As they say, the force is strong with this one. The Last Jedi is finally here! The latest StarWars epic has finally arrived and well, people are divided. It’s the longest film in the series to date, and is chalked full of epic moments and twists and turns. I saw this Thursday night, but wanted to wait a few days before writing my review, because for movies such as these I wanted it to sink in and marinate a little bit. I loved this movie, I think over time it may very well be regarded as the greatest Star Wars ever made. The Internet and fans alike might not agree with that statement. Going into The Last Jedi, there was a ton of speculation about certain things, who Rey’s parents would be? Who was Snoke? What happened between Luke and Kylo Ren? All of these questions are answered in some way shape or form. I think that people were thinking one thing was going to happen and got another, and what they WANTED to happen, didn’t. So they thought the movie was “bad” because they didn’t get what they wanted. I think that is a huge problem with Star Wars fans, because you’re not always going to get what you want, but that doesn’t mean that thing is bad. I won’t spoil anything that happens in this movie, because that would be unfair, I will tread lightly around certain situations and characters.
First things first Rian Johnson (director) has gone out and made a thematically rich, emotionally nuanced and narratively subversive blockbuster movie. Most big budget movies often lack substance; good story telling and mainly rely on explosions and CGI. People think this is so far from what we have become accustomed to when it comes to StarWars, that they feel Rian Johnson has some what destroyed this franchise, well he reinvented it. He takes such bold risks and tells such a rich story, it’s really impressive on what he accomplished. There is a ton of pressure that comes with helming something that so many people hold so close and dear to their hearts. I think he did as good of job than anyone could have asked of him. The new droids, planets, landscapes and the entire aesthetic of The Last Jedi simply build on what JJ Abrams was able to accomplish in The Force Awakens. Crait a planet where the last battle takes place. The white and red minerals, the red salt standing out so clearly during the battle, is one of the most beautiful things I’ve seen in a Star Wars movie. The cinematography was just incredible. Throughout the entire movie itself, there are tons of artistic shots, that will make great one shot pieces, and images that will stand out in fans minds until the end of time. The whole movie deals with failures, and overcoming the failures. What happens to us when we fail, how do we respond? Almost everyone in this movie sets out on a certain goal or task and in the end, ultimately fails at the very thing they set out to do. We learn later in the movie, that failure is okay, it’s a part of life and it’s a part of growing as a person. People fail all the time, failure makes us stronger, makes us smarter. It was something I didn’t pick up on until after the movie, but failure is such a big part of this story. There is one thing that happens towards the end of the movie, you think the movie is about to take a MASSIVE risk, and they bail last second on it. The cop out, the way they get out of it, is so utterly insane, that I wonder how they felt this was a good idea. I wish I could talk about it more, but it involves Finn and Rose, and it was without a doubt the worst part, and one of the stupidest things I’ve seen in a movie in a long time. Especially with the timing of this event, it was just a real head scratcher.
This is a StarWars movie through and through. I mentioned it taking bold risks and trying to expand on this forever-growing universe, and it opens the doors to so many possibilities with the final installment, which we will receive in two years. From the opening music, before the always-epic scrawl, the opening shot of outer space, the light sabre fights, and just classic Star Wars moments. The story is pretty simple, Rey (Daisy Ridley) searches out Luke Skywalker (Mark Hamill) to get her proper training, Finn (John Bodega) meets a new girl Rose (Kelly Marie Tran) and they are trying to find Rey and lead her far away from the First Order. Poe (Oscar Issac) is struggling with becoming a leader, and the leader that the Resistance needs. While Princess Leia (Carrie Fisher) is just trying to keep the remaining resistance fighters calm and well, safe. Meanwhile Kylo Ren (Adam Driver) is trying to figure out where he belongs in this world, and what he really wants. The cast is fantastic, this is the best Mark Hamill performance we have ever gotten, and it can be said with Carrie Fisher. They both shine, and always steal the scene they are in. With the passing of Carrie this past year, it was only fitting that we got to see her at her best in this movie, and you could tell she really gave it her all. As for everyone’s favorite Jedi, Luke Skywalker, this is what people are torn on. I get and I understand the direction they took Luke in this movie. I’ll just leave it at that, because anything more would enter spoiler territory.
For me, this whole movie was all about Kylo Ren, who is built like a brick shit house I might add. Adam Driver gives one hell of a performance in this movie. Movies these days, well they lack great villains. Who was the villain in Doctor Strange, or Justice League that just came out? How about Spider-Man Homecoming? Kylo Ren is for me, is the best villain since Heath Ledgers Joker. From the actual character to the performance of the actor playing that character. You feel for this guy, Kylo is conflicted, he wants to be bad, but part of him is good. This is evident in one particular moment in the first act of the movie. He wants nothing more than to impress Snoke, who openly mocks him about his helmet, which is destroys in a fit of rage after being criticized by Snoke. After TheForce Awakens came out, everyone thought of Kylo as a spoiled little brat, an Emo kind of villain, where unlike his dear old Grand Father, Darth Vader, where Storm troopers would fear him. They kind of just don’t want to be around Kylo, because he is well a brat. You see the pain in his eyes, the conflict on who he wants to become. When you start to learn about his past, and what he has gone through, you start to feel for his character. He is so full of rage and hate, and once he throws his helmet away, you can see that on his face for the rest of the movie. He wants Rey to join him, he wants the pair of them to rule the galaxy together, he has a soft spot for Rey, and feels like he can open up and share his thoughts and feelings with her. I just think Kylo is a very compelling and complex villain, one who will stand out for many years to come, it helps that Driver gives such a fantastic performance. It also helps that he’s part of probably the best scene in StarWars history. I can’t wait to see where they take his character and what’s in store for him, in the final chapter. Because his story isn’t finished, he is “unfinished evil,” where I think we have only seen the tip of the evil iceberg for Kylo Ren, which spells trouble for Rey and the resistance.
