Reviews

‘Suspiria’ Review

This is a dark atmospheric journey, that will mess with your mind, body and soul. Suspiria drags you to the depths of hell.

As darkness swirls at the centre of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.


But any who, Suspiria is a remake of the 1977 classic that was really genre defining when it was released. If you go back and watch the original you will notice the use of bright and vibrant colours and the use of colour is so highly regarded for that film, that going into the new version I expected the same. This movie is not at all like its predecessor when it comes to the colour scheme, rather I found the movie to be mostly dull. A lot of grey and beige, I guess it makes sense as this is 1970’s West Germany, but still to go from one extreme to another, probably through off a lot of fans in the process. I went into Suspiria with a open mind, I usually don’t go see movies like this, this is an art house film, with a ton of layers, symbolism and metaphors that are thrown into your face. After sleeping on it and really thinking hard about it today, I enjoyed Suspiria for what it is and if you don’t mind the run time of just over 2 hours and 30 minutes and enjoy the horror genre, I would recommend this movie for you.

I won’t go to deep into the plot or details of it because I don’t want to spoil anything, but like the original, it’s about a dance company that doubles as a breeding ground for Witches. We have Susie (Dakota Johnson) the new girl from Ohio, who sweeps the studio off their feet within seconds of her audition. Mainly her teacher Madame Blanc (Tilda Swinton), who is a world renowned dancer and someone the girls at the company greatly respect. They immediately form a close and unique bond, and just in a few short days, Susie is dancing in the lead role for the company. Now I mentioned that this dance company is run by witches, so when I mean dance, they are secretly performing rituals, because these witches need the perfect sacrifice in order to resurrect their master. So Susie befriends a few of the girls in her class, one girl in particular Sara (Mia Goth) who over time becomes suspicious to her surroundings and what might be going on behind the scenes. You see one girl has “gone missing” Patricia (Chole Grace Moretz) who has found compassion and friendship in an 80 year old psychotherapist Josef (Tilda Swinton). Throughout the movie I knew something was up with this old man, he didn’t look right, it wasn’t until after the movie I found out that Tilda plays the role. She’s playing two parts here. It really just threw me off because something didn’t look right. Whether it was the makeup or the mask she was wearing, it didn’t look great and it was taking me out of the movie completely. So when Patricia goes missing, Josef takes it upon himself to investigate which ultimately leads him to Sara. They discuss the possibility of the Madame’s being witches.

Speaking of witches and witchcraft. This is a horror movie and there is some extreme graphic nature throughout. Without giving it away, there’s a scene which involves a room full of mirrors and some torture that well is the energize bunny because it just keeps going and going. Remember that Simpson’s episode, “Stop! Stop it! He’s already dead!” – yeah this is the equivalent to that. After about 30 seconds I was like this poor girl has had enough, 3 minutes later, I was telling myself – WHY IS THIS STILL HAPPENING? Without doubt the scene that will be stuck in my head for a long time and it’s the scene you will remember most when walking away from this movie. That was the highlight of the film for me, because the rest of the movie is so overstuffed and filled with fluff. It was hard to keep track of what was really going on, who was who and what these witches were even doing in West Germany to begin with. There is zero and I mean zero backstory or even acknowledgment of where they came from or how long they have been here, and I found that to be annoying. This movie is so long, and the fact they didn’t even decide to address that tells me the director Luca Guadagnino who is coming off Call Me By Your Name maybe bit off more than he could chew with Suspiria. It’s just so congested and at times confusing and I just think a few seconds to explain itself could have done wonders for the overall product.

I haven’t been the biggest fan of Dakota Johnson, but I must say, she impressed me here. I throughly enjoyed her overall performance in Suspiria, and I almost feel like she was the perfect choice for this role. Her quiet demeanour, and the way she moves and her body language really spoke volumes to me. She honestly kind of saved the movie from being a complete and utter train wreck. Her chemistry with Tilda Swinton is also great, she is another standout among the cast. Although I found it totally unnecessary that she play the role of Josef, for the reasons I mentioned above. The performances are certainly not the downfall to Suspiria. Pacing issues, bloated-ness and overall a lack of structure in the film making are the reasons this movie just isn’t as a whole, very good. Yes, there are some great moments of horror and fear to be had, some intense and gruesome deaths, but I expect that in a horror movie. What I want and what needs to happen in order for that genre to be successful is a well put together film. That isn’t achieved here with Suspiria, and I found myself lost for the most part.

All things considered, I’m happy I saw it. I went outside my comfort zone with this one and I believe some people will love it. But for the average movie-goer, this will not be their cup of tea. There’s also one witch that looks identical to Tina from Bobs Burgers, so maybe this is some sort of prequel or something, I dunno.

Check ya later

Nate’s Movie Tour Reviews – Suspiria = 60/100

Reviews

‘First Man’ Review

Damien Chazelle’s 3rd outing proves he is one of Hollywoods great young directors. First Man is a stupendous technical achievement, but at times can feel sluggish and monotoned.

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A look at the life of the astronaut Neil Armstrong and the legendary space mission that led him to become the first man to walk on the Moon on July 20, 1969.


Have you ever really thought about it? The Moon landing? It’s something that happened almost 50 years ago, actually, next July will be the 50th anniversary of one of the most important and significant events in the history of mankind. While I sat in the theatre and looked up at that massive IMAX screen, it hit me. I actually didn’t know anything about Neil Armstrong and his fascinating life story, even less about the insane journey that NASA went on to finally put a man on the Moon. Maybe that’s because the Moon landing although a massive achievement is celebrated by Americans. Over a billion people watched their TVs on July 20th, 1969. I walked away from this movie, not thinking about the film itself, but rather the sympathy and pain I felt for the heroic man that pretty much sacrificed everything so he could accomplish something very few men have ever done.

I had high expectations for First Man. Coming off Whiplash and La La Land, Damien Chazelle is held in pretty high regards when it comes to directors with me. I don’t like comparing movies, but I felt this was his weakest film to date, but not by much. As the film opens up, the first 5 minutes is almost utter silence. The sounds of intense wind, and heavy breathing, but there is zero dialogue. That’s how I described this film, it’s very quiet. There are several moments of long pauses, and immense quiet, which can be successful in certain scenes but can make the overall film feel long and drawn out. If you had to choose one word to describe Ryan Gosling, for me, the word that always comes to mind is stoic. He’s a quiet actor to begin with. Actually, he does some of his best work when he isn’t saying anything at all. Drive, Blade Runner 2049, all these great performances are done not with words, but rather his face and his body. Well, First Man is no different. Neil Armstrong was a private person, especially after the death of his infant daughter. He becomes recluse and doesn’t know even how to treat his other two children. Death can change a person, and it was pretty clear that the death of his daughter took an immense toll on him, even if he didn’t let it show through. Gosling is as usual, fantastic, and I’m certain he will nab an Oscar nomination.

But he has two roles here. Neil Armstrong the family man, and Neil Armstrong the astronaut. For me, this is where the movie falters. The space exploration and the Moon landing is movie making at its finest, and what the movie will be remembered for. But it all feels so detached from everything else that is going on. That is the films biggest downfall. But for me, that is just a tiny nitpick, because the movie does flow really well, and it’s such an incredible story, that small details like that shouldn’t matter. Ryan Gosling isn’t the only one giving a terrific performance. Claire Foy plays his wife Janet Armstrong who has to deal with a lot herself on this journey. She doesn’t work and has to take care of the kids, but at times has to listen to the mission control room through a tiny little radio, while her husband is literally fighting for his life. Talk about tension and talk about nerves. She’s really great here, and you can feel the discomfort and the disconnect that her and Neil share after the death of their daughter Karen. Corey Stoll, Kyle Chandler, Jason Clarke, Ciaran Hinds, this really is a jammed packed cast, with everyone contributing in their own way. It’s an “oh that guy” kind of cast, but it’s super effective.

The filmmaking aspect is really a special achievement. From the get-go, it felt different. The screen almost looked fuzzy, like we were watching some old footage. I found like I was actually traveling back in time. But when the space exploration takes place, you really are blown away. I’m not sure how they pulled it off, but Chazelle deserves a ton of credit. He’s now 3-for-3 with this feature films and after a disappointing weekend at the box-office, it will be interesting to see how this fairs come awards season. It’s a slow burn, and I think audiences going in thought this might be a little more like Gravity, and a bit more intense. The claustrophobic space stuff does get intense and it makes you tighten your grip on the armrest, but when you know history and you know how this story ends, that tension and intensity can feel a little fake.

Overall, I rather enjoyed First Man despite its flaws. Was it everything I wanted it to be? No. But that doesn’t take away from the overall achievement of the film-making here. It’s not going to transcend the film industry or even the space genre, but rather it should be considered a technological achievement. Damien Chazelle is going to be in our lives for a long time, and I can’t wait to see what he pumps out next. I just wanted a little bit more, but learning about Neil’s life and his journey was worth it for me. The most emotional beat in the whole movie is something that I feel uneasy about. I have tried to research it, and it’s hard to talk about without spoiling the ending. I’m sure they talked to Neil’s family, but this moment was something that they were building throughout the whole film. If this was just added for theatrical effect, I’m not going to lie, I’m going to be a tad upset. But if this moment really did take place on the Moon, boy, it makes it all more special and emotional. This movie won’t be for everyone, but for cinephiles like myself, I certainly loved the ride.

Check ya later

Nate’s Movie Tour Reviews – First Man = 86/100

Reviews

‘Venom’ Review

Stop going on review sites and just listen to me. Venom is fricken awesome and a ton of fun.

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When Eddie Brock acquires the powers of a symbiote, he will have to release his alter-ego “Venom” to save his life.


Remember back in 2007 when we got Eric Foreman as Venom? I try to forget, for so many different reasons. At that point in time, it was the biggest disappointment I had felt in terms of moviegoing. There was no need to have him be a part of that movie, but the studio wanted to shoehorn him into the film. Well 11 years later the dust has settled and we have finally gotten not only a Venom we deserve but a Venom movie that should be appreciated by fans and critics alike. Not all comic book movies can be masterpieces, and not all comic book movies can fall under the same blueprint as the MCU. Saying that doesn’t mean it makes something different worse by any means. Currently sitting at 30% on Rotten Tomatoes, I have a really hard time understanding where these critics are coming from. This is an enjoyable comic book movie experience, with great action and a fun sense of humor. They did a Venom origin movie without the use of Spider-Man and I thought they pulled it off pretty well. That’s a daunting task if you ask me because they go together like PB & J.

Yes, there are certain aspects of this movie that do not work. Tonally it’s all over the place. I think part of the studio wanted to make this rated R, and another part was shy about the idea. Personally, I think the studio felt if they went with the hard R rating it could affect box-office numbers. Well in its opening weekend, Venom made just over 200 million dollars worldwide. Blowing expectations out of the water and making it the biggest opening for an October release. Tom Hardy who gives a bizarre yet memorable performance as Eddie Brock/Venom is signed on for another two flicks. This is getting a sequel, but the big takeaway fans have had is that they wanted the R rating. Tom Hardy goes all in on this role, and I’m happy he did it. He was even taking advice from his 13-year-old son about how he should play Venom. It’s cooky, it’s weird and he really goes for it. He carries the entire film. Remember there is ZERO mention of Spider-Man in this movie. They even changed the name of the Daily Bugle. So they are distancing themselves from the Spider-Man mythos (for now). Since the film doesn’t quite know where it wants to land tonally, it can take you out of it at times. You aren’t sure whether you should laugh at certain moments or not. There are two other notable movie stars in this. Michelle Williams who was noted in saying she took this role for the money, which is never really a good thing. She and Tom have zero chemistry and it’s noticeable. Not great, considering these are two very talented actors/actresses working on screen together. The script doesn’t really help, but you gotta work with what you’re given. I wouldn’t mind her being written out for the sequel. Riz Ahmed plays Carleton Drake the film’s villain. I don’t know what he wanted to be. The slimeball business guy, the cold-hearted jackass or just a little bit of both. He is another talented guy, so I was shocked that he didn’t deliver a better performance. But that’s not why we all flooded into the theatres to see this movie.

Ruben Fleischer who directed Venom had a tall task ahead of him. This movie that ultimately feels very jumbled isn’t all on him. But for the inevitable sequel, SONY needs to reach out to a more suited director that knows how to make a rated R scary movie. I think that’s where this needs to go. We all came for Venom, and when he shows up, this movie is pretty damn awesome in my opinion. The back and forth between Eddie and this voice inside his head are some of the best scenes and that’s when the movie really takes off. Eddie trying to be a normal guy and interact with others, all while having this demon inside his head telling him to eat something or someone. Then when he takes over Eddie completely, I was kind of blown away. This is always been what I wanted in a Venom movie, I just wish at times he was battling Spider-Man. Another reason for the R rating, Venom is kicking some serious ass, he is even bitting dudes heads off. It would have been nice to see a little more blood and gore. Because why show him do that, but not go all the way with it? Just a misstep on the studios part with that decision.

