential stumbling block for the entire movie.

What worked so well the last time? The camaraderie and chemistry between our seven losers. They felt like real-life best friends, it work so well, and the bond they shared on the screen made it truly special. It’s easier for kids to do that rather than a bunch of adults, but the way the adult losers are handled was so well crafted that you just have to respect everyone involved. Not only do these people look like their younger counterparts, but how they managed to learn and reenact their mannerisms was astonishing. What I like about the film is that we don’t need to build the chemistry between them, these people have an unbreakable bond, and when they are reunited, they are all transported spiritually back 27 years. They are all acting and behaving like they did when they were kids, and I think that’s what so endearing about the film. The second they are all in the same room together during the iconic Chinese restaurant scene, everything just clicks and goes from there.

Most notably James Ransone who plays adult Eddie Kaspbrak, who is arguably the least known adult cast member, but might have a done the best overall job at capturing his younger self. Jessica Chastain, James McAvoy, Isaiah Mustafa, and Jay Ryan are all great. Again the casting is so impeccable, read any review and that’s one thing every single reviewer will agree on. But the king, the man who steals the show, I’m sorry Pennywise, but this movie clearly belongs to Bill Hader. The amount of acting this man is doing is breathtaking. All the different things he’s doing, this is a horror movie, but my god, he’s so damn good. Even just the amount of acting he’s doing with his facial expressions alone. People online are going to start the Oscar push, but honestly, I think this is just another notch on his impressive belt already. Bill Hader blew me the fuck away in this movie. Especially in the third and final act of this movie.

Mike Halon towards the end of the film says that “Nothing lasts forever,” well, for me and I think countless others, these two movies will.

IT: Chapter 2 = 91/100 – even better the second time around

If you feel like hanging out with Leonardo DiCaprio and Brad Pitt for 3 hours, then this movie will be for you. This is a classic “hang” movie, with Brad Pitts greatest performance.

A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood’s Golden Age

1969 Hollywood, a time and place of wonder. The air was cleaner, the sex was dirtier and Charles Manson was on the loose. Just an all-around magical time for Hollywood. At least that’s how Quentin Tarantino feels with his 9th film and an absolute masterpiece, Once Upon A Time In Hollywood.

It’s now been almost 30 years with Quentin Tarantino making movies for this world and he’s become one of the most discussed and polarizing directors we have ever seen. Before Tarantino came along, there was a certain mold and certain way that you crafted a film. Well, he literally tossed the rule book out the window and decided he would make his own rules and do things his own way. The rules in film making are what you make it, and that describes Quentin to a tee. That’s one of the best aspects of Tarantino. The fact that this guy loves cinema just as much as we do, in fact, he loves it more. When you have a filmmaker that’s this passionate about making movies, it’s a mixture for a fantastic product, and that’s why I love every single one of his films. They are so personal and so detailed that you can’t help but respect this guy so much. He reinvented how characters act and speak in movies. It’s like we are watching just a group of our friends hang out, and talk about whatever.

Once Upon A Time In Hollywood is no different. As we sit and watch Rick Dalton (Leo) a struggling partially over the hill TV actor trying to deal with the fact that he might be washed up. Along side him, his best friend and his stunt man Cliff Booth (Pitt). Now both of these characters are made up, and they are placed in this alternative reality of 1969 Hollywood, where they become intertwined with one of the most notorious and shocking events in American history, the Charles Manson murders. Cliff and Rick do everything together, and we are along for the ride. We even get to watch them watch a television program that Rick is apart of. In a very interesting scene, where for about 3 minutes you’re watching a fake television program and in the background hearing DiCaprio and Pitt colour commentate the whole thing. That’s why, whether or not you’re a fan of his work, this movie won’t be for everyone. It’s slow like I mentioned this is a hangout movie. It’s a day in the life kind of movie with a bunch of different perspectives. You’re watching a behind the scenes look at how television shows were made back in the hey-day. But this is what’s so fascinating about it. Leonardo DiCaprio, one of the greatest actors, is playing this vulnerable and at times kind of pathetic actor, and it’s so weird to see this side of him. But here’s the thing, Leo is so good at what’s he’s being asked to do, a guy who is just trying to stay relevant and a guy who used to be at the top of his game, feels threatened by younger stars and at times reminds the world that he is a brilliant actor. It was quite interesting to watch unfold. As for Brad Pitt, I personally believe this is his greatest role and performance. He’s the definition of cool, and just some of the things he does in this movie will be a talking point for a long time among moviegoers. Both Leo and Brad should be nominated for Oscars and I would love to see one of them bring home the gold.