People are having a really hard time letting go of the past. Even Kylo Ren has a line of dialogue in the movie. “Let the past die,” he says. “Kill it, if you have to. That’s the only way to become what you were meant to be.” That bears true in the movie, and in real life. These new movies are moving in a new direction, moving away from the past (Luke, Leia, Han Solo) and moving forward with our new heroes and villains. People are having a hard time doing so, especially those who have been with this franchise since 1977. They want to remember and hang onto this epic and wonderful characters for as long as possible, and now that the end is in sight for most of them, people are having a difficult time letting go. In order for something new to grow, usually something old must die, these new movies was about telling a new adventure with new characters, and not about the ones we grew up with, and everyone should be okay with that. Luke Skywalker was not meant to be the main character and center of attention of this new trilogy. It’s the second biggest opening weekend of all time, 93% on Rotten Tomatoes. But here is why the Internet is divided; the audience score is sitting at 56%. I think that has a lot to do with what I mentioned earlier and people not getting what they wanted. This is not a bad movie; hell it’s an incredible movie going experience. It’s beautiful; the score is epic, great performances all around. People are upset certain things didn’t go their way; I think they need to get over that and give this movie another watch.
Overall, this has one of the best space battles ever, in my opinion the best light sabre fight scenes, and the best performances given in any Star Wars movie. It builds on already so much rich history, it’s such a great story, with some flaws, but with a movie this big in scale, that will happen. It’s full of incredible moments, breath taking visuals and a lot of laughs. I found myself a little emotional during certain moments; you really get caught up in it all. That’s what you want when you’re sitting in the theatre. This is a really great epic Star Wars movie that shouldn’t be missed. Give it time, fans will come back around to seeing this as a great movie, they are just salty right now.
Check ya later.
Nate’s Movie Tour Reviews – The Last Jedi = 92/100
Are you fucking kidding me – I’m sorry for cursing.
(Disney)
Just when you thought the hype for this movie couldn’t be any bigger, they go ahead and drop this trailer on us. ARE YOU KIDDING ME? This trailer is about to break some records and the internet I would imagine, because it’s damn near perfect. Yeah, I’m sure there will be Star Wars hardos out there that think they spoiled a few things, but remember to never really take anything you see in a trailer in full context. They are really good at editing these things to make you believe something that probably won’t happen.
But that trailer was the real deal, Rian Johnson, I believe you are on your way to making the best Star Wars movie ever. This looks absolutely stunning, some of the visuals are just gorgeous. After seeing Blade Runner 2049 this past week, I’m not going to lie, that I kind of felt the same way for some of the visuals in this trailer than I did for Blade Runner. There is a ton to process in this thing, they are hinting at a TON of things to come, without really revealing how those things are actually going to happen. Luke appears to be afraid of Rey almost because she is so powerful, so powerful that I have a feeling she might be hiding something or will potentially be the person who kills Luke. Again not to overlook the trailer, but it seemed like Rey and Kylo might team up or at least have a common goal/enemy at the end of this trailer. Is Rey turning bad? Towards the end of the trailer we see her under duress, with Snoke taking control of her. Maybe he gets her to join the dark side, or taps into her powers and is able to control or something. Andy Serkis is menacing as hell voicing that guy, I was really digging his voiceover at the beginning of the trailer. Is Kylo turning good, because they allude to him blowing up a ship with his mother Leia inside of it. Does killing his Mom finally push him over the edge and he can no longer be part of the dark side? Something isn’t quite as it seems with those two and obviously some of our questions will be answered in no time. I just thought it was really cool how Luke wanted no part of Rey after he learns just how powerful she can be.
Finn is back, get it, back? Never mind, all I know is, I want to see throw down with Captain Phasma real bad. Seeing how she was a mere joke in The Force Awakens, I’m glad she will finally be doing some heavy lifting this time around, and going toe-to-toe with Finn. She seems like a pretty awesome character so I hope we really get to see more of her this time around, and just isn’t background noise. The battle that looks to be taking place in a really open giant landscape, will probably be the best part of the movie, every time I see that red mist stuff, I’m just blown away but how beautiful it looks.
Overall I thought this was the best or one of the best movie trailer of 2017, DO NOT put out any more trailers, we do not need them. This was far more than we actually needed, but I’m glad I watched it. There are crazy people out there that won’t watch this, and I could not do that, nor do I think it’s a good idea. They didn’t spoil anything really, because like I said, we don’t know the context of anything in the movie yet, because we haven’t seen the movie yet. So chill out, watch it 100 times like I will, and December 15th can’t get here fast enough
JJ Abrams is back in the directors chair, and I frankly do not care. Have you tried watching The Force Awakens again? It’s not very good.
So here’s the thing, this is nothing personal against JJ Abrams, I happen to like a lot of his movies, but overall The Force Awakens just wasn’t that great. The word “meh” can best describe that movie going experience. Yeah, I’m happy Star Wars is back in our lives, but at the same time, I’ve come to the realization that Star Wars is vastly overrated. Seriously take the Light Sabre out of it, and what is it exactly?. They make it cool, because let’s be honest here they are one of the coolest things ever invented in the film industry. So I’ll give it that and also Darth Vader, that guy is pretty, pretty, pretty neat.
I’m just not sold on this news, because I think they should have gotten someone different, with a different style to end the trilogy. We have the up coming Episode IIX which I guess I’m a little bit excited for, they haven’t shown to much, but Rian Johnson is behind the project and that guy made Looper, so I’ll watch anything he does.
I can’t figure out why I’m not pumped about Star Wars, maybe it’s the fatigue of all these franchises, or the fact that after the first viewing of The Force Awakens, I couldn’t get through it a second time. So I’m a little bit skeptical about this. Also Rogue One just wasn’t great, besides the wicked 30 seconds we got with Vader at the end. I don’t know, I don’t know why Disney went back to the same drinking well to end this trilogy, maybe they know JJ is a yes man and will make the movie they want. That’s probably it, only time will tell I guess.
You know the drill by now, here are episodes 42-23!!
42 – Trial. Season 3, Episode 12. Director: Dan Riba, Story: Paul Dini
(WARNER BROS.)
So many of Batman’s villains, all in one place! Batman is on trial people, after the new district attorney feels that he is actually a burden on Gotham. He promotes more crime and ends up doing more harm than good. It’s really awesome seeing his entire rogues gallery interacting with one another, and almost working together. They all want one thing, to see Batman go down, but not before finding out his true identity. One thing about this episode is, it sort of feels rushed. Having all these great charters together, you could have maybe stretched this out to be a two-parter. A few episodes in this section suffer from that same fate. Joker playing the judge is actually hilarious, and it turns out that Batman is responsible for a lot of the villains in Gotham. I hope that the writers of The Batman live-action take a few notes from this episode, seeing how they want a lot of his rouges gallery to appear in the up-coming live-action movie! Grade B
“I just wanna say, if there was no Batman, there’d be no Joker, and I’d have never met my Puddin’. Thank you, Batman.” – Harley Quinn
41 – Catwalk. Season 3, Episode 18. Director: Boyd Kirkland, Story: Paul Dini
(WARNER BROS.)