I just don’t think Fleischer and even SONY knew what they wanted this to be. I think Hardy was super passionate about playing this role and going forward he could serve as the Tony Stark of this universe. Remember Venom isn’t a full-on bad guy, and I thought they did a great job addressing this in the movie. Because Eddie isn’t a bad guy, he’s just a loser, just like Venom. When Venom comes out to play and the fantastic interactions between him and Eddie, that was more than enough to satisfy me. The first time out wasn’t going to be perfect, but you learn from your mistakes and correct them. You build on what worked, and some things worked really well. I’m excited to see where they take this franchise and this universe. Venom has been around the pop-culture zeitgeist for a long time, there is a clear following. Do us fans justifiable service and we will support your movie, it’s as simple as that. Venom isn’t perfect, but if you like this character, you should enjoy this movie, in my opinion at least. If there’s one thing they need to drop for the sequel, it’s Woody Harrelson as Carnage. I don’t see that working, and I can’t watch an entire movie with him wearing a big dumb goofy red wig. He’s great, but he’s not meant for this role.

Check ya later

Nate’s Movie Tour Reviews – Venom = 77/100

Reviews

‘A Star Is Born’ Review

Bradley Cooper delivers the best performances of his career and lets the world know that he is a force to be reckoned with behind the director’s chair.

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A musician helps a young singer and actress find fame, even as age and alcoholism send his own career into a downward spiral


So Bradley Cooper can really sing. They let you know this from the very opening moments of this film. Not only can this man sing, but he can also direct and he can act. Is there anything that this man cannot do? Going into A Star Is Born, the directorial debut of Bradley Cooper expectations were high. Reviews had been pouring in and everyone was declaring this a sensation and one of the best films of 2018. When it appeared at TIFF word of mouth was spreading fast, and this instantly shot up the ranks of my most anticipated movies to see before the end of the year.

Imagine a chance meeting, that is almost like a fairy tale playing out in reality. One of the biggest rock stars in the world, drunk off his ass, stumbles into the drag bar where you are performing. Well, when Jackson Maine (Bradley Cooper) does just that and is mesmerized by Ally (Lady Gaga) the moment he hears her open her mouth and sings, you know these two are destined for greatness together. So when Jackson asks her to have a drink with her, he wants to get to know this mysterious singer/songwriter. See Jackson might be a bonafide rock star, but he is battling inner demons. He has massive alcohol and drug issues, and he is looking for motivation and a new spark in his life. Jack is also losing his hearing from an issue he’s been dealing with his entire life. When Ally agrees to go to one of his shows, he drags her on stage to perform one of her songs together, and the crowd goes wild. In just a matter of minutes, Ally’s life is completely turned upside down, and she is thrust into this lifestyle of the rich and famous. From there we go on this rollercoaster emotional journey, that is filled with heartfelt love songs, the ups, and downs of being famous and the battle with the bottle. A Star Is Born is really everything I wanted it to be and more.

First things first, the music is incredible. I knew that Bradley Cooper could sing, but I didn’t know I would be blown away like I was. The concert scenes feel so authentic and real, I thought I was just watching a live taping of a band performing in concert. You get emotionally invested in these people because of the performances they are giving. Lady Gaga is phenomenal here. She isn’t the first singer to crossover into acting and gives an outstanding performance. Madonna and Jennifer Hudson both come to mind, but Lady Gaga sheds her usual over the top fashion look and transforms into another person completely. Their chemistry is great, and in a movie like this, that is either going to carry the film into great heights, or it will inevitably be its downfall. I believed that they were in love and that they fell for one another, which means that they probably spent some time together before filming.

It was interesting to watch Ally’s rise to fame while watching Jack battle his demons, all while trying to show her ropes of the business. One is flying high, while the other is battling each and every day with something that he doesn’t always want to share with those closest. His older brother Bobby (Sam Elliot) is the last family he’s got, and they have an intense and personal relationship. All three of them should be nominated come Oscar season, I can see big nominations for this. Bradley will not only get nominated for acting, but he should get a nomination for directing and this will be nominated for best picture. It’s a spectacle, and Bradley Cooper deserves so much credit for everything he has accomplished. Even Lady Gaga shocked me. She became so real, at times, I forgot just how overzealous she is in real life, I almost like this version of her better.

When you’re in love, you will do whatever it takes to make that person feel special. This is quite the love story. It’s a story about taking a chance on someone, even if they are from a different world. Alcoholism is a scary disease and I thought Cooper did an excellent job depicting addiction and how it not only affects those around you but how it ultimately runs your entire life. Addiction can consume you, no matter how much love and support you have in your life. Jack deals with it his entire life until it catches up with him, and he needs to go to rehab. This is an emotional film, with powerful performances, and it leaves you wondering if this is what life is truly like for world-famous rock stars.

Overall I thought the soundtrack and performances carried this movie really well. Bradley kind of sucks you in straight away and his performance is almost hypnotic. When you haven’t seen a certain actor do something like sing, you can really become invested in their role. The ending is soul crushing and it kind of leaves you wanting a little bit more. I know I’ll be pumping the soundtrack for the next few weeks.

Check ya later

Nate’s Movie Tour Reviews – A Star Is Born = 91/100

Reviews

My 30 Favourite Movies

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When someone asks you, “what’s your favourite movie?” What is the answer you usually give them? What does it mean? Your favourite movie? Is it the movie you have seen the most throughout your life? The movie that you can quote the most? Maybe it’s a movie that makes you feel a certain way or it makes you think of a certain someone. All of these things can be true, and maybe a little bit of each one of those can be mixed together to form someone’s favourite movie. Well when I get asked that question, I usually stare off into space, because I simply cannot answer it. I do not have a definitive “favourite movie.” I have many favourite movies, but I can never just pick one. It’s just too much of a complicated question for me to answer. But I just turned 30 and I thought it would be pretty neat to travel back in time and pick my favourite movie from each year I’ve been alive. So we will be going all the way back to 1988, a simpler time in Hollywood, and a time where a shit-ton of fantastic movies were being made. I had loads of fun deciding and making this list. Comment on some of your favourite movies throughout your life, and maybe give this a like or share, because, well, it took me a while to write and watch all these movies, alright!!


1988. Who Framed Roger Rabbit. Release Date. June 22nd, 1988. Director. Robert Zemeckis. Box Office. 329.8 Million.

“C’mon Roger, let’s go home. I’ll bake you a carrot cake.” – Jessica Rabbit.

Kicking things off in style! This is a once in a generation kind of film. It needs two things. A creative and forward-thinking filmmaker and a little luck. The amount of work that went into making this masterpiece is something else and I wish Hollywood would take a little more risks and make movies like this more often. Sex, lies, and murder. Sounds like a kids movie to me! Or not someway I would describe one of my favorite childhood movies. After rewatching this movie as an adult, I was processing a lot of information. One, this is legit about sex, lies, and murder. Men are obsessed with a cartoon, and I learned a thing or two about patty cake. Second, this movie simply doesn’t get made in today’s world. We have Bugs Bunny sharing a scene with Mickey Mouse, that’s Disney and Warner Bros. in the same scene. We got Daffy and Donald Duck having a piano battle. Imagine trying to get the rights to all these characters. The closest thing I can think of would be this year’s Ready Player One. I remember watching this as a kid and being so invigorated by everything that was going on. I was also terrified of Christopher Lloyd and his portrayal of Judge Doom. Actually, I lied just now. He still scares me, it’s crazy to think this was made 30 years ago. I say that because the rendered animation mixed with the live action is pretty much flawless. The effects are just spectacular, well of course they are, this movie won 3 Oscars. The last 30 mins of this movie are so damn good, the battle between Valiant (Bob Hoskins) and the weasels and Judge Doom always cracks me up and is actually pretty entertaining. The whole movie is just so well put together. It’s a great story, Hoskins is actually acting his butt off. The guy is acting off of no one for the most part. All of his scenes with Roger and the other Toons are spectacular because he’s just doing it himself. Gotta give that legend some credit. This is also responsible for some strange fetishes towards Jessica Rabbit, but we don’t have to go there.

1989. Little Monsters. Release Date. August 25th, 1989. Director. Richard Greenberg. Box Office. 793,775 Thousand.

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“Who put piss in my apple juice!” – Ronnie Coleman

Peanut butter and onion sandwiches, yum! The movie that made Howie Mandel a germaphobe! Or at least led him down that path, I mean it makes perfect sense, doesn’t it? The guy spends countless hours sitting in a makeup chair having people not only touch his face but putting on god knows how much makeup. Well if that’s what had to happen for Howie to go off the rails I’m happy. Because as a kid growing up, didn’t everyone want the ability to just disappear to a place of fun and wonder? Well, enter Little Monsters, another weird but heartfelt kids movie that I fell in love with growing up. It had the baddest brothers in the world growing up, the Savage boys. Imagine befriending a monster who lives under your bed then going on countless adventures with that said monster, ruining lives everywhere. Sounds kind of messed up, but hey, when you’re a kid, you don’t think like that. Again, this movie is scary, weird and pretty dark for a child, because all the monsters are former kids. So that’s pretty twisted for a kids movie because Maurice is recruited to turn Brian into a monster, that’s pretty messed up. But I love the bond and the relationship that Maurice (Mandel) and Brian (Fred Savage) share. The ending showdown between the kids, Boy and Snik, is so damn good and it still somehow manages to give me chills. Because I just wanted to be a badass kid when I was younger, who didn’t? Also, Ronnie Coleman is Buzz from Home Alone, I just found this out and my mind is blown. If this scene doesn’t make you teary-eyed, then you have no soul. One of the most gut-wrenching moments of my childhood. Any movie that ends with Road To Nowhere by the Talking Heads is good in my book.

1990. Edward Scissorhands. Release Date. December 6th, 1990. Director. Tim Burton. Box Office. 66 Million

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“Sometimes you can still catch me dancing in it” – Kim

That Johnny Depp, he makin’ me cry! Remember that classic Seinfeld episode? It’s not important here, but I had to steal that line. The great modern fairy tale of this generation if you ask me. Forget Romeo and Juliet and all that Shakespeare BS. Give me some Tim Burton and Johnny Depp. With Burton being involved you know there are gothic tones all over this thing, and nothing screams gothic tones like the crazy woman capital of the USA. It’s my favourite Johnny Depp movie and performance. I’m not a huge Depp fan, I think he’s just a human character now, but this is APEX Depp, and I love every single second of his performance. So this is the strangest love story ever told, but dammit if it ain’t majestic. This whole movie is just stunning, from the colours, the cinematography, to the score, to the acting. Arguably the most weirdly beautiful movie ever made: girl meets boy, boy has scissors for hands, girl hates boy at first, girl falls in love with boy. Seems simple enough, right? I can’t get over how good Depp is in his performance, really is one for the ages. I can’t believe he wasn’t nominated for an Oscar. Throw in Dianne Wiest, Alan Arkin and god bless her in this movie, Winona Ryder. It’s peak Ryder, she destroys in this role, as the sweet-hearted, girl next door type. Rewatching it now, it’s hilarious to see buff Anthony Michael Hall. Ask 10 people, they will say, yeah the skinny nerd from Breakfast Club. Well, a lot can change in 5 years, because he’s so insanely different in this, it always throws me off. Watching a man with scissors for hands trying to use a waterbed, or trying to put on pants, is so next level comedy, it cracks me up every time. What pushes me over the edge for this movie is the score. Personally, I believe it’s the most powerful movie score ever made. It encapsulates the movie in all its essence. I know it’s not the best movie score ever, but how it fits in the movie, makes it so effective It’s Danny Elfman in true fashion, and this scene is so hauntingly beautiful, I just wanna cry every time. It’s fucking perfection. The film is so full of emotion, heart and human nature, I just hold it very near and dear to my soul. This will be my wedding song, so future wife, sorry not sorry.