Going in I thought this would heavily lean on the Mason murders and Sharon Tate, but that’s not what this movie is about, like at all. It’s a sub-plot that comes to a whirlwind of a conclusion in the last 20 minutes, but this is a movie about two friends who happen to fall in the middle of something. Margot Robbie as Sharon Tate was great. She isn’t given a lot to do or say, but it doesn’t mean she’s not a force when she’s on-screen. She’s so full of life and joy and brings such a ray of sunshine in every scene she’s in, that at times you forget about the horrific fate that she received. I can’t say anymore because knowing what I know now, and what I thought this movie was going to be about, were two totally different things, and I’m so glad this movie was marketed the way it was.

You really do feel that you’re being transported back to 1969 because every last detail in this thing is spot on. Another crowning achievement from Quentin. The cinematography, the colours, costumes, even the radio ads that you hear while our characters drive were apparently the exact radio ads being played that day in Los Angeles. Now if that isn’t dedication to your craft I don’t know what is. All of that, plus this insane cast of people, giving classic Tarantino performances, where you have this 8-year-old girl explaining in the movie to Leo, about her craft and why she can’t eat lunch because it messes with the way she acts, is so damn good. Julia Butters, an 8-year-old, blows Leo off the screen for 5 minutes and then you realize it’s because Tarantino is better than anyone at getting the most out of his cast. He writes dialogue almost better than anyone.

This is Quentin’s love letter to Hollywood, a place that he adores and admires, and it shows through his work. This is, without doubt, the most personal and compassionate thing he’s ever made. You never know what you’re getting when you walk into a Tarantino film, and you certainly don’t know how you’ll feel when you walk out. I was stunned and thrilled by what I watched, and this is certainly so far my favourite film of 2019.

Once Upon A Time In Hollywood = 94/100

Liv Tyler needs to stop being involved with people that go on dangerous space explorations.

It feels so good to have “movie star” Brad Pitt back in our lives doesn’t it? When was the last time he was even involved in a movie with this much magnitude? Everything about James Grays Ad Astra is simply stunning.

Can we all just stop and appreciate some of the visuals we are getting in this trailer. Gun fights in space, you now have our absolute attention. The whole thing feels so large in scale, yet so mysterious. We haven’t even really seen Tommy Lee Jones in the flesh in either trailer just in a video recording and he is the focal point of the mystery. Just two phenomenal actors working as father and son, I know if they get to share the screen together, Pitt and Jones are going to crush it.

Now can we as a population not make this 2019’s First Man. Another great and beautiful space movie that no one decided to see. I guess you can debate who can carry a film better Pitt or Gosling, but the world needs more great space movies and in order for that to happen, they need to succeed at the box-office. So that’s make that happen, because Ad Astra looks special.

Hits theatres September 20th!

Matthew Vaughn is bringing this franchise back to its roots. A sleek and stylish trailer, that appears to be a step up from the Kingsman sequel.

Who knew that we needed a Kingsman prequel. I’m sure not many people asked for it. After the success of the first, yes fans wanted more Eggsy and Harry Hart. The Golden Circle was a let down to say the least, I think Vaughn let this franchise get away from itself a little bit. With too much style, not enough substance.

Well now here we are, the first trailer for the prequel, the telling of what seems to be the origin for how the Kingsman came to be. Vaughn has one of the best sense of action, and its on display here in the trailer. Much like the previous two films, it focuses on over the top, slow motion action, but it always works so well. This feels and looks a little more grounded and definitely less colourful, but seeing the time and setting of the film, it makes perfect sense.

The cast is just incredible, a ton of star power and just terrific actors. Ralph Fiennes, who could be playing the founder of Kingsman, Aaron Taylor-Johnson, Matthew Goode, Daniel Bruhl and Rhys Ifans, with many more. I’m hoping the really go deep on why the Kingsman came to be and hopefully have some tie ins with our cast in present day.

Overall a solid first glimpse at what appears to be a great rebond from a movie that is all but forgotten.

Hits theatres in 2020!