Selina Kyle is bored, she’s got nothing going on in her life. No longer dressing up like a cat and robbing people, Catwoman is no longer a part of her life. Until the Ventriloquist wonders if she still had an itch to suit up. Well guess, she does. So when he asks her to steal something from Gotham socialite Veronica Vreeland, Scarface ends up double crossing her. When she’s stealing one thing, they are doing another job. I just love the interaction between these two villains, and I enjoy watching a vulnerable Catwoman, as she is trying to decide what’s the best life for her. It’s always interesting with the Ventriloquist, because when Scarface usually goes bye bye, it’s a weird and emotional bit. He’s just a puppet, but he’s more than that to his creator. Always found that intriguing. Grade B
“Now we’re gonna found out if there really is more than one way to skin a cat.” – Scarface
40 – What Is Reality? Season 2, Episode 20. Director: Dick Sebast, Story: Marty Isenberg
(WARNER BROS.)
Another great Riddler story! This time he sends Gotham PD a nice little present. A virtual reality video game, and when the commish gets stuck inside, it’s up to Batman to save him. This is a fantastic episode and one that really showcases Riddler’s intellectual side and his passion for riddles. Watching Batman battle wits with The Riddler is always a pleasure to watch, people can forget just how smart Batman is, he’s more than just a brawler. I always thought this episode would make for a great live action bit, and would be a great way to showcase The Riddler on the big screen. With the Riddler Easter egg we got in BvS, he might show up sooner rather than later! Grade B
“Careful, vigilante, you know what they say. Curiosity killed the Bat”. – The Riddler
39 – The Strange Secret of Bruce Wayne. Season 2, Episode 9. Director: Frank Paur, Story: David Wise
(WARNER BROS.)
Man, they really screwed the pooch on this one. This would have made the best two part episode, but instead, sadly they crammed it all into one. Dr. Hugo Strange has built a machine that sees people’s thoughts. When Bruce Wayne goes to visit, well the good doctor finds out his secret identity. I love Hugo Strange, he was so incredible in Batman: Arkham City, and he’s only ever in this one episode, which is another failure on its own. When he ransoms off the video tape to The Joker, Two-Face and the Penguin, they are licking their chops to get their hands on this tape. That’s right, these three villains are in this episode, together, sharing scenes and it’s great. Another reason why I felt that this episode was rushed. You can’t have these three guys come together for only 5 minutes, it’s just a tease. At one point Two-Face and Penguin pull out guns and the Joker pulls out flowers and it’s so funny. In the end, Batman is able to pull one over on Strange, in a really clever way. It’s just a shame we really only get one episode like this, honestly it’s one of my favourites. Grade B+
“That’s absurd! I know Bruce Wayne. If he’s Batman, I’m the King of England.” – Two-Face
38 – Sideshow. Season 3, Episode 10. Director: Boyd Kirkland, Story: Michael Reaves
(WARNER BROS.)
The start of this episode!!! Croc on a train, chained up and the guards are laughing at him. Well until he tells them, that crocodiles have the strongest jaw and boom he’s free! Batman shows up and it’s pretty awesome how he hunts and tracks Croc through the woods, and well almost gets smashed by a giant rock (hopefully you get that reference). Croc stumbles across a band of misfit circus freaks, and they welcome him in with open arms. Obviously he lies about who he is and what he is doing in their neck of the woods. When Batman shows up, they think he’s the bad guy, until Croc shows his true colours. I remember this episode clear as day from my childhood, the fight on the water wheel at the end is something I’ll always remember from this show. It’s one of the very few episodes I actually remember watching as a child, so it holds a special place in my heart. Doesn’t hurt that it’s also a great episode. Grade B
“You said you could be yourself out here, remember? I guess that’s what I was doing. Being myself.” – Killer Croc
37 – Growing Pains. Season 4, Episode 8. Director: Atsuko Tanaka, Story: Paul Dini
(WARNER BROS.)
The final appearance of Clay Face, is also his saddest episode. Such a troubled soul, and has some of the most emotional episodes this show has to offer. This is also a incredible character building episode for Tim Drake’s Robin. The run down is this, Robin meets a girl, who can’t seem to really remember to much about herself. Robin begins to develop feelings for her. But something is off with her, and he can’t seem to figure out what it is. She’s looking for someone, and her “father” is looking for her. Turns out it’s Clayface, and she’s just a part of him. When we last saw Clayface he fell into the water, but managed to create this girl to go off and find a cure. Robin is devastated when he finds out, that not only is she not real, that he can’t save her. It’s just really sad and emotional to see him find out that sometimes in life, things just don’t work out. The quote I attached to his episode sums it up perfectly. Batman knows all too well about being broken, and he can see the pain that Robin is going through, but he can’t do anything to ease his pain. One of the episodes I wish took place during the first three seasons. It’s a shame really.
“Sometimes there are no happy endings.” – Batman
36 – Sins of The Father. Season 4, Episode 2. Director: Curt Geda, Story: Rich Fogel
(WARNER BROS.)
Tim Drake’s origin story. As we find ourselves without Dick Grayson being Batman’s sidekick. For the new Robin, they blended both Tim Drake and Jason Todd, both having unique characteristics, and compelling backstories. So the writers decided to go with the name Tim Drake, but he has parts of Jason Todd inside of him. When Tim’s dad goes missing and Two-Face is looking for him, Batman gets tangled up in this mess as well. I loved how they took a Batman villain and made him be a part of Robin’s origin. Am I fan of Robin being a little kid, absouletly not. It just made the show feel more childish, something I didn’t like about the revamp. But this is a great episode none the less, and one of the better episodes from the final season. Grade B
“Yeah, my dad used to work for old puke-face” Tim Drake
35 – On Leather Wings. Season 1, Episode 1. Director: Kevin Altieri, Story: Mitch Brian
(WARNER BROS.)