1991. Point Break. Release Date. July 10th, 1991. Director. Kathryn Bigelow. Box Office. 83.5 Million

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“Young, dumb and full of cum” – FBI Director Ben Harp

We’ve had Bird vs. Magic, Ali vs. Fraser, Batman vs. Superman, but the world was not ready for Reeves vs. Swayze. This is what happens when an unstoppable force, meets an unmovable object. Titans in their own regard going toe-to-toe, making for one sure fire wild ride, that is a thriller from start to finish. When discussing Point Break, where does one even start? How about with the title itself? Point Break, a surfing term, but for this movie it’s the perfect title. It was almost called Johnny Utah, which would have been okay, but Point Break is like I said perfect. How about the casting? At this time Keanu was known only for Bill and Ted. Those lame ass goofball comedies, but Kathryn Bigelow wanted him and knew he could be an action star. Well, I think she nailed that one right on the head. The guy even took up surfing after the making of this movie, he’s just the greatest. Next up, Swayze. Bodhi is perhaps the first bad guy that people are rooting for throughout the film. His charisma is on another level. They don’t reveal him until minute 25, he’s like the scary villain in a horror movie. Not just Bodhi, but the Ex-Presidents themselves. Best bank robber masks in all of cinema, and maybe top 5 movie mask in all of cinema. It’s such a fantastic and innovative idea. Listen, this movie was made in 91, directed by a woman (so rare back then) and is pretty much flawless in my mind. One of the first modern action movies, where if they remade it today, they wouldn’t have to change pretty much anything. I know they remade it, but I’m not counting that. This movie shared a theatre with the runner-up for 91, Terminator 2. Directed by, at the time, Bigelow’s husband, James Cameron. Imagine that? These two juggernauts in the theatre at the same time, sheesh! I love bank heists movies because you always feel you could do it. It’s exhilarating, you’re sticking it to the man, you wanna know if you could pull it off. Point Break will never get old for me, everyone is doing some of their best work, even Gary Busey is exceptional. This movie has everything I want in an action movie, and you can see the seeds of what’s to come for Keanu, and he’s so god damn good in this movie. One of my all-time favourite movie characters. Keanu became a surfer, Swayze became a spiritual guru, I think they really liked their characters. Without this, there is no Fast & Furious franchise, this was the blueprint for so many movies to come, which includes the best chase scene ever. The biggest crime against this movie is how late I was to it. I can only imagine how many times I would have seen it by now if I came across it about 10 years prior, stupid me. Here’s the infamous and best chase scene (on foot) of all time.

1992. Batman Returns. Release Date. June 16th, 1992. Director. Tim Burton. Box Office. 266.8 Million

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” I don’t know about you Miss. Kitty, but I feel so much……yummier” – Catwoman

By far the most under-appreciated and underrated comic book movie ever made. Tim Burton’s follow up to the ‘89 Batman is one of his crowning achievements in cinema. There have been so many renditions of Batman throughout my life, but no one, and I mean no one, understood the dark gothic aesthetics of not only Batman but Gotham City like Tim Burton. Not surprising that WB took so much influence from these incredible movies for their masterpiece cartoon, Batman The Animated Series. Burton just got the dark, gritty nuance of Gotham City, and he gave it an identity, some personality and that is important when creating a great Batman film. Again this was 92, you can’t compare Keaton’s version of Batman, to what we have seen after it. There are no grand epic action sequences or a ton of CGI; what this movie has going for it is its incredible characters. Keaton had the duality of Batman and Bruce Wayne down pat. It’s a crying shame we only got two performances out of him because the follow-up to this movie with Burton and Keaton would have been something special. Speaking of characters, Danny DeVito and Michelle Pfeiffer couldn’t be more perfect casting. Pfeiffer’s Catwoman is just one notch below Ledger’s Joker for the best on-screen portrayal of a comic book character in my mind. Selina Kyle’s transformation into Catwoman and just how different she becomes is one of my favourite comic book movie moments. She goes from a shy, intimated, lonely girl, to a badass, sexually charged, ass-kicking machine. The whole nine lives thing is just genius as well. The party scene when Selina and Bruce find out who each other really are, boy, it’s next level emotional stuff. Much like Edward Scissorhands, Danny Elfman brings it with such a fantastic score. The iconic Batman theme will always and forever be the best Batman theme and perhaps the best superhero theme. DeVito brings his A-game as the deformed Penguin. The play between Batman and Penguin is great, Bruce knows all too much about parents and the pain they can bring. So he at first feels for Penguin, only realizing later he would become one of his greatest foes. Just the look and feel of this movie is what I want in my Batman movie. If Tim Burton were to make a Batman movie today it could be really special. Especially if he tapped into his former self because he has gone off the rails, but I miss this Gotham City. You’re always left wondering what could have been. And what could have been, is, well, one of the best comic book trilogies ever made. Damn you, Hollywood!

1993. Jurassic Park. Release Date. June 9th, 1993. Director. Steven Spielberg. Box Office. 1.029 billion.

“God creates dinosaurs, God destroys dinosaurs. God creates Man, man destroys God. Man creates Dinosaurs” – Dr. Ian Malcolm.

The greatest blockbuster ever made. Period. Imagine saying that? A movie made in 1993 and it is the greatest blockbuster in the history of cinema. I hate to say it, but, they just don’t make em like they used to. Well, they simply don’t. Just look at the sequels that followed this up? All trying to recapture that magic, all failing miserably. They don’t even look better than the original. Animatronics and practical effects, they will take you far in this world. Movies tend to have about 3000 moments of CGI, for you know for your typical blockbuster. Jurassic Park has 55 total. That is an insane thing to think about considering the magnitude and gravitas of this film. Spielberg knew what he was doing. The man made Jaws for peep sake. You can see a little Jaws in Jurassic Park as well. Hiding the T-Rex, teasing him throughout the first hour of the film, much like he does with the shark in Jaws. Only for one of the most epic reveals ever. The thing that worked so well for this movie is the simplicity of it all. We don’t need hybrid dinosaurs, we don’t need a bunch of useless human characters. You knew this movie was made for Harrison Ford, but Sam Neil did such a great job as Alan Grant, his growth and character development are always so touching to watch as the film progresses. What makes this movie so scary, for me at least, is the fact that it’s seen through the eyes of two kids. That’s what makes the dinosaurs, especially the T-Rex seem even more frightening. When they are trapped in the car, that wouldn’t work if that’s two adults, but when the creature in a movie is just that much bigger than the victims it makes it that much more effective. We get the birth of peak Jeff Goldblum, who is a top-tier role player movie character. The definition of the cool guy aura, it’s a shame we never got to see this version again. I’m pretty sure he transformed into Ian Malcolm completely after this role and never looked back. All I’ve wanted is to go back to this wonderful place and feel the same way with the new Jurassic World movies. But we are so far gone from this, that it just makes you sad. This was a place of wonder, a place where even the appearance of a dinosaur was met with awe and excitement. God bless John Williams and another one of his iconic movie scores. The man was put on this Earth to make us feel emotions during movies through the way of music. Now we need to have raptor friends and hybrid dinosaurs just to make a quick buck. I still feel the same way every time I watch this moment. It’s an all-timer movie scene for Nathan.

1994. Dumb and Dumber. Release Date. December 16th, 1994. Director. Peter Farrelly. Box Office. 247.3 Million.

“You sold my dead bird to a blind kid? Petey didn’t even have a head! – Harry Dunn

Okay, I get it. 94 was an absolutely loaded year. Pulp Fiction, Shawshank, Lion King and Forest Gump. That’s one hell of a lineup. But no comedy at the time hit me as hard as Dumb and Dumber. Perhaps the movie I can quote the most, so the movie I am most annoying to watch with. Arguments could be made that this should sit on the Mount Rushmore of comedies. It’s kind of the perfect comedy. This is at the very top of the mountain for Jim Carrey. My god, the man made this and Ace Ventura in the same year, he was the funniest person on the Earth at this point in time, and went on a run of epic proportions. Now throw in Jeff Daniels a man that was coming off Speed and Acrophobia, and really wasn’t known for his comedic chops. These two are like electric dynamite together. They play and feed off one another so incredibly well throughout this whole movie, it’s amazing they didn’t become real-life best friends. I think one of the biggest flaws of the movie now, is simply the fact that they decided to make a sequel. One of the rare occasions that I wanted to get up and leave the theatre. The first one, Lloyd and Harry were innocent and dumb, kind of naive. It’s the subtlety of their humour that makes it so damn funny. Not over the top nonsense. The funniest parts of the movie, are things you can’t even notice the first few times watching. The whole “how’s your burger?” diner scene is one of the funniest things I’ve ever heard. Just how Jeff Daniels delivers that line is pure comedic genius. Llyod thinking Aspen is warm, them spelling it wrong, and that Mary is going to plug them into the social pipeline, whatever that means! These are the hilarious moments. It also helps that I can pretty much quote this movie start to finish. Like if Llyod and Mary got married, she would be Mary Christmas……..need I say more?

1995. The Usual Suspects. Release Date. January 25th, 1995. Director. Bryan Singer. Box Office. 34.4 Million.

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“The greatest trick the devil ever pulled, was convincing the world he didn’t exist.” – Verbal Kent

Let’s clear the air first. I’m aware that Kevin Spacey didn’t turn out the way we all planned, but things happen in life. That being said, he’s still one of the best actors of this generation and deserves an insane amount of credit for this performance. He won an Oscar for this performance, he is simply remarkable as Vernal. Was this the first movie that had a jaw-dropping twist at the end? For me, obviously, it wasn’t, because I came across this movie much later in life. That feat belongs to The Sixth Sense. But for the people who saw this right away, I couldn’t even imagine the reaction in a packed theatre when all is revealed at the tail end of this cult classic. It made less than 40 million dollars, people didn’t rush out to see this film, but that’s part of its allure. A film about a bunch of misfits, with a cast full of misfits, but guess what? They both work extremely well. Bryan Singer got the best out of everyone for this, Stephen Baldwin, are you kidding me? He’s so phenomenal, you can make this movie 100 times over, you couldn’t get a better cast. No matter how many times I watch this, it amazes me every single time. It almost shouldn’t work; in today’s Hollywood, it doesn’t work. Plain and simple. A young Benicio Del Toro, come on, “give me the keys, you cock sucka!” That line and scene will never grow old with me. Even the small role players and there is a ton of them work flawlessly. The interaction between these 5 guys is so good, they have such immaculate chemistry, you can tell they really bonded during filming. Keyser Soze, two of films most fascinating words. Man or myth? You don’t exactly know until the final moments of the film. The build-up, all the backstory, this guy is like the Joker. No one truly knows his origin or why he came to be. The payoff of the actual reveal is still one of the most satisfying movie-moments for me. I remember just laughing because I was so thrown off, couldn’t believe it, kind of still don’t to this day. One more thing, Christopher McQuarrie, the guy making the Mission Impossible movies right now, won an Oscar for writing this bad boy. That is one talented human being.

1996. Scream. Release Date. December 20th, 1996. Director. Wes Craven. Box Office. 173 Million.

“You can never have sex. You can never drink or do drugs. And never, ever, ever, under any circumstance say “I’ll be right back” – Randy Meeks

So I have an older sister. I’ll never forget it. She was having a birthday party/slumber party and this was one of the movies they had decided to rent and watch. Being, well, 8 years old at the time, let’s just say I wasn’t invited to the showing. However, I remember the poster to this movie that was on the rental case so vividly. I was enthralled by this movie for some bizarre and unknown reason. Over 20 years later and countless viewings later, Scream remains one of the all-time greats for me. Buckle up, this is going to be a doozy. First things first, when it comes to an opening scene of a movie, Scream is the gold standard. Probably the best first 12 minutes of any movie ever made, that could be a stretch but hear me out. This is pre-internet, Drew Barrymore is a pretty big star at this point, everyone going into Scream thought she was the main character. Killing her off in the first scene? That was unheard of. No one saw this coming, how could they, she was on the poster, not the star Neve Campbell. Scream is the most self aware movie ever made, it can be argued that it saved the horror genre. It was dead in the water at this point in history. Nothing but awful sequels were being made. No one had any great ideas. What I mean by self aware is that Scream is the first horror movie that acknowledges the existence of other horror movies. It’s so clever and reinvented the genre. People were finally talking about a horror movie again, and this movie was written in 3 days, I repeat 3 fucking days. It’s a great script and it’s actually a pretty fantastic story. The subtle references, and the perfect cast. Perhaps the most attractive young cast ever? Neve Campbell was born to play Sydney. She’s got the girl next door, mixed perfectly with a girl who could actually kick your ass combo down pat. It has the best movie mask in history and when they were scouting houses for filming they actually stumbled upon the Ghostface mask. They weren’t sure what to do at this point, isn’t that remarkable? Fate I tell you, all the stars align for this movie. Matthew Lillard is on another planet here, crazy to think he didn’t have a better career. He steals the whole movie, every time I watch it, I notice something different out of him. Scream kind of brought back the high school movie as well. There is a flux of high school movies that come out after Scream, this movie did so much for Hollywood. The double killer twist, the fact it was teenagers killing other teens. It was always adults as the killer. You can tell on the multiple viewings because well, Stu and Billy get their asses kicked a lot. The soundtrack, everything just holds up. There are just stretches of this movie that are top tier movie making, the more I think about it, the more I write about it. It could just be a top 5 movie for me ever. You always thought to yourself after seeing this for the first time. Would you survive a horror movie? I always thought I was Randy, so I know I’m surviving, until the sequel.