There’s no better feeling, than when I put in season 1, disc 1, and the theme for ‘On Leather Wings’ starts playing. The start of the journey, and it’s a kick ass start. This is an all around fantastic episode. It certainly feels like the first episode also, with everyone out to get Batman, even Commissioner Gordon is unsure of the Cape Crusader at this point in the show. Harvey Dent is just the DA, and shows no signs of his alter ego, and even Batman feels like the new guy in town. I’ve always been a huge fan of the Man-Bat and they do him serious justice in his first episode. This is a rare episode that almost feels like it could be adaptive to live-action quite easily, just the way it looks and feels. It feels like such a classic Batman story, and there’s honestly no better way to start the show off. From Harvey and his S.W.A.T team attempting to take down Batman, from even the interactions between Batman and Alfred, I just love this episode so much. It’s honestly one of the Batman stories I’ll never forget. Grade B+
“I gather you’ve been reading, How to Make Friends and Influence People”. – Alfred
34 – Pretty Poison. Season 1, Episode 5. Director: Boyd Kirkland, Story: Paul Dini
(WARNER BROS.)
Harvey, Harvey, Harvey Dent. Was totally getting it on with Poison Ivy!!! What a dirty dog. These are the little things I love about this show. Poison Ivy’s first appearance in the show and I just really love this episode. She’s pissed because well Bruce Wayne and Harvey Dent destroyed a ecosystem to make room for well a prison. A little ironic if you ask me. But when they did this, they destroyed a very rare plant. So rare that Poison Ivy now holds the remaining one and she’s used it to create a deadly toxin. When she kisses Harvey after a date, he slips into a coma, and it’s up to his pal Bruce/Batman to save him! A few things I love. It shows just how close Bruce and Harvey were before his “accident” and just how good of a person he truly was. The whole Poison Ivy kiss thing too, well that craptastic Batman&Robin movie totally stole that move! I always get a kick out of Bullock interrogating the chef and asking him what he put in the chocolate mousse. Batman also fights a giant Venus Fly Trap, and that’s totally badass! I was always a huge fan of Poison Ivy in this show, they portrayed her so well and this just happens to be her best episode. GradeB+
“Batman. A late night rendezvous? To what do I owe the honour?” – Poison Ivy
33 – Legends of The Dark Knight. Season 4, Episode 19. Director: Dan Riba, Story: Robert Goodman
(WARNER BROS.)
Three different Batman stories in one episode! Different animation styles and voices! This is a very special and unique episode to say the least. It takes all sorts of different elelments from the 80s and the 50s, as we see kids telling their take on the Dark Knight. We they are confronted by Firefly, it’s up to Batman to stop him. My favourite part is by far the Dark Knight Returns part. Seeing how that’s one of the greatest Batman stories of all time. I love his fight with the Mutant Leader. And love the actual animated two part movie that came out a few years ago. They tried hard to make that happen in BvS, but that didn’t turn out too well. Grade B
“Batman! I call you coward! Come out and face your death like a man! I kill you! I eat your heart! I show you who rules Gotham City!” Mutant Leader
32 – Vendetta. Season 1, Episode 23. Director: Frank Paur, Story: Michael Reaves
(WARNER BROS.)
Killer Croc’s first episode! And let me tell you, it’s a real doozy. I can never say enough good things about this character, especially when he’s done right. His appearances in the first three seasons are nothing short of spectacular, and well, they straight up RUINED him in the revamp. So Bullock has been framed for doing a lot of shady things, and no one seems to believe him. Until Batman gets on the case, and starts putting together the pieces to this puzzle. One thing I’ll never forget with this episode, will be the actual introduction to Croc. When Batman finds his underwater cave lair, which is so badass by the way, and hell of scary. When he appears from the water, it was actually really frightening as a child. He wasn’t always the brightest crayon in the box, but physically, he was always a lot for Batman to handle. This is another great Bullock episode, that deals with his past and how he just has so many enemies. That mixed with a great Croc story, makes for one hell of an episode. The fight in the sewer at the end, is one of the best action/fights, this show has to offer. This is the incarnation of Killer Croc I would love to see in live action, because I think it is simply perfect. Grade B+
“Terrific. Just what I need now. The freak job in the cape.” – Killer Croc
31 – Read My Lips. Season 3, Episode 8. Director: Boyd Kirkland, Story: Alan Burnett
(WARNER BROS.)
Honestly, this show really waited a long time to introduce this awesome villain. I know, it’s a doll, I know the concept seems so stupid. But this show did this character right. This is such a fascinating and complex episode, and it’s such a shame it takes so long to introduce this guy. The Ventriloquist is actually quite the badass, and honestly one of the more impressive villains the show has to offer. He’s smart, has the best muscle, Rhino is the biggest goon this show has to offer. When Batman finally understands what is going on, it’s so cool for him to be kind of impressed with a bad guy, and Arnold’s ventriloquism skills. He’s the best he’s ever seen, and he was once trained by one of the greatest. It’s just such an interesting concept, the audience never really knows who is fully in control, is it Arnold Wesker or is it Scarface? When Batman uses some ventriloquism of his own, Scarface points a gun at Arnold’s head, when he thinks he is the rat among their group. It’s one of the most intense scenes, that ends with one of the more violent acts the show ever produces. Scarface gets riddled with bullets, and I know it’s just a doll, but it’s very violent and it symbolizes a ton. The back and forth between Scarface and his creator is incredible, and the vote acting is so perfect. It also has a very dark ending, with Arnold supposedly healed in prison, but when he is crafting another doll head, and stabs a knife into its wooden face, and starts dragging the knife down its face, makes for a very haunting moment. This episode really has everything I want in a Batman animated cartoon, it’s damn near perfect. Grade B+
“Now, Mr. Scarface, remember your blood pressure!” – Ventriloquist
30 – Time Out of Joint. Season 3, Episode 17. Director: Dan Riba, Story: Alan Burnett
(WARNER BROS.)
Temple Fugate, what a name. Actually in Latin it means ‘time flies’ now that’s pretty neat. This should be a stupid, terrible, hilariously bad Batman villain, but guess what? He’s actually a smart, sophisticated and worthy opponent. Again, I can’t say this enough about certain characters, that just never got enough screen time in this show, and the Clock King is one of them. This is his second and last appearance in the show, and it’s a really fun and interesting episode. Time obsessed, Clock King is back on the scene, but this time, he literally has the power of time on his side. Stealing a device from a scientist, he is now able to manipulate time itself, and he is committing crimes using this very device. He’s full of hatred for Mayor Hill, but I’ll save that for his other episode! He wants to kill the Mayor this time around, and well, lets just say he wants him to go out with a bang. There’s an awesome part in this episode, where Clock King attaches one of these time devices to the bat-mobile, and Batman and Robin get stuck in time for a brief moment, and when they are able to break free a few days have past, and I just always thought that was really cool. Batman gets to show off his brains in this episode too, because well the show always did a great job, showing us that he’s more than just a brawler. I just never would have expected to enjoy this villain as much as I do, so I give tons of credit to the writing staff of this show, for making this guy interesting and giving us great stories, for who is honestly, a C level bad guy. Grade B+
“A trial run, and it went like clockwork!” – The Clock King
29 – Mudslide. Season 2, Episode 24. Director: Eric Radomski, Story: Alan Burnett
(WARNER BROS.)
Its a shame he wasn’t in more episodes, but before the revamp apparently Clayface was super expensive to animate and thats why he wasn’t in more episodes. Sad episode, about love and wanting to be loved. Stella, who once worked with Hagen on set, is misguided and loves Matt Hagan, not Clayface. She knew him before the accident and even still watches his movies (creepy, right!) she wants him to return to normal so they can be together once more. A lot of movie and popular culture references in this one. Batman wants to help Clayface, but he’s deranged and insane, so he assumes the worst of him, but he wants to give him the same treatment the Stella is using. Always loved when Clayface absorbed Batman and tried to suffocate him to death, and when Batman bursts out of his body, it makes for an awesome moment. The ending is really sad, when Clayface falls to his apparent death, he was such a tortured character. It’s just a poetic episode, with a lot of meaning behind it, I’ve always had a soft spot for Clayface, he’s a fantastic character, I really loved his appearance in Arkham City, again he was used to perfection.He’s one of those villains that deep down you are somewhat rooting for. He never asked to be Clayface, and now he just wants to go back to his normal ways, he just has a misguided way of going about it. Grade B+
“Too late, curtains going down” – Clayface
28 – Perchance To Dream. Season 2, Episode 2. Director: Boyd Kirkland, Story: Laren Bright
(WARNER BROS.)
Bruce Wayne vs. Batman! Honestly what more can a Batman fan ask for? This episode is a rollercoaster of emotion, with so much going on. Batman is in pursuit of a few petty criminals, and all of a sudden he sees a bright light. When he wakes up, well lets just say there are a few changes to his life. The biggest one being that well his parents are alive, and oh yeah, he’s no longer Batman. Shocked by this revelation, Bruce Wayne can’t really explain what is going on. He is thrilled to have his parents back in his life, but he is confused. When he goes to see Leslie Thompkins, she tells them that he has created an alternate reality, one in which he is Batman and his parents were murdered that fateful night. He’s even set to marry Selina Kyle, who is no longer Catwoman. Bruce couldn’t be happier with his new life, and he believes that his nightmare is finally over. Until he tries to read the newspaper and well can’t make out a single word. When he realizes he is in a fantasy world, and this is not real, he is full of rage and anger. When he discovers that Mad Hatter is behind all of this, because of how he ruined his chance with Alice, Bruce Wayne is so full of rage and anger he does the only thing he can do. He kills himself inside this dream world so he can awake in real time. This episode for me asks so many questions. What if his parents never died, would he still become Batman? What does he truly want out of his life? What makes him happiest, having his parents or being Batman and protecting people. But Batman decides he would rather have his parents be dead, then live in a world that is a lie, no matter how attractive that lie or dream may be. It’s a really powerful episode, that leaves Batman and Bruce Wayne searching for answers, and you realize just how much being Batman means to Bruce Wayne. Grade A-
“Oh, but it is! It’s a beautiful story! You have love, wealth, a family, all you ever wanted! Your own private Wonderland!” – Mad Hatter
27 – Bane. Season 3, Episode 19. Director: Kevin Altieri, Story: Mitch Brian
(WARNER BROS.)
BANE!!!! Remember when they tried to make Bane cool in Batman & Robin? Remember how they failed miserably, but at the same time, they kind of had the right idea? Then The Dark Knight Rises came around, and they grounded the shit out of the character? Both time, they just couldn’t find a common medium for Bane, one of my all time favourite Batman villains. But you know who did? The creators and writers of this show, because in my personal opinion, Bane from BTAS is the best representation of the character outside the comic books. Sadly, like usual, he really only appears in one episode. Until the revamp and they change his look so much, that he kind of looks like a dominatrix. Bane shows up to Gotham, after Rupert Thorn pays him to kill the Bat. He wants to get his attention first, and there’s a great scene when he crosses paths with Killer Croc in the sewer, you don’t see anything go down, just the shadow of Bane becoming bigger after his venom injection. It’s a really great scene, but I would have loved to see, Batman’s two biggest physical foes go toe-to-toe. The way he looks, the way he talks, his accent is perfect, and for me, they made Bane the perfect size. He’s not so big, that it looks fake, and he’s not so small, that he doesn’t tower over Batman. They have a great fight scene, and there’s actually a pretty scary part when Bane chases down Robin. Can’t say enough good things about how they represented Bane in this show! Grade B+
“You can’t do this to me, I am invincible, I am Bane!” – Bane
26 – The Clock King. Season 1, Episode 25. Director: Kevin Altieri, Story: David Wise
(WARNER BROS)
The Clock King is back! This time around, it’s his origin story. See Temple Fugate was a simple man, and he kept a very strict schedule. One day he just so happens to be sitting beside the soon to be Mayor Hill. When Hill tells him to change up his schedule and not be so tight, Fugate listens. When that backfires on him, and he loses everything, he goes into hiding. Resurfacing as the Clock King, out for revenge on the Mayor. He’s such a simple villain, but like I said during his previous episode, he actually is a challenge for Batman. Time obsessed can really come in handy, and he just always knows what he is doing, and always seems to be one step ahead. The battle at the end between him and Batman, in Gothams clock tower is pretty awesome, and actually Kevin Conroy gives one of his best Batman war-cries during this encounter. I also really enjoy Batman having a great MacGyver moment, when he’s stuck inside the bank vault and somehow is able to escape using only a cassette tape, pretty awesome Batman moment. It seems like Fugate goes out like a boss, and crumbles with the tower itself, but we all know that’s not the case. One of the best origin episodes for any villain in this show, big fan of the Clock King! Grade B+
“The 9:15, is always 6 minutes early” – The Clock King
25 – His Silicon Soul. Season 3, Episode 7. Director: Boyd Kirkland, Story: Marty Isenberg
(WARNER BROS.)