1997. Good Will Hunting. Release Date. December 2nd, 1997. Director. Gus Van Sant. Box Office. 225.9 Million.

Do you like apples? – Will Hunting.

The movie that changed the game for me. Good Will Hunting literally made me fall in love with film. If you didn’t go to the theatre or rent a movie at Blockbuster, well you were shit out of luck. It wasn’t until I headed to university and came across the sharing platform DC ++. Every movie you could think of was at your disposal. So one night I put on Good Will Hunting and was so damn mesmerized by what I was watching. I remember it ending, and I kind of just sat in silence  as I watched Will Hunting drive out to California to “see about a girl.” Does a little Harvey Weinstein shadow loom over this movie? Yes. Does it affect the way in which I watch this movie, or how I feel about it today? No. For me, why this movie has aged so beautifully, is the fact that Ben and Matt have aged so beautifully. When you watched this movie for the first time, you knew these two kids from Boston were going to make it. You knew they would be Hollywood royalty in no time. That’s exactly what happened, they certainly went at it in different ways, but both Ben and Matt have had tremendous success in Hollywood and in life. No matter which part the movie is at if I catch it on cable, I’m staying till the end, the movie still hooks me in. I still laugh at all the same jokes, I get emotional at all the same beats, and I notice new smaller great details with every rewatch. That’s the mark of a great film. No matter how many times you watch it, it still hits you like the first time on your dorm room bed. This will just never not be funny. Miss you Robin.

1998. BASEketball. Release Date. July 31, 1998. Director. David Zucker. Box Office. 7 Million.

“First we get jobs, then we get the khakis, then we get the chicks”

I don’t care what anyone says. This movie is pure genius and genuinely one of the funniest movies ever made. It’s so on the nose, even more now than when it was made all the way back in 98. Trey Parker and Matt Stone might be a couple of odd ducks, but if they know one thing, it’s comedy. It’s parody, it’s in your face humour, these are the things that make them great. Maybe I love this movie, because well, as a teenager, I found myself playing BASEketball with my own group of friends. Anyone can play the game, you don’t need any skill, if you can shoot a ball, you’re golden. I think that’s what the movie and the real-life game so appealing. The opening moments where they are describing America’s landscape of sports encapsulates what they have actually become. Trey and Matt were totally onto something with this. They understood that sometimes people need to step back and just make fun of sports and why people take them so seriously and more than that, what they actually stand for. Al Michaels and Bob Costas genuinely perhaps have the funniest cameos of all time. Hearing the two talk about the filming and behind-the-scenes stuff is hilarious. Legends in their own rights, and having them involved is just another stroke of genius. Road Kill Caught On Tape needs to become a TV show. We have so much garbage television why not give the people what they want.

1999. Fight Club. Release Date. September 10th, 1999. Director. David Fincher. Box Office. 100.9 Million.

“First rule of fight club. You do not talk about fight club” – Tyler Durden

So I like movies with twists? Wanna fight about it? What an absolute psychedelic and psychological thriller. David Fincher with another dark noir thrill ride that left audiences stretching their heads. Who didn’t have a Fight Club poster in their dorm room? I don’t think Ed Norton has ever been better and at this point in his career, I don’t think he’ll do better. I can’t say this is peak Brad Pitt, because well he’s Brad freakin’ Pitt. When people think of Brad Pitt, their minds usually go to the 90s: he was a sex symbol, the man, and, on top of that, he was dating Jennifer Aniston. He was kind of on top of the world after Fight Club, even the name Tyler Durden is iconic. He was and forever will be the epitome of cool. A cult classic no doubt, Seven put David Fincher on the map, but this, this was his mark on the world. It solidified him as being one of the best working directors in Hollywood. Just like Norton’s character, this movie at times can be a blur. Bobbing and weaving in and out of scenes, chaotic dialogue, and stunning, weird visuals. What Fincher does better than anyone else, in my opinion, is dialogue (more on that later). His movies are like a pair of jackrabbits going at it: a fast-paced, high tempo talking that jabs and drags you in. It takes a while for Fight Club to get going, not until we are introduced to Tyler Durden does the movie really gain any real momentum. Things don’t really make a lot of sense until the end of the movie, you know where the steel curtain is finally pulled back and all is revealed. That holy shit moment, that no one saw coming. There are signs of the twist coming, but on first viewing, it’s near impossible to pick up. Norton and Pitt are in so many scenes together, that’s what makes the movie so brilliant. Fantastic role players here, Helen Bonham Carter has never been sexier than she is here. It also helps that she’s just fantastic. A super young Jared Leto that kind of put him on everyone’s notice. Finally the legend himself, Meatloaf. Also known as Bitch Tits Bob, he’s just such a corky dimwitted character, yet it works so flawlessly. Just the ultimate reveal that Pitt lives inside Norton’s head will always go down as one of the best “what the fuck” moments in my movie viewing career.

2000. Unbreakable. Release Date. November 22nd, 2000. Director. M. Night Shyamalan. Box Office. 248.1 Million.

“Do you know what the scariest thing is? To not know your place in this world, to not know why you’re here.” – Elijah Price

I know what you’re thinking. Really man? Another movie with a twist? I can’t help it okay! Sometimes you just flock to a certain kind of movie, and for me, those movies happen to involve some sort of twist. But this is more than just a movie with a twist. It’s arguably one of the best comic book origin movies ever made. Incredible feat right? Considering this movie doesn’t have a single DC or Marvel character in it. Shyamalan did something so special here, creating a world before our eyes and not even realizing it. Yeah, it took 17 years for everyone to come to the realization that David Dunn who is portrayed but Bruce Willis would be part of a larger universe. When audiences around the world saw Split and witnessed David Dunn appearing on screen in the very closing moments of the movie. Fans everywhere rejoiced. But this is about Unbreakable, the movie that started it all. In a world without actual super powers or heroes, Shyamalan was able to do something extraordinary. Whenever I go back and watch Unbreakable, I always notice just how quiet the movie is. There are minutes that go by without practically any sound, the dialogue is low key, almost whispers in certain moments. Realizing that you have “gifts” and learning how to hone and use them can be fun to discover and watch. As David Dunn figures out, no thanks to Elijah Price played by Samuel L Jackson. There is always an opposite, so Elijah makes it his mission to find his. They call him Mr. Glass because his bones break with ease, David has never been injured in his life, even after surviving a train derailing. I think what makes this movie so special is the back and forth between David and Elijah or good vs evil. For me, this is Jackson’s greatest role in acting, because it’s so far out of his comfort zone, so far from what we have all become accustomed to. The true reveal that Elijah was, in fact, causing all these tragedies and mass murders to find his counterpart, that he is, in fact, an evil genius. Again shocking, to say the least, another great Shyamalan twist. Bruce Wills is also spectacular as the calm and quiet hero. Everything will conclude in 2019 in Glass, and I can’t wait to revisit these characters and see what they have become in almost 20 years. Could make for one the best trilogies ever made, and no one thought that was possible or even an option all the way back in 2000 when this was released.

2001. Oceans 11. Release Date. December 7th, 2001. Director. Steven Soderbergh. Box Office. 450.7 Million.

“Tess, I told you I knew what I was doing.” – Danny Ocean

First things first. Brad Pitt is the greatest movie snacker of all time. He never stops eating in this movie, and it’s actually amazing. The amount of different foods he eats always cracks me up. Perhaps the most rewatchable movie of all time? Without a doubt the movie I have seen the most amount of times in my life. No movie is perfect, but this damn near close. The cast, the score, the cinematography, the acting, and everything in between. Clooney, Pitt, Damon, García, Roberts, Cheadle, all mega-stars in their own rights coming together like the Avengers or something. The dynamic duo, Pitt and Clooney are euphoric together. Sparks fly, their chemistry is through the roof. Sometimes when you build a super team they don’t work out, or in this case, it’s a home run. The whole movie flows to perfection, everyone contributing at the right moments, everyone playing their part. Soderbergh works wonders here, being able to get the best out of every cast member is something special. Like Julia Roberts is in 5-6 scenes, maybe has about 7 minutes of screen time total. But there’s no way any other actress could have done this role. She’s perfect, she was at this time America’s sweetheart, and it’s just perfect casting. I just love how Danny and the gang are always one step ahead of Benedict, that they know the moves he is going to take before he even takes them. I could watch Damon, Pitt and Clooney converse all day every day. Clooney has had an impeccable career, but this role is his crowning achievement. This whole thing doesn’t work without him, he’s so charming and charismatic and no one else could have done it. Watching Pitt play second fiddle was is a nice change of pace. But again, Pitt and Clooney are gods among men. This will always hold the championship belt for cable movies. By that I mean, no matter which part is on, I’m sitting down and watching. I say this about a lot of movies on this list, but this is the best of the best. That’s because of how well made it is. Great scenes are sprinkled perfectly throughout, so there’s always one classic moment right around the corner. Pitt, Clooney, and Damon are the original team up. Now here’s a montage of Brad eating in Oceans 11.

2002. Catch Me If You Can. Release Date. December 25th, 2002. Director. Stephen Spielberg. Box Office. 352.1 Million

“Two little nice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn’t quit. He struggled so hard that he eventually churned that milk into butter and crawled out.” – Frank Abagnale Sr.

Leo vs. Hanks. Who knew that would be a fight of biblical proportions. God, I miss young Leo so much. What an all-time movie friendship between these two. Throw in the master Steven Spielberg directing and you have one of the best movies any of these three have been a part of. You know why the Yankees always win? It’s the same reason why this movie always wins. It’s got Leo and Hanks giving top-notch performances. Frank Abagnale Jr, what a man. Pilot, doctor and he passed the bar exam. This was no ordinary human being. I think that’s another reason why I fell in love with this movie so much, it’s based on true events. My man, the legend himself, Christopher Walken gives one hell of a performance. Nominated for an Oscar for this role, he’s just such a good loving father, who wants what’s best for his son. I’m a big fan of cat and mouse type movies. This is the top of the mountain for such genres if you ask me. It’s a sad story. About running away from your problems. About trying to be someone and something you’re not. Frank was always running, but deep down he wanted to be chased. He was just always trying to find his place in the world, but it turned out he was really good at being a criminal. One of the best con men the world has ever seen. The fact that they got Leo to play this guy, it doesn’t get much better. He just wasn’t a brilliant con man, he was sharp as a tack. I love when Hanratty asks him how he cheated on the bar exam. Turns out Frank studies for two weeks and passed. Frank could have been anything he wanted to be, a shame he turned to crime. But in the end, it led him to work for the very people trying to catch him. The bond that Frank and Hanratty develop is truly unique. Enemies at first, then start to appreciate one another, where Frank is always calling Hanratty on Christmas because he feels so alone. They ended up being lifelong friends and it’s just a special friendship captured by two world-class actors.

2003. Old School. Release Date. February 21st, 2003. Director. Todd Phillips. Box Office. 87 Million.

“Maybe Bed, Bath, & Beyond. I don’t know, I don’t know if we’ll have enough time!”- Frank Ricard.

FRANK THE TANK. FRANK THE TANK. FRANK THE TANK. Personally, this is Will Ferrell’s greatest performance. If you disagree that’s fine, but just know, you’re wrong. Picking a quote for this was extremely difficult. I went with one that is my favorite. Perhaps the most known quote from the movie, because every time you see that store, you can’t help be reminded or Ferrell and his bare ass while he wonders the streets wanting KFC. I can never get over how incredible he is in this, his comedic timing is perfect, and it’s before he was in a million other shitty comedies, so that’s why it’s the perfect role for him. Vince Vaughn shines like he usually does, I always feel like he’s freeballing all of his scenes. He tried to get serious after his breakout in Swingers but he was always meant for parts like this. He’s just so quick-witted and he’s just the perfect comedic sidekick. This is such a crazy premise for a movie, that today simply would not work. It came along at the right time. Comedies like this just don’t exist anymore. The language, the jokes, they just don’t fly anymore. Not saying that’s a bad thing, but nowadays, it’s just a different brand of jokes. Growing up in Canada there was a show called Popular Mechanics and it starred Elisha Cuthbert and then she disappeared. She pokes her head out finally in this breakout role and was the crush for millions of dudes. She literally  became the girl next door. But the biggest reason I love this movie so damn much, well, it’s Dean Pritchard of course. Played by Jeremy Piven, he’s an all-time movie villain. His entrance to the movie could be the best 2 minutes of the entire film. So here is that clip. And never ever forget, YOU’RE MY BOY BLUE, YOU’RE MY BOY!