Imagine Batman mixed with The Terminator. Because that’s pretty much what this episode is about. Remember H.A.R.D.A.C? The giant computer that made robot copies of the important people of Gotham? Well right before it got blown sky-high, it made one last copy, of Batman. The start of this episode is pretty awesome, as we see some petty thugs inside a warehouse, where they are trying to steal some goods. When they come across a box and open it, it appears Batman has come to save the day. You don’t really know what’s going on because they make such good use of shadows and the lightning that’s occurring outside. But when Batman is shot, well turns out he’s a robot. There’s a pretty deep emotional message with this episode, see this robot Batman as programmed so well, that it thinks its real. It has memories, and feelings and knows people, but when Rossum tells him it’s only data, well he flips the hell out. It’s also been programmed so well, that just like the real Batman, it cannot take a life. It has a soul, so when Batman is fighting the robot Batman, and it appears the real Batman falls to his death, the robot is so disgusted with itself, it blows itself up essentially. All the robot wanted was to be human, but that was an impossible task, but it also couldn’t tell the difference between certain human emotions. Here’s a great interaction between Batman and the robot Batman. Grade A-
BD: Why do you resist? HARDAC’s goals are identical to your own.
Batman: How do you figure that?
BD: Picture a world completely free of crime, free of suffering, free of frailty.
Batman: You mean free of choice, compassion, free of humanity?
BD: Yes.
“Could it be it had a soul, Alfred? A soul of silicon, but a soul nonetheless.” Bruce Wayne
24 – The Cape and The Cowl Conspiracy. Season 2, Episode 3. Director: Frank Paur, Story: Elliot S. Maggin
(WARNER BROS.)
For those of you, who are still reading, did I rank this episode way to high? I feel like people dislike this episode a lot, but I think it’s genius, and one that continues to grow on me. It’s got no great villain, none from his famous rogues gallery, but it just has a really great story, and Batman just being a straight up boss. So Wormwood is a guy who is pretty much Jigsaw from the Saw movies, except like not so extreme. He uses death traps to get information out of people, so when Batman is on his trail, Batman sets out on a mission to take this guy down. Wormwood has also been hired to get Batman’s cape and cowl from him. So there is a ton of back and forth between the two, and Wormwood actually ends up getting his cape and cowl. In a really awesome trap I might add. But here’s the kicker, the guy who hires Wormwood to get it, WAS FREAKING BATMAN HIMSELF. Talk about a mindfuck, am I right? Batman was playing him for a fool the entire time, and it’s just such a great reveal at the end, and then they even have a awesome fight involving workout equipment, which is cool. The cherry on top of the sundae is Batman mails Wormwood his cape and cowl when he’s locked up in Arkham, with a little riddle attached to it, freaking awesome stuff! Grade A
This is an episode I feel like people hate, but i think its genius and one of the greats.
Kind of like a toned down Jigsaw, less blood and death, more just fear of dying
“Alright. I’ll get you the Batman’s cape and cowl. That won’t be difficult. He is only human, after all.” – Wormwood
23 – Day of The Samurai. Season 2, Episode 16. Director: Bruce W. Timm, Story: Steve Perry
(WARNER BROS.)
Without doubt, this episode has the most intense moment in the show. Bruce Wayne’s and Batman’s enemy Kyodai Ken is back and this time he means serious business. He’s pissed at what transpired the first time they had an encounter, so he sets off to find some legendary scroll, that teaches you “the death touch”. He kidnaps a student at the dojo that they once trained at, so Batman must travel overseas to help. The ending to this episode is just so incredible and that moment I talked about, well actually now that I think about it, it really has two of these moments. The first is when Ken successfully applies the death touch to Batman, and it appears that he has died, but then you realize that, well he’s Batman so that’s not going to happen. But as a kid, you are more than likely freaking out. Secondly, and I just love this moment so much, after Ken realizes Batman is okay, they fight some more, and well they are fighting on an active volcano, I know, so badass! When Ken is corner and standing on a rock with no where to go, Batman throws him a rope so he can jump across to safety, and this fucking guy just kicks the rope away like a boss and goes down with the ship. There’s no way he survives this, not a chance and it’s just so a real moment for a cartoon, and something that really sticks with me as a Batman fan. Batman could not save him, and that really crushes him, but Ken did not want to be saved, and it’s just the look on his face before he literally goes up in smoke, that makes you realize just how incredible this show truly way. Grade A
Ken goes out like a champ, but Batman feels like its another death that must rest on his shoulders. He feels the burden of his actions.
“Sometimes, old friend, I wonder if I’m really doing any good out there”
(WARNER BROS.)
Let us keep this party going! We’re almost in the top 50 here folks! Hopefully you have enjoyed reading this so far, and are coming back to each part! Here are numbers 62-43!
62 – The Last Laugh. Season 1, Episode 4. Director: Kevin Altieri, Story: Carl Swenson
(WARNER BROS.)
It’s April Fools Day in Gotham, and you know what that means. Joker is going to try and kill a bunch of people, by making them laugh to death! Talk about a punch line! It’s got one of the greatest April Fools jokes ever, remember when Alfred “drew Batman a bath” and shows him a picture of a bathtub, classic Alfie! But when poor old Alfie gets infected by this laughing gas, Batman has a little more incentive to stop Joker. It’s weird, but I really dig the background music in this episode, it’s pretty catchy, and overall it’s a great Joker story. It’s got a giant clown robot that Batman fights, and just a boatload of puns, and who doesn’t enjoy a good pun. It’s even got Batman smiling and cracking jokes, and that is a super rare thing to come across. Seriously though, look at Batman in that picture, isn’t it adorable!!! Grade C+
“Oh, that’s a joke, right? Batman finally told a joke!” – The Joker
61 – Lock Up. Season 3, Episode 26. Director: Dan Riba, Story: Paul Dini
(WANER BROS.)
Lyle Bolton is his name, get it BOLT-ON, and his alter ego is Lock Up. Wow, I don’t know if that’s extremely clever or corny. This guy is a grade A psycho, I’ll tell you that much. See Lyle was a prison guard, one of the best, but he wanted more, he wanted the prisoners to fear him, and he felt like they were all the scum of the Earth. When the inmates complained, they get Lyle fired, and boy does he not take that lying down. Some time passes and he is now, Lock Up, and is kidnapping some of Gotham’s finest (Summer Gleeson, Commissioner Gordon, Mayor Hill) and wants to punish them for creating a poor justice system. He’s even got some cool lock gadgets that are pretty handy. I kind of wish this guy was in more episodes, he’s huge and pretty damn smart, but when he gets stopped by Batman in the end, since he’s so psychotic, he can now watch all the criminals inside Arkham. Maybe this guy is just a pure genius who knows! Grade C+
“Just what this town needs, another psycho in a Halloween costume.” – Harvey Bullock
60 – Fire From Olympus. Season 3, Episode 7. Director: Dan Riba, Story: Judith & Garfield Reeves-Stevens
(WARNER BROS.)
Maxie Zeus, just another wack job in Gotham. See he believes he is the reincarnation of Zeus himself, and thinks he can wield thunder bolts. When he wants to steal an experimental weapon from Gotham and use it to destroy the city. I’ll admit, if I did these rankings years ago, this might be a bottom 10 episode, but there’s something about it. It grows on me with each new watch, and I don’t know if its because I’ve come to know the character more, or because I’m realizing it’s actually just a great episode. The ending of this one, when Zeus is being taken through Arkham and he’s comparing all the rogues to well know Greek Mythology characters is actually so brilliant, and it’s just a really cool scene. Grade C+
“To the depths of Tartarus with you!” – Maxie Zeus
59 – Deep Freeze. Season 3, Episode 28. Director: Kevin Altieri, Story: Paul Dini
(WARNER BROS.)
Awe, imagine if Walt Disney, had gone batshit crazy and wanted to be immortal. Well I guess, he did freeze himself, and I don’t know if this episode has anything to do with that, but it reminds me of that, so back off! Grant Walker a billionaire with way to much free time on his hands, breaks Mr. Freeze out of Arkham, so he can help him become just like him. Not only that, Walker wants to turn the world into a skating rink, and start the next ice age, man Gotham really has some sick people in it. Maybe I’m to hard on this episode, but anything that’s not Heart of Ice, has a lot to live up too. This episode just doesn’t really do it for me, and to be perfectly honest, I was always so pissed they waited like 60 episodes to bring Mr.Freeze back. So in the end Freeze helps Batman and Robin, so he can help get his wife back. I just wish we would have gotten a few more Mr. Freeze episodes, but there’s just something about this episode that doesn’t feel right to me. Grade C+
“She’ll wake up in a dead frozen world, that you helped destroy. She’ll hate you for that!” Batman
58 – You Scratch My Back. Season 4, Episode 5. Director: Butch Lukic, Story: Hilary J. Bader
(WARNER BROS.)
Boy, is there an awful lot of sexual tension in this episode. Hilary wasn’t holding back on this one. Nightwing wants to get out of Batman’s shadow, so he decides to take down a smuggling ring all by himself. Or so he thought, because Catwoman joins in on the fun, and wants to help the boy wonder. She also seems to want to make Batman jealous by having a somewhat of a sensual relationship with Dick (see what I did there). Meanwhile Batgirl and Nightwing got their own thing going on, and it’s just a cluster of emotions going on. Being the double crosser Catwoman is, she is just using Nightwing, to get to some rare antique. He ends up double crossing her, by secretly working with Batman the whole time, he even pulled one over on me the first time I watched it. Pretty mature episode for being a kids cartoon, so I’ll give it props for that. It’s also just an enjoyable episode! Grade C+
“The only cucumbers in there are .38 caliber” Nightwing
57 – The Cat & The Claw. Season 1, Episode 15/16 Director: Kevin Altieri, Dick Sebast, Story: Sean Catherine Derek
(WARNER BROS.)
We made it, to the first two-part episode! It happens to be Catwoman’s origin, and it happens to feature Red Claw (BOOOOO). If I’m not mistaken these were the first two episodes ever aired, but I go by the box sets, but that’s a fun little fact! So Batman is dealing with this new cat burglar in town. And it just so happens Bruce Wayne has been swept off his feet by the new gal in town, Selina Kyle. Coincidence, I think not! So Selina is pretty pissed because this mountain lion exhibit is being destroyed, by The Red Claw, so both Catwoman and Selina are doing everything they can to stop it from happening. Bruce Wayne is falling for Selina, and Catwoman is falling for Batman, it really is quite the conundrum. When things start to go wrong for Selina, Bruce is there to help, and Batman is also trying to protect Catwoman. When Red Claw steals a deadly plaque on a military train, it’s up to Batman and Catwoman to stop her. Once Batman finds out who Catwoman really is, he has a hard time controlling his emotions and knowing what the right thing to do is. The Catwoman origin stuff, and her arc with Batman in these two episodes are so fantastic, but they get penalized because of the Red Claw. She’s such a horrible villain, and she just was such a buzz kill for these two episodes. The dynamic between Batman and Catwoman is compelling to say the least, and they arguably have the most intriguing relationship in the show, it’s just to bad they couldn’t of had a better baddie to go up against in their first episodes together. Grade B-
“I’m an equal opportunity crime fighter!” Batman
56 – Christmas With The Joker. Season 1, Episode 2. Director: Kent Butterworth, Story: Eddie Gorodetsky
(WARNER BROS.)
One of my all time favourite traditions. Watch this episode on Christmas Eve! This episode gives us a lot of good moments, I feel like I’m screwing up majorly by putting it this low on my list. We get the Joker rendition of ‘Jingle Bells’, which is an all time classic. Him riding through the roof of Arkham on top of that christmas tree is something special. But overall it’s just not the best of episodes. So it’s Christmas Eve, and Batman is not satisfied with his nightly patrol with Robin. When Robin finally convinces him to head home and put on “It’s A Wonderful Life,” Joker interrupts the broadcast, to declare madness on Gotham! He has capture some people, and it’s up to the dynamic duo to stop him. I feel like if it were December this would be higher on my list, I don’t know what it is, I think I’ll regret putting this episode here. Grade C+
“They don’t call ya Batman for nothing!” Robin
55 – Zatanna. Season 2, Episode 26. Director: Dick Sebast, Story: Paul Dini
(WARNER BROS.)
Talk about a little sex pot. Zatanna and Batman have all sorts of tension and chemistry between them. When Bruce Wayne visits with Zatanna’s father to learn the ways of illusion and to become a great escape artist, he meets his daughter Zatanna. When he learns all that he can, he leaves and never sees Zatanna again. Until she comes to Gotham, as she grew up to become a great magician. When the final act goes horribly wrong, and she is framed for stealing a lot of money, Batman will stop at nothing to prove her innocence. It doesn’t take her long to figure out that Batman is “John Smith” the man from her past, when he uses an old nickname. They work together to bring down an evil illusionist Montague Kane. I like Zatanna, she’s a great character and I thought she was well portrayed in this episode. I just wanted a little more from the episode. She’s another character they bring into the show and never come back to, which was a total bummer. Batman also cares deeply for this girl and cared for her father, and I love the bond they share, and how close they still are, despite being away from one another for so long! Grade B-
“What do you care about some leggy dame in nylons- or have I just answered my own question?” Zatanna
54 – Appointment In Crime Alley. Season 1, Episode 26. Director: Boyd Kirkland, Story: Gerry Conway
(WARNER BROS.)