2004. Friday Night Lights. Release Date. October 8th, 2004. Director. Peter Berg. Box Office. 62 Million.

“We’re gonna get laid. We’re gonna get drunk and we’re gonna win state but not tonight”. – Don Billingsley

Does it help that this incredible true story starts on the same day I was born? Yes, it does. Is this the greatest football movie ever made? Again, yes it is. I love this movie so god damn much. Does it help that Don Billingsley is one of my all-time favourite movie characters? Once again, yes. I can quote the crap out of it, I laugh and I still cry. There’s no other movie that I skip the same scene every time. I can not for the life of me watch Boobie Miles break-down in the car. Still to this day, one of the most painful things I’ve ever seen. Pete Berg just captures the essence and the feel for West Texas, it just feels so real. I think that’s why it hits me the way it does. I know the TV show is great, but the way he shoots everything is just so well done. Sometimes with sports movies, the actual sports scenes can be rubbish, but again they are excellent here. They feel powerful and lifelike, kudos again to Pete Berg. You just always cringe at Boobie’s story, it’s quite tragic. What could have been for that young man? But the cast is perfect, and Billy Bob is in rare form. But who gives the best performance? That award goes to Tim McGraw – CAN YOU TOUCH THAT, god he plays a deadbeat alcoholic Dad to a tee. His relationship with his son Don (Garett Hedlund) is an all-timer for Father/Son combos. Their story arc is just pure emotion, and that’s why I put the picture of them embracing after the state finals loss. It just so happens to have one of the most beautiful soundtracks of ever. It captures the emotions and the feelings that something like this would have on someone. So take a listen for yourself and get lost in all the magic.

2005. Batman Begins. Release Date. June 15th, 2005. Director. Christopher Nolan. Box Office 375.2 Million

“Bats frighten me. It’s time my enemies shared my dread ” – Bruce Wayne

I will be the first person to admit that when I sat down to watch the beginning of Christopher Nolan’s epic Batman trilogy I was a little skeptical. It was a different time back then. It had been 8 years since the world saw Batman on the big screen. We all still had a pretty awful taste in our mouths from Batman & Robin. The superhero movie craze hadn’t begun quite yet, so I didn’t have the highest of expectations going into Batman Begins. I even remember turning to my buddy in the theatre right before it was going to start wondering if we were even going to get to see Batman do any cool shit. Well, we all know what happened. Nolan knocked us all on our ass’s and we all once again became obsessed with the Caped Crusader. Grounded in his own little world, he made this Batman story almost seem believable. That what if, this was just an ordinary man trying to become something else, a legend. That he lived in a world with no superpowers or superheroes. No villains with powers, but rather, this story was told in the modern day. It worked so incredibly well, that well, countless other franchises soon began trying to adopt the “Nolan method.” I think this is the best version of Batman we have ever gotten, in terms of voice, costume and overall movie. The overhaul to both his costume and voice in The Dark Knight just didn’t do it for me, but I love the version of Batman we get in his origin story. Liam Neeson was perfect for Ra’s Al Ghul, it’s a shame this franchise was so grounded because exploring him further and his real mythos could have been really awesome to see. But he’s fantastic as Bruce’s mentor and his arch nemesis, and it came along right before he kind of became an action movie punchline. Obviously what made this franchise so successful was the all-around casting. Each serving a purpose and all fulfilling their roles so nicely, it’s what holds this universe together. I will also go on record and say I prefer Katie Holmes as Rachel, there I said it.

2006. The Departed. Release Date. September 26th, 2006. Director. Martin Scorsese. Box Office. 291.5 Million.

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“I am killing you” – Billy

Now, this is a super team. This is the Golden State Warriors of movie casts. It’s also probably the biggest dick measuring contest in the history of film among co-stars. Everyone is trying to one-up each other in every scene. We got Leo, we got Damon, we got Baldwin, we got Sheen, we got Nicholson and to top it all off; we got Marky Mark, who is trying his best to let everyone know that he’s the big dog on campus. My god is he good in this movie. Maybe 5-6 scenes, but each one is spectacular and you know he wants it bad. You know that Wahlberg wanted to let Leo and Damon know that they aren’t on his level. But we all know that not to be true, but I think he wins the movie? In the acting department and well being the only man left standing at the end of this bloodbath. They didn’t call it The Departed for no reason. I wonder if Leo was reading the script for the first time and was like hell yeah I’m going to be the hero and I’m going to get the girl! Then he flipped the next page and his jaw hit the floor and he says “Are you fucking serious Marty?” Talk about a death no one saw coming. I still get angry every single time I watch this movie because Leo deserves better than this. He goes through so damn much only for it to be over in a blink of an eye. Talk about a long opening, it’s about 12 minutes in before the title card appears. Scorsese, he finally does it here! He wins best director and this movie won another 3 Oscars. All the ones that signify an incredible movie. Only Wahlberg was nominated for an Oscar and rightfully so. As I said, this could be his best role ever, and he’s in about 15 minutes of the movie. His accent is so unbelievable, you gotta be tough, you gotta act tough in order to pull the Boston accent off and he does it to perfection. Others, like Jack, not so much. Even Vera Farmiga is great here. She’s really rolled around with the biggest studs in Hollywood. I’m just always amazed by the achievement of this film, they just don’t make em like this anymore if I’m being honest. I’ll be watching this one till the day I die.

2007. Zodiac. Release Date. March 2nd, 2007. Director. David Fincher. Box Office. 84.8 Million.

“Just because you can’t prove it. Doesn’t mean it’s not true” – Robert Graysmith

The great American crime drama. Fincher’s masterpiece before his true masterpiece. Perhaps the greatest movie of the 21st Century? One of his movies is, more on that later. But ask 10 people, 8 of them have probably never seen this movie. David Fincher makes movies for me, he’s never done one that I didn’t think was unique and spectacular in some way. It’s known that Fincher is a legend when it comes to “takes” that’s what he is known for. He loves to do dozens or even sometimes close to 100 takes of a certain scene. That method almost killed Gyllenhaal and Downey. They were not used to his kind of filmmaking. The ironic and probably the most clever thing of all, I’m pretty sure Fincher did this on purpose. See the characters that they play, they become degraded and deteriorated by the end of it, trying to solve this irresolvable case of the Zodiac killer. So in order to fully become these men, Fincher needed to break them, break their spirit. That’s exactly what he did, and that’s the art of a true filmmaker. The who’s who on a cast, every “that guy” you can think of apparently makes an appearance, and they all do a bang up job. But the three stars, Gyllenhaal, Downey, and Ruffalo are just flawless. Fincher squeezes out one last Downey performance before he transformed into Tony Stark. Now that’s anything anyone sees when they watch him. But Fincher manages to capture something special from Downey, he’s terrific here. He’s such a big star, but 2/3 into the movie, poof, he’s gone. Vanishes, that simply does not happen with megastars like that in movies. Gyllenhaal has almost never been better. He breaks, just not his character but as the movie goes on, you get the sense that Jake himself, becomes a man obsessed, a man broken. Ruffalo gives another Oscar-worthy performance. All three of these guys are some of the very best actors of this generation. Them sharing the screen together before they all decided to suit up and join the MCU is something to behold. Just the level of detail that Fincher pours into his film is fascinating, he recreated 70s San Fransisco for peep’s sake. But this, this scene with Ruffalo and Gyllenhaal is, well, just watch for yourself. It’s the only scene in the movie, that gives you a sense of hope, a sense that this case could be cracked. In a dark and grim movie, full of darkness and blood and murder, this scene makes you feel that they finally solved it.

2008. The Dark Knight. Release Date. July 18th, 2008. Director. Christopher Nolan. Box Office. 1.005 Billion.

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Why so serious?” – Joker

Imagine this. The tragic passing of Heath Ledger never happens. When the Joker escapes from prison and we get this beautiful shot of him riding in the back of the cop car, the screen fades to black. Chaos has won. The movie is over. Setting up the finale to this beloved trilogy. The bad guy wins, he overcomes good, evil is victorious. THAT NEVER EVER HAPPENS. Audiences would be shook, but sadly that never happened. That for me would have been perfect because almost everything that happens afterward could have either waited or is just meh for me. I just wrote about a 1000 words for this movie with the 10th anniversary, so go check that out. Until then, this remains the greatest comic book movie ever made. But this forever.

2009. Watchmen. Release Date. March 6th, 2009. Director. Zack Snyder. Box Office. 185.3 Million.

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Watchmen (2009) Directed by Zack Snyder Shown from left: Patrick Wilson, Malin Akerman, Jackie Earle Haley

“Miracles. Events with astronomical odds of occurring, like oxygen turning into gold. I’ve longed to witness such an event, and yet I neglect that in human coupling, millions upon millions of cells compete to create life, for generation after generation until, finally, your mother loves a man: Edward Blake, the Comedian, a man she has every reason to hate, and out of that contradiction, against unfathomable odds, it’s you – only you - that emerged. To distill so specific a form, from all that chaos; it’s like turning air into gold. A miracle. Now dry your eyes, and let’s go home.” – Dr. Manhattan

Truly ahead of its time. That’s the first thing I always say when I talk about this film. It’s plain and simple, the world wasn’t ready for a movie like this by a film-maker like Snyder. He’s always been a complicated director, which people tend to either worship or loath, but one thing is certain when talking about him, he is a genuine visionary human being. Aesthetically, I believe that this is his best looking film, it’s beautiful. The colours, the imaginary, the costumes, just everything about Watchmen is simply mesmerizing. I remember being enthralled by the trailers, one was paired with Take A Bow by Muse and the other was Smashing Pumpkins song The Beginning Is The End Is The Beginning. Both trailers capture the character of the movie so perfectly that I was hooked. A band full of misfits is one way to put it — only the die-hard fans knew about this beloved graphic novel. Since these heroes are not the most well-known it was clearly important to get the right actors/actresses to play them — which they nailed. Jeffrey Dean Morgan, Jackie Earle Harley, Patrick Wilson, and Milan Åkerman are all so brilliant. They simply carry this film, and I watch this not for the action, but for the performances. That is a rarity when you talk about a comic book movie, for Watchmen, It’s true. Billy Crudup who physically is in the movie for 5 whole minutes is magnificent as Dr. Manhattan, the most under-appreciated comic book character ever. So powerful, so wise, so tortured and so misunderstood, I just love all of the things his character goes through. But Jeffrey and Jackie carry this whole thing. The Comedian and Rorschach, I didn’t know after all these years, that they would remain at the top of my leaderboard for comic book movie performances. When the action hits, it hits hard, like really hard, like turn your head if you have a weak stomach hard. But that doesn’t take away from its brilliance. Zack knows how to shoot action sequences almost better than anyone. Next June will be the 10 year anniversary of its release. I believe there will be a ton of articles coming out praising and rejoicing in it. That people over time have come around on it and rightfully so. Like I said in the beginning, this was ahead of its time and now, audiences and its critics have caught up to it and have come appreciate it for the masterpiece it is. My only regret of this movie and people don’t agree with me on this. I wanted the giant squid at the end, I know they had to change the ending, make it different from the graphic novel because the squid just wouldn’t have worked. The new ending does work, but who didn’t want the Watchmen fighting a giant ass squid? WHO DOESNT WANT THAT IN ANY MOVIE? Not many scenes get me every time, make me feel the same way each time I watch them. It’s rare and there are a handful of scenes that do this for me, this is one of them.

2010. The Social Network. Release Date. October 1st, 2010. Director. David Fincher. Box Office. 224.9 Million

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“If you were the inventors of Facebook! You would have invented Facebook!” – Mark Zuckerberg

Who knew that a movie about Facebook, the social media device where you block all your annoying Aunts and racist Uncles, would turn out to be the greatest film of the 21st Century? I remember the awesome marketing campaign for this, “Creep” was being used in the trailers but it was being sung by an orchestra, and I was immediately hooked right in. Ambition, greed, the American dream, class consciousness were all themes that were touched on throughout this film. This could very well be one of the last prestige, mainstream studio movies that have ever gotten made. A movie with a budget, a movie star and a world-class director like David Fincher, where there is no studio interference, a smallish budget, but a movie that seems big. A movie that is about a true story, that is still relevant today, actually more than ever. Facebook is the worlds biggest advertising network in the world, and it’s funny how the whole idea about The Social Network is trying to figure out what “The Facebook” wants to be. Zuckerberg hates the idea of ads on his site, he wants to make “The Facebook” cool, and he believes adding advertisements for Mountain Dew would ruin the experience. Well, now you can’t be on the site for 10 seconds without seeing an ad. I find that notion very interesting and it’s one of the reasons I love the movie. There’s actually so much going on within this film, it feels like beauty, anxiety, and pain all meshing together to create something that is so unique and so heartfelt. That mixed with Trent Reznor’s hauntingly beautiful score, it manifests a near perfect film. I mentioned in my Zodiac review that Fincher is the master for multiple takes, and here is no different. 99 takes, that what it took to get the ideal one for the opening scene, between Mark and Erica at the bar. Imagine that, imagine having that much patience. Apparently when Sorkin wrote this screenplay, one of the best of all time I’d say. It was 162 pages long, a page usually equals a minute of screen time, not here. People are talking fast, I guess they even used a stop-watch when filming. This film introduced me to Armie Hammer, who I swore was an actual twin, that’s another thing, the CGI of Armie is incredible. something that goes under the table when discussing this. It just gives me all the feels, makes me want to accomplish something special, to work hard, no matter what it is. The score just wraps me up in so much emotion and everyone is so perfectly cast. Jesse Einsberg not getting an Oscar nomination will forever be a complete and utter failure by the Academy. Thank goodness Shia Labeouf dropped out because as interesting as that may have been, David Fincher would have broken that man.

2011. Moneyball. Release Date. September 23rd, 2011. Director. Bennett Miller. Box Office.110.2 Million

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“How can you not be romantic about baseball” – Billy Beane

Much like the movie above, Moneyball hits all the right notes for me. These are two movies which I turn to whenever I’m feeling blue. Moneyball just isn’t a great sports movie, it’s a movie about going against the grain. Being different, no matter what the outside world may think of you. Brad Pitt and Jonah Hill are both phenomenal here, feeding off one another really well. You wouldn’t think that a movie about baseball could get Jonah Hill an Oscar nomination, but it did. He’s just so comforting and sweet and genuine in this role, it really is something to behold. As usual, Brad is snacking throughout the entire film, I swear this man must love to eat or he  always has the munchies because he does love his weed. We get Chris Pratt before he becomes well Chris Pratt, in probably his most down to earth character ever. It’s really great to see him just be kind of normal. Not joke about everything and just be in the background, but also gives a great performance. There are very few baseball scenes, but they capture the essence and the spirit of the game. This is about trying to do the impossible. The opening moments of it really set the stage for what you’re about to watch. Oakland’s journey really is David vs. Goliath and it’s hard not to root for the underdog in sports. Billy Beane is such a unique person and is story and history was fascinating to watch. I would love to see more sports movies like these that explore the inner workings of how things work, behinds the scenes. Football tried with Draft Day, but it was too commercial and was just bad. From the score, the performances and just how well the movie was made, this is a top-tier sports movie. One that I know I’ll watch for the rest of my life. One of the main reasons is this scene below. No matter how many times I watch, I still get chills.

2012. 21 Jump Street. Release Date. March 16th, 2012. Director. Phil Lord/Christopher Miller. Box Office. 201.5 Million

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“Ya’ll some Justin Beaver, Miley Cyrus lookin’ mother fuckers” – Captain Dickson

Man, Jonah Hill really went on a tear – he still is – but he really needs to thank his agent, because this was a stretch of insane proportions. I truly believe this was the last “great” comedy that has come out. I know they made a sequel and everything, but it didn’t feel the same, and it is not even in the same universe as this. When the movie itself makes light of that situation, I know I’m right. It’s been a long time since a comedy as come along and floored me like this one. I remember being so excited to see Jonah Hill and Channing Tatum work together. Tatum wasn’t a made man yet, and this really put him on the map, and let everyone know that he had some serious acting chops. He steals the show, he really does. But their chemistry and the way they feed off one another, really makes you think that these guys did become really close friends during this. This movie does have star power as well, Brie Larson is almost unrecognizable in this, and whenever I turn it on, I smile just like Jonah does when we see her for the first time, because she’s excellent here, and I love her. Dave Franco and Rob Riggle, who eats his own dick. I clearly remember seeing this in theatres and when it was all over, a Mother stood up but she had a few kids with her, like maybe 13 at the oldest, and I said to my friend “they just witnessed Rob Riggle eating his own dick.” I even tweeted that at the man himself once I left. Not to mention, perhaps the greatest movie cameo of all time? Fucking Johnny Depp comes out of left field and his presence is felt immediately. But my god, the legend himself, Mr. Ice Cube. Words cannot express how much I appreciate this man in this movie. All of his lines are iconic and he’s just incredible. I can’t believe the career path he has gone down, and this part right here, tears every time. This will be a comedy classic, I think it already is, when 6 years have past and nothing even comes remotely close to this, well you have to be putting this is a small group of great comedy movies. Honestly, the closest movie in my opinion that has made me laugh the way this did the first time I watched it, was this year’s Game Night. I’m sad they stopped making these, but these two guys are Hollywood royalty now,  but maybe in the future when this gets rebooted again, they will play the role of Depp, because that will be awesome sauce if it happens.

2013. Pacific Rim. Release Date. July 12th, 2013. Director. Guillermo Del Toro. Box Office. 411 Million.

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“Today we are cancelling the apocalypse!” – Stacker Pentecost

Arguably my most enjoyable movie-going experience I’ve ever had in my life. This is not my favourite movie of all time, but when it comes to theatre experience, this ranks pretty close to the top, if not the top of the mountain. One other movie could stand in its way, more on that later, but for now, Pacific Rim. The trailers were always so loud, and friends would turn to me and almost be laughing at how ridiculous the movie looked, but not me. I knew this was right up my alley, I love monsters, I love beautiful things, I love the visionary expertise that Del Toro brings to all of his movies. The man has a serious sense of style and taste. He grew up loving monsters, probably just as much as I did, so when the opportunity came about to make a movie about 100-foot monsters (Kaiju) and 100-foot robots (Jaegers) he was fully on board. Who didn’t play with toys when they were younger and pretend the fate of the world was on the line, and imagine things were bigger and badder than you could possibly imagine? Well, Del Toro went right on ahead and made that exact movie. I think that’s why it resonates so well with me, because I was that child, and during moments of this film, it took me back to my childhood. On top of that, they got an excellent cast of characters and actors on board as well. I clearly remember being sucked into this universe, I was transfixed by what was happening on the IMAX screen before my eyes. Then the battle of Hong Kong occurred, and I was a 7-year-old kid again. I have never enjoyed a greater stretch on cinema in the theatre then I did the very first time watching that sequence. Usually, in big action movies, it’s so damn hard to follow the action, tell what’s going on. But Del Toro crafted something so breathtaking, that I was legit mesmerized. That is a movie-going experience that I will never ever forget, and I wish that feeling could occur more often then it does when I visit the theatre. So thank you, Del Toro.

2014. Edge Of Tomorrow. Release Date. June 6th, 2014. Director. Doug Liman. Box Office. 370.5 Million

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“Come find me when you wake up” – Rita

This movie should have made over 500 million dollars. I’m going to start off by saying that this is one of the most underrated movies I’ve ever watched. No one, saw this movie opening weekend, it was all word of mouth that even got this to 370 million. Maybe it was the title of the movie itself that drew people away. Whatever it was, it was a real shame, because I remember walking out of it, and thinking that it was one of the best science-fiction movies my eyes had ever seen. Two of the worlds biggest stars, Tom Cruise and Emily Blunt, kicking all sorts of ass, in incredible mech-suits. How could anyone not be hooked from the get-go? Throw in the late Bill Paxton, who like always gives a marvelous performance. This is a legit nonstop action thrill ride, and it’s simply one of the coolest concepts for a film. Yeah I know the movie Groundhogs Day exists, but they don’t blow up aliens in that movie, so this tops it. It’s written by Christopher McQuarrie, so there’s no surprise that it’s a fantastic story. I’m pretty sure it bombed opening weekend and I was in utter shock. Because well, movies like this, especially great science-fiction movies don’t come around too often. This is all you need to see, this trailer is one of my all time favourites.

2015. Mad Max: Fury Road. Release Date. May 15th, 2015. Director. George Miller. Box Office. 378.9 Million.

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See all that shit going on? None of that, and I mean none of that is CGI. Yes, that’s a dude playing a guitar with fire coming out of it. Dear god, this movie is a pure adrenaline rush, it’s cocaine and dynamite for your eyes and ears. Visceral physical filmmaking at its finest, bow to the man who made Happy Feet, Babe, Babe: Pig In The City, and then Mad Max: Fury Road. One of the craziest things about this film, it was shot in sequence, which means the started filming on page one and went through each script page in order. Very unorthodox in filmmaking, especially when discussing a movie like Mad Max. Arguably one of the most difficult movies ever made as well, because like I mentioned above, there is hardly any CGI in this film. I think that’s why I love it so much, Miller created something so beautiful, and awesome, and bat-shit crazy, but he did it all without using green screens and all the other tricks directors use now. Charlize Theron joins the ranks of some of the most badass women in film. We have Ripley, Rita, Sarah Conner and now Furiosa. Such a memorable performance and character. There aren’t too many words spoken in this, but we don’t need words, the action speaks louder than any words could conjure up. Take Max for instance. Tom Hardy doesn’t say much in this, he gives a great facial performance, but no one else could have played Max in my opinion. Hardy embodies the essence and soul of this character to a tee. Seeing this in IMAX was one of the more enjoyable theatre experiences of my life, it’s why I go to the movies. You are wrapped up in this world, and I honestly couldn’t believe my eyes. Knowing how many practical effects went into it and knowing all the hard work that goes into something with the magnitude of Fury Road. You can’t help but wipe your jaw off the floor when it was all said and done. Enough can’t be said about this masterpiece. The IMAX re-release in 20 years is something I’m already waiting to see. Without a doubt the hardest movie to pick a scene for. The whole movie is just fucking nuts.

2016. The Nice Guys. Release Date. May 20th, 2016. Director. Shane Black. Box Office 62.8 Million.

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“You wanna see my dick?” – Yarn

I didn’t want to put this on my list, because I’m very angry at Shane Black right now. He just ruined one of my most beloved franchise Predator. Head over and check out my review of The Predator (spoilers – it’s awful). But that is a different movie, and this is The Nice Guys, and it’s fantastic. Another movie I was late on, another movie I wish I had seen in theatres, and a movie that not a lot of people have heard of, let alone seen. But my god, Shane Black does know how to do black comedy, and when you get Ryan Gosling and Russell Crowe firing on all cylinders, it’s going to make for one enjoyable movie. I think the main reason I like this movie so much is due to Gosling and his performance. I already love the man to death, he’s my favourite actor working today, and it was really nice to see him talking and doing comedy for once. We have seen a ton of Ryan Gosling the mute lately, so him opening up and letting people know that he can do comedy was great. He’s just so goddamn funny in this movie, and his sidekick is also perfect. 2016 was a weird year for movies, for me at least. Going into the year, I would have called you crazy if you told me that Batman v. Superman wouldn’t have been my favourite movie of the year, let alone one of my favourite of all time. Well it doesn’t even crack my top 5 of the year and it got beat out by Ryan Gosling doing toilet humour, the world truly is a beautiful and unique place.

2017. Blade Runner 2049. Release Date. October 6th, 2017. Director. Dennis Villenuve. Box Office. 259.2 Million.

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“To be born, is to have a soul I guess” – K

The most expensive art-house film ever created. And in my opinion, the most beautiful movie ever made. At least in my eyes, and that’s not because Ryan Gosling is the star of the show. Even the opening scene, the very first visual of the film is breathtaking. It was just last year I sat down to watch the original Blade Runner. Made by the legendary Ridley Scott, so people hold it in the highest regards, one of the best science-fiction movies this world has ever seen. I thought it was so-so. But when word got out that they were doing a sequel and Villeneuve was behind it, I was on board. The man hasn’t stumbled yet in his filmmaking career and was coming off the 2016 smash hit Arrival. Now toss in Jared Leto and Ryan Gosling? What could go wrong? This blows the original out of the water in my mind. I know the first set the standards and did all the groundwork, but this is just so damn beautiful. Just like Mad Max, the visuals here are simply stunning, and I have a hard time telling what is real and what isn’t. That’s always a great sign that you have made one hell of a movie. Ryan Gosling again shows new colours here, and proves he can be a “movie star.” The leading man for a franchise and he just gives one of his best performances. He can do so much, with doing so little if you know what I mean. The clip I will link down below is the best example of him doing just that. These are two movies that need to be on the bucket list of any film junkie, but getting to experience 2049 in glorious IMAX is something I won’t forget. This is just another example of a movie that didn’t get enough recognition, and not nearly enough people saw it. This could have had all the star power in the world and it wouldn’t have made a difference.


Well that’s all she wrote here folks. I know I said 30 films but 2018 isn’t over and I can’t decide on a movie now. I know my favourite is still to come, because 2018 has been pretty lackluster to say the least. Fingers crossed!

Reviews

‘The Predator’ Review

  • Shane Black fails to relaunch this iconic franchise in a new and unique way. Instead leaving us fans wondering what could have been in more capable hands

  • I can’t believe it’s been 31 years since the release of Predator. One of the best action movies ever made, it spit out more elected officials than any other movie in history. It just also happens to be the most macho movie in existence. Look at that cast, you can almost smell the creatine when watching it. It gave us so many iconic moments and lines, that I still say today. It also introduced us to the most badass monster in the entire universe. Unfortunately in the newest instalment, he gets reduced to kind of a, well, a joke.

    The original has a special in my heart. It came out 1 year before I was even born, but it’s one of the earliest movie memories I have. The lure of Predator was instilled very early on in my childhood, yeah it has an insane amount of swearing and gore, but I turned out just fine. I have my badass grandfather to thank for this. He was responsible was letting me watch this masterpiece at such an early age. We even got together, went out for dinner and went to see Alien vs. Predator together, and I recall having a great time, and hoped that when I become his age, I’m just as cool as he was. So when I sat down to watch Shane Black’s The Predator Thursday night, my mind couldn’t help but shift to that night with my grandpa and the great time we had. Remembering that this 70 year old man, couldn’t wait to watch two of cinemas greatest monsters battle it out. He was a kid all over again. Plus the fact he was cool enough to let a 5 year old kid watch the original. Shane Black, who played Hawkins in the first, the comic relief of the elite mercenary team, that gets picked off one-by-one in the heart of the jungle by a mysterious foe. Coming off the spectacular Nice Guys in 2016 I had really high hopes. After the first few trailers, I was on the fence. But after seeing it last night, I know for a fact, just like myself, my grandfather would have also been heartbroken. Because this movie just flat out stinks.

    Without doubt, this will be the most disappointing movie of 2018. It is by far the worst Predator movie to date. Let me be clear, it seems like everyone had a blast making it. One of the strongest aspects of the film is the comradery between the cast, it’s a ton of fun, but after that, there isn’t a whole lot here. I adore Shane Black, and everyone involved here, but with all this talent. All the inner workings he has had with this franchise, this is what he cooked up? Something doesn’t make sense about this whole thing. It feels like just a bunch of poorly put together scenes involving a few Predators. The whole thing wants to be a comedy, but that can’t be right. One of the most feared creatures we’ve ever seen, and literally they are making him do prop jokes. So there I am, sitting waiting for this to begin and it starts. Let me tell you, the first 10 minutes, I was saying in my head “oh shit, this is going to be good!” It gets off to a fantastic start. Then the whole thing just utterly falls apart. Again, I don’t want to say I could have done a better movie or written a better script, but my god. I don’t think it’s difficult to write and make a great Predator movie. I don’t care what anyone says, drop a team of bad ass soldiers in an isolated location and have them get picked off one-by-one. We will always watch that. But the biggest thing we DONT need in a Predator movie, is a child. Jacob Trembley you’re cute as a button kid, but you have zero place in a movie like this. It ruined the whole thing, well mixed with about a dozen other reasons, but it just threw off the vibe and tone completely. I thought Boyd Holbrook, Olivia Munn, Sterling K Brown, who was eating the shit out of every scene he was in were great. Keegan Michael Key actually felt well casted. He was terrific and you could tell he had the most fun out of anyone on set.Now for the star of the show, the Predator themselves. The costume and design of the normal Predator I thought was the best I’d ever seen, but there wasn’t enough of him. There wasn’t enough stalking your prey, when the gore gets going, it’s enjoyable. But the whole movie takes place at night and that always takes away from them. You can’t see in the dark to begin with, so I feel it takes away from their character and their tactic of being camouflaged right out of the picture. I just wanted more of that. As for the new bigger badder one, unfinished CGI took me right out of it. Towards the end our main team is dying and it happens so fast and so rapidly, you’re left wondering who was left standing. Which again, they just rushed the whole 3rd act, and you never cared for these people, so when they did die, you weren’t invested to begin with, so why care?

    Just overall, I’m still shocked this is the movie Shane Black pumped out. He’s a very reliable director and he had a ton of talent to work with. What went wrong? How was this the best idea he came up with? Coming back to earth to take a kid with Autism? We are so far gone from what not only made this franchise successful, but why I loved it in the first place. It’s going to bomb and we will have to wait another 10 years for a reboot or something. There are still great Predator stories to be told, let’s make it happen please.

    Check ya later.

    Nate’s Movie Tour Reviews – The Predator = 45/100

    Reviews

    ‘BlacKKKlansMan’ Review

    The best Spike Lee movie since Inside Man, which came out over a decade ago. To say Spike is back is an understatement.

    Remember the name Ron Stallworth. So this is based off some historical reference, making the story seem even more bizarre. Spike makes sure to mention this in the beginning moments of his newest film, because well, this whole story is kind of bat shit crazy.

    It’s 1972 and the world is a different place, well actually it’s not that much different, as Spike comments on numerous times throughout the film. Stallworth (David John Washington) wants to be the first African-American police officer in Colorado. From the very get-go you get the sense that even the police themselves don’t know how to handle this situation and they are unsure of how to use Ron properly. He’s literally the first of his kind, there has never been an African-American police officer in his town. So when a Black Power activist holds a rally, they send Ron in undercover. There he meets Patrica (Laura Harrier) head of the black student union at the local university. Just like in Spider-Man Homecoming, Laura proves to be a great and up and coming actress. She is the one responsible for putting this rally together. We meet Kwame Ture played by Corey Hawkins, who comes is so hot. He’s pitching 100 miles per hour, he’s only in one scene, but it could have been one of my favourite scenes of the movie. He’s electric, and I just thought he did an unbelievable job for the little screen time he gets. Local police are worried about the black community protesting and causing trouble and they even believe there could be a civil war on the horizon. Ron suggests otherwise and that Kwame was just trying to get a rise out of the crowd and that they are harmless.

    After a successful undercover job, Ron gets promoted to the intelligence unit. That’s where this story takes a weird but altogether incredible journey. There he meets Flip Zimmerman (Adam Driver) his soon to be “white counterpart.” Ron feeling good about himself sees an ad in the local paper about joining the KKK. Inclined, he calls the phone number listed and talks to the director of the Colorado section Walter (Ryan Eggold). The two hit it off on the phone, so Ron obviously wants to peruse things further. That will prove to be difficult, because, well…..he’s black. So that’s where Flip comes into play. He goes undercover as Ron and together they infiltrate the KKK. Ron, as he describes is fluid in both “white man” and “jive” and that’s how he is able to talk to these white KKK members. Because as they love to mention, “they can always tell when they aren’t talking to a white man on the phone.” The back and forth on the phone is hysterical, and Washington has some tremendous comedic chops. This really is a star making performance by the man. Couldn’t be happier for him, he’s about to be on the rise.

    Topher Grace pops up and plays David Duke, and it was really nice to see Topher back working on a great project. He delivers quite the performance here, and obviously a lot of his language used throughout the movie is just god awful. A few of the Klan members, sorry, “organization” members are interesting characters themselves. Some you just need to see for yourselves. I said organization because they didn’t want to go by the Klan I guess, and it’s funny to hear them correct people throughout the film about this little mistake. I bet making a movie like this can serve to be a little difficult. I mentioned the language, which a movie about the KKK, there is going to be extremely strong offensive language used by everyone. But I recently listened to a podcast with Washington, who said that on set, Spike is so great with the entire cast and crew and makes everyone feel comfortable and relaxed, that it makes the whole process that much easier. Those are the tall tale signs of a mature, veteran film-maker, and Spike happens to be all of that.

    Spike is really on his game here, the film is shot beautifully, and there’s even a classic floating dolly sequence that Spike has become known for. This is a powerful movie. It feels powerful from the very opening moments of it. Yes there is a ton of comedic moments, but thats because the premise of it is so unbelievable. Spike wants to get a message across, and by the end of it, the message is pretty damn clear. Powerful message, powerful performances, and once the film is over, they bring it all back to present day America. This was the hardest hitting part of the movie, because this thing takes place in 1972, and in present day America, things don’t seem that much different. This should be nominated come awards season, well it better be. I’m ecstatic for everyone who was involved. Adam Driver once again proves he can do anything, Overall, one of 2018’s best films to date, with a strong message behind it, made by the right man. Again it’s a smaller film that scores big from me, not another sequel or generic summer blockbuster. Go see this movie! Support smaller movies!

    Nate’s Movie Tour Reviews – BlacKKKlansMan = 95/100

    Reviews

    ‘Mission Impossible: Fallout’ Review

    It goes. Mad Max: Fury Road. The Dark Knight. Mission Impossible: Fallout. Those are the best action movies in the last decade.

    The year was 1996, Tom Cruise was slowly becoming the worlds biggest movie star. Now they wanted to reinvent the classic television show Mission Impossible. Hollywood hadn’t really been doing this, it hadn’t become as frequent as we see today. So when they picked Cruise to lead the charge, the outcome was up in the air. Well 6 movies and 22 years later, the Mission Impossible film franchise is the best franchise in the world today. It wasn’t always like this for Ethan Hunt. It’s taken 5 different film makers, countless years before each new installment to arrive at this point. Brian De Palma’s Mission Impossible changed the game, it also changed the landscape for Cruise’s career. He was a bonafide action star after the release of this movie and it helped shape the rest of the career we have all come to love. Somehow these movies keep getting better and better and the newest addition is a worthy contender for one of the best action movies I’ve ever seen.


    Ethan Hunt is back and he’s better than ever. If you haven’t been along for the ride with this franchise, well, what’s your problem? This movie is exhilarating from start to finish, throw in some unique suspense, a brick shithouse (Henry Cavill) and you have the best summer blockbuster of 2018. Mission Impossible: Fallout isn’t just the best movie in the franchise, but it’s simply one of the best action movies of the last decade. I had extremely high expectations going into it, after the terrific Rogue Nation, which was directed by Christopher McQuarrie. He returns and is the only film maker to do so in this franchise to direct Fallout. He’s worked with Cruise on 9 different projects, so to say they have a great understanding of one another and a terrific relationship is an understatement.

    So it’s up to Ethan and his team to once again save the world. Crazy how many times one person can save the world from annihilation, but all of these movies have terrific stories and are terrifically written. So it doesn’t really matter to me, in fact, I can’t wait to watch the next one already. The usual suspects are back, Simon Pegg as Benji, Ving Rhames as Luther, Rebecca Ferguson as Ilas and throw in new comers Henry Cavill as August Walker and Angela Bassett as Erica Stone. Two worthy additions I might add, because Henry Cavill somehow manages to steal the show from Cruise himself. I’ve always liked Henry, I just don’t think he’s gotten enough chances to showcase his talents in Hollywood. Well his whole repertoire is on display here, and he does a fantastic job as the films villain. Speaking of villains Sean Harris returns as the baddie from Rogue Nation, and yeah he might not pose the physical threat that Cavill does, but he’s so menacing and his voice is just so god damn perfect for a villain in a Mission Impossible movie, that they really play well off each other. The movie gets crowded pretty quickly, but that needs to happen in order to set up the entire movie, and McQuarrie does a fantastic job balancing all these pieces out. This is a non-stop action thrill ride, but that doesn’t mean there is a story here. There is a ton of emotion at play, between Ethan and his team. He lives by the mentality of one life over a million, and there’s some real fat to be chewed throughout the film. A lot of that emotion comes from Ethan’s relationship with Luther. Ving Rhames has been in all 6 M.I movies, the only other cast member to be in all of them, except for Cruise. They have built a close relationship and usually his role deals with him sitting in a van. He’s always the brains behind the operation, the smartest guy in the room, but this time they let him out of the van and he’s doing stuff, which was great to see. Simon Pegg is actually the one who takes a back seat in this one. McQuarrie even stated that Pegg was a little thrown off by this, but it was time to tell Ethan’s and Luther’s story, and it really worked out nicely.

    Now for all the good stuff, the action, the stunts and Tom Cruise being the most badass man on the planet. The man does all of his own stunts, has done them all for as long as I can remember. You gotta see this in IMAX, there’s a helicopter sequence at the end of this that is so mind blowing and the fact that Cruise himself learned how to fly a damn helicopter is insane. He jumps off a building, he parachutes from an airplane, this guy is actually a real life hero. Much like this franchise, which doesn’t get the credit it deserves, neither does Cruise. The Fast and Furious franchise or the MCU gets praised, and people kind of sleep on these movies, and they are so good. The crazy thing is how this could have been dead in the water. JJ Abrams saved this franchise with M.I.3 and that was after a 6 year hiatus. It has been 22 years and it’s still going, actually it’s never been better. This is the LeBron James of movie franchises.

    Look I don’t want to go into insane detail about this movie. You gotta simply go see it for yourself. For the love god, even if it’s for the 3 minute bathroom fight scene. That’s so brutal and hard hitting, it’s honestly one of the best fight scenes I’ve ever watched. There have been so many bad movies this summer that have made way more at the box-office and it kind of isn’t fair. Go see this, then tell a bunch of your friends to see it, and maybe even go see it again.

    Nate’s Movie Tour Reviews – Mission Impossible Fallout = 94/100

     

    Reviews

    ‘The Dark Knight’ Ten Years Later

    It’s been 10 years since Christopher Nolan’s comic book masterpiece. His finest work to date and still arguably the greatest comic book movie ever made.

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    Christopher Nolan –  “You’ve changed things. Forever.”


    Funny world we live in, can’t believe its been 10 years since I waited outside a packed theatre. The lineup was legitimately wrapped around the entire building. The hype was real, it was like nothing I had ever seen at this point in my life, and well Christopher Nolan and company didn’t disappoint. I saw The Dark Knight 9 times in the theatre, I couldn’t get enough of this experience. I was like LeBron James when he went to Miami – “Not one, not two, not three, not four.” It has everything you want in a movie, and I don’t mean just a comic book movie, this is such an enjoyable movie experience, it simply meets all your needs. One of the biggest takeaways all these years later, is that people forget that this just isn’t a comic book movie. It’s so much more. This movie simply changed the game, it changed everything. It took the world by notice, that comic book movies should be and can be taken seriously. Everyone saw this movie, even your Mom. People couldn’t stop talking about it, everyone wanted to be the Joker, everyone had their own Batman voice. Ever since this movie, other film makers have been trying to replicate this formula, without that much success (Power Rangers, Fantastic Four). Since the turn of the century this sticks out as one of the very best films we have set our eyes on, and remember you either die a hero, or live long enough to see yourself become the villain.

    Where does one even begin with this movie? The incredible opening scene, the best of any comic book movie to date. The way they introduce the Joker at the beginning of this film is so brilliant, and unique. Watching the bank heist in IMAX was such a treat. The whole premise of this bank job taking place with the Joker, yet the rest of the crew has no idea he’s sitting right in front of them, all while they are picking each other off one by one. I could rewatch this scene again and again and it would never get old. I think from the opening moments you knew that this would be something truly special. The way it was shot, the dialogue, everything about that opening scene was so different and transformative. It’s not like this is the only rewatchable scene in the movie, jesus the whole thing is rewatchable. Christopher Nolan was showing us moments that I will just never forget. The “sky-hook” scene and the 18-wheeler being flipped over are things that just blew me and the audience away. Speaking of the 18-wheeler, that entire sequence is one of my favourite in all of cinema. I remember seeing the trailers and knowing that the Batpod was going to make an appearance in the movie, and I kept waiting and waiting for it to show up, and when it finally does, and how they introduce it. I don’t think I’ve ever smiled so hard during a movie. Gotta be one of the most “Batman” moments ever. Then the showdown between Batman and the Joker on the street – you know the one, HIT ME!!! Which ends with the reveal that Commissioner Gordon isn’t dead after all. Just next level movie making stuff. Dark, gritty, grounded are three words that surrounded this movie, it’s what Nolan built this franchise on. He took a character and moulded him the way he saw fit, and he didn’t rely on heavy CGI, insane action sequences to do so. When you think back to The Dark Knight, there isn’t much action to be had, in fact, for a summer blockbuster that just so happens to be a comic book movie, there is very little. His take on the Caped Crusader was so radical, that at first people didn’t know how to react. Since this trilogy, we have gotten another depiction of this character, which is more comic book like than Nolan’s approach. In Batman v. Superman and Justice League we see Batman fighting aliens from other worlds and teaming up with the worlds strongest heroes, that was not the reality in which Nolan’s universe took place. At the end of the day, I can never decide which version I like best. Scorn by critics alike, Ben Affleck’s Batman or “Batfleck” is incredible. People tend to forget that comic book characters are malleable. They can be shaped and formed however someone sees fit. Dark and gritty or fun and light. They can be part of a shared universe or not at all. These aren’t the things that make these movies special, it’s the vision, and having an idea about these characters that will, in the end, make them memorable. I say this because what followed Nolan’s Batman franchise was Zack Snyder’s Man of Steel movie, where you could tell from the trailers that it had a definite Nolan influence. Man of Steel turned out to be the greatest Superman movie ever made, and one of the best comic book movies made to date. People were thrown off about his interpretation of this beloved hero, but it was his take, just like Nolan’s take on Batman. The new Superman is just so different from Richard Donner’s 70’s hero, that people believed it was totally wrong. They can’t see that these characters can be whatever we want them to be, and if you can’t see where the artist is coming from, doesn’t  mean the artist is wrong.

    It all started with the legendary Batman Begins, at the end of the movie where they tease the Clown Prince of Crime. Batman tells Commissioner Gordon that “he’ll look into it,” and that was our first mention of the Joker. When that happened fans everywhere were on pins and needles to find out who would be playing Batman’s greatest foe. So when Heath Ledger was pinned as the Joker, the world didn’t really know what to think. He was a heartthrob, known for Brokeback Mountain and 10 Things I Hate About You. People were on the fence about the whole thing, they wanted this to be right, and some people didn’t think it was a great fit. Well we all know how that turned out, not only did Heath give us the greatest comic book performance we have ever seen, he even won an Oscar for his role. We all know the tragedy that comes with this movie, sadly Heath died shortly before the films premiere.


    Some men just want to watch the world burn. Words can’t really describe how I feel about the Heath situation, for so many reasons. His performance is hauntingly beautiful, where it’s almost put a curse on this character because I just don’t see anyone ever topping it. There will be other interpretations no doubt, there’s already been one, but something about his is just magical. Here’s the other thing, if Heath doesn’t die, I don’t really know what happens over at WB. I know Nolan always had his vision for his Batman trilogy, but if he’s alive, there’s no way he’s not part of the final installment of the franchise. Maybe it keeps going. There’s no way we don’t get to see him in this iconic role again. It’s saddens me to say that, because it sounds selfish, but the way we leave his character, just hanging and laughing hysterically because he believes he has beaten the Batman. I just have always wanted more from this Joker, I want to know what happens to him, why he’s never mentioned again. I know these are all unanswerable questions, it’s just every time I watch The Dark Knight, this is always something that crosses my mind. One of films biggest “what-ifs” because I personally think the DCEU might not be where it is today if he were still alive. There was just to much story to flesh out with his character. I always dreamed of WB releasing never before footage or a scene of the Joker, maybe we will get something this week, it’s a pipe dream, but a man can dream.

    The movie flows pretty flawlessly, I’ll admit though, the ending does get a little cloudy and messy. I just don’t believe everything that happens, from the ferry scene and the cell phone stuff. Something just seems off about that bit of the movie, but that is a serious nit-pick. Everyone is sitting atop apex mountain. Nolan, Bale, Caine, Eckhart, Ledger, everyone is firing on all cylinders. Comic book movies just aren’t written like this, the screenplay is just brilliant. Comic book movies didn’t tackle things like politics and and philosophical discussion that comes with being a hero and a villain. The interrogation scene, is one of the best Batman/Joker confrontations just not in the movies, but in all of history as well. Joker knows that Batman has one rule, and the way he manipulates and deceives Batman is incredible.

    Harvey, Harvey, Harvey Dent. I’m so bittersweet about how they handled this amazing villain. The way he is introduced. I remember my first viewing and when Batman walks into his warehouse, and realizing that Rachel is about to die, it really made you think. It’s such a powerful moment, and happens with the voice over of Rachel telling Bruce that she is going to marry Harvey Dent. Within Nolan’s trilogy it’s by far the most vulnerable we see Bruce Wayne, he is crushed that she is gone, because he believes she was going to wait for him. Two-Face is one of many iconic Batman rogues, and I know when they were making this film they didn’t know what was going to happen to Heath, but again it’s a real shame that they killed off Two-Face at the end, because I think there was so much more to explore with him. They could have adapted The Long Halloween or another great Two-Face story.

    What more can I say about this masterpiece of cinema. From Hans Zimmer epic score, to the cinematography, the acting, and everything in-between. It not only helped shape the landscape for movies but how the audience and Academy perceive them as well . The backlash that followed when The Dark Knight wasn’t nominated for best picture, ultimately led to the Academy expanding the best picture nominee category. It’s hard to imagine another comic book movie taking up the mantle of greatest of all time. Because this is more than just a comic book movie, it feels so real. There aren’t any super powers or even super heroes involved. That’s why it’s so special, Nolan was able to tap into something unique and make this so grounded, that it was just about a man in a mask and terrorist clown. It’s everything around that, that makes this a truly special piece of film. The Dark Knight didn’t just set the standard for comic book movies today, but it set a standard for movie making itself. It will never grow old and will be a timeless classic. It’s easy to forget why this movie is so special, because so many comic book movies have been made since. But for me, this is always looked at as a crime thriller-drama, that just so happens to have a man in a batsuit chasing a man dressed up like a clown throughout a city. These two are truly destined to do this forever.

    Reviews

    ‘SkyScraper’ Review

    I’ve said it a million times, I’ll watch anything with Dwayne Johnson in it, but can he start doing better movies please and thank you.

    Fun fact, someone took this photo to a scientist to see if he in fact would make this leap of faith. Guess what? Turns out he would plummet to his death, and that’s not even the most unbelievable thing that occurs in this generic blockbuster. Rawson Marshall Thurber the man who brought us Dodgeball and Central Intelligence brings us this cheap Diehard knock off, that is pretty painful to be perfectly honest. It’s been 30 years since one of the greatest action movies ever released came to theatres and this is by no stretch of the imagination an homage to that. But it fails miserably in every aspect of doing so. Skyscraper has a pretty straightforward premise. Man’s family is trapped in worlds tallest building, man must climb his way to the top. Simple enough, yet the movie trips over itself time and time again. This movie wanted to be Diehard so badly, the marketing team fully invested into that notion and produced replica posters for this movie in honour of Diehard and The Towering Inferno. Walking into the theatre thinking we could have a little Diehard on our hands was a fun treat, instead we got the worst of the worst when it comes to the Diehard franchise, and nobody and I mean nobody wants that.

    It’s really hard to get behind a movie, when you know the whole point of the movie, “The Pearl” the worlds tallest building in Hong Kong was made in an editing room after the movie was done filming. As the movie chugs along it got harder and harder to believe anything I was watching. The whole movie feels green-screened and nothing felt real. When that occurs it’s very hard to buy into what you’re watching. It doesn’t make for a enjoyable movie going experience. If you can’t believe what’s going on in front of you, it’s really hard to stay focused throughout. It’s just another run of the mill disaster flick, which happens to star the most likeable movie star on the planet. I was hoping that if this movie did turn out to be a pile of fiery rubble, then at least I would get to see Dwayne Johnson kick some ass for 90 mins. NOPE. That doesn’t even happen, I was stunned that we didn’t get more action, because well, the worlds biggest action star is in the movie. The action is so weak and bloodless, where Diehard was the polar opposite. He’s never really trying to survive from the people inside the building. He is trying to survive from the building itself. So instead they have him doing things that are so preposterous, it leaves you shaking your head. But I’ll reiterate that the only thing this movie has going for it is well Dwayne Johnson and Neve Campbell. YES! The return of Sydney Prescott baby. I forgot just how wonderful Neve Campbell is and why it bothers me so much that she really doesn’t act anymore. It really bothers me that she decided this would be her triumphant comeback, because although she is great, the movie is not.

    Everyone else just gets lost in the shuffle as the film plays out. You’re going to try and make Diehard for this generation but you don’t want to at least attempt to have an iconic villain? Hans Gruber is one of cinemas greatest foes, and the late Alan Rickman did a wonderful job in that role. I had to go look up the name of the bad guy for SkyScraper because that’s just how generic he was. Roland Moller plays Kores Botha, muscle for hire essentially and for me it just didn’t work. There are just so many forgettable characters floating around and you know all the twists and turns 20 minutes before they even happen. Even the bad guys plot is so mind numbingly dumb, by the end of the movie you forget why he is even doing this in the first place. Screen writing in big Hollywood blockbusters is dead. There is not one iconic line of dialogue in this whole thing, which was a total bummer. Everyone knows at least a fine lines from Diehard, that’s what made it so great. You’re telling me, that you have Dwayne Johnson in a movie like this and you can’t have him say one cool line? Who are getting to write these things nowadays? Is it monkeys using type writers? Did the Simpsons predict that as well?

    This is just the definition of watered down Hollywood generic action. No one will be talking about SkyScraper in a few weeks, no one will be talking about this movie at all. I just didn’t buy a single moment of the film, because it was all to fake to me. This whole movie was put together in the editing room and that’s by far the biggest weakness of it. DJ is fine in this role, but it’s certainly not one of  his best performances, and he can do so much better. It’s just hard to get behind a movie, where it wants you to throw everything you know about what a human being can do out the window and quite frankly I just don’t think the studio cared all that much. We deserve better movies than this. It’s the middle of July right now and every summer blockbuster that has come out since Infinity War has been hot garbage. Lazy writing, sub-par acting and a film where nothing is believable is not a recipe for success. I expected so much more, I wanted to be reminded of Diehard, yet everything in this movie is a total ripoff of something that has come before it. There really isn’t one original idea to be had in the whole thing.

    Nate’s Movie Tour Reviews – SkyScraper = 45/100