One of the more emotional episodes of the entire series. Batman’s yearly tradition of visiting the site of his parents tragic murder. Crime Alley, a place that Batman hates, yet holds so close to his heart. Well it’s that time of the year, but Roland Daggett is doing everything he can to stop Batman from making that appointment. Daggett is planning on burning Crime Alley to the ground, with or without its residents still living there. He needs the land to build his empire even greater, and will stop at nothing to do so. Batman is also getting held up with various other crimes going on around Gotham, and his head and his heart are not in the right mind frame. The ending to this episode is just so powerful, they really don’t have cartoons like this any more. Like not even close. Once the day is saved, finally Batman and Leslie Thompkins head to Crime Alley, so he can deliver his roses to his parents. He kneels over and Leslie puts her arms around him and it’s just such a powerful scene, that sometimes even Batman is vulnerable and needs compassion every so often.
“Good people still live in Crime Alley” Batman
53 – Blind As A Bat. Season 3, Episode 3. Director: Dan Riba, Story: Mike Underwood
(WARNER BROS.)
Imagine Batman was like blind. Bats are blind, so why shouldn’t Batman be blind. Well in this episode, that’s exactly what you get. Penguin steals some military badass helicopter from the Gotham airshow, and Bruce Wayne happens to become blind, when he gets caught up in some cross fire. But you know Batman, he never quits, so he uses some sweet technology to give himself sight, but it has a few problems. Watching Batman be completely blind and trying to fight people, is actually hilarious, and I can’t help but laugh every time he falls into those barrels! His glowing red eyes, actually make him look more terrifying and menacing as The Dark Knight. Just kind of a meh episode for me, obviously he gets his vision back….. Grade C
“You’re blind as a bat. Sightless and helpless.” Penguin
52 – Heart of Steel. Season 2. Episode 10/11. Director: Kevin Altieri, Story: Brynne Stephens
(WARNER BROS.)
Seriously, Bruce Wayne really knows how to pick em. Imagine going on a date with a woman, to only find out she’s a robot, and wants to kill you. Robots! Lots and lots of robots. So these episodes are kind of all over the place. So there are a ton of robberies going on around Gotham, and Batman discovers it to be a mechanical briefcase (I’m not kidding). So he tracks down his old pal Karl Rossum, who is an expert in robotics and has lived a sheltered life, after his daughter was killed in a car crash. There he meets the lovely lady/robot assistant Randa Duane. He doesn’t know she’s a robot, and now that I’m thinking about it, why would Karl even let that go on for a second? He must be a sick guy. Any who, he also shows Batman his most prized possession, H.A.R.D.A.C a super computer capable of incredible things. Things that even Rossum doesn’t know. Like make robotic duplicates of some of Gotham’s most important people! I almost forgot, we get introduced to Barbara Gordon in these two episodes, and she’s awesome. When her Dad gets taken away and replaced with a duplicate, she knows something is wrong right away, there’s also a moment when she thinks she has killed Bullock, but it turns out to be a duplicate also. Imagine that wasn’t the case though, and she straight up just killed a guy! So when Bruce Wayne goes on a date with a robot lady, she sneaks into the batcave and tampers with the bat-computer. When Batman investigates he gets attacked, and realizes something is severely wrong in Gotham. With the help of Barbara, they head back to Rossum, to confront him, but he doesn’t even realize what’s happening, and together they free all the kidnapped citizens, and destroy H.A.R.D.A.C once and for all. This is a two parter that I find myself disliking with each viewing, I’m not sure why, so that’s why its so low on the list! Grade B-
“His human imperfection endangers the plan. He must be improved upon.” H.A.R.D.A.C
51 – A Bullet For Bullock. Season 3, Episode 11. Director: Frank Paur, Story: Michael Reaves
(WARNER BROS.)
Thee Harvey Bullock episode! Finally, one of my favourite characters from the whole show. A tortured soul, a good cop, but simply misunderstood. He believes we don’t need Batman, and in this episode, Bullock finally comes around to the idea of Batman, and hell even thanks the man. Someone is trying to kill Bullock, and wants him dead bad, and well he doesn’t have the slightest of clue as to who it is. So like any desperate man, he turns to Batman for help. This is a really character driven episode, and us as the audience and even Bullock himself learn a lot about this guy. He realizes that his demeanour and his behaviour has created some of the unlikeliest of enemies. He becomes self aware of how he treats people, and maybe realizes it’s time for a change. They scour Gotham, and pinpoint someone from his past as the culprit. That wasn’t the case, it was Bullock’s landlord who wanted him dead, and even pulls a gun on him at the end of the episode. He had driven this poor guy mad, and you just learn to really love the guy by the end of the episode. I really want to see this guy in The Batman movie. Grade B
“You wanted my apartment? You mean, this whole thing was about rent control?” Bullock
50 – It’s Never Too Late. Season 1, Episode 12. Director: Boyd Kirkland, Story: Tom Rugger
(WARNER BROS.)
There’s a crime war going on in Gotham, between Rupert Thorne and old timer Arnold Stromewell, and it is sweeping through the city. When Thorne wants a “truce” Stromwell shows up thinking that this is really happening, meanwhile it’s a trap! You gotta know better old man, but Batman is on the case and saves Stromwell from an exploding building. He needs Stronwell’s help, and needs him to testify against Thorn. He pulls out all the stops, Batman tracks down his son, who is a drug addict but is getting the attention he needs. See Arnold had a trouble upbringing, when he was a boy, is brother lost his leg, when the pair of them were playing on the train tracks and he’s never forgiven himself for it. Now a priest, with the help from his brother and Batman, Arnold swears off crime and even helps bring down Thorne. This is another emotional episode, with all sorts of emotional baggage and layered story telling. Dealing with some serious subject matter for being a kids cartoon. An episode that honestly only gets better with time. Grade B-
“Stay away, Michael! The last time you tried to help me, you lost your leg!” – Arnold Stromwell
49 – Never Fear. Season 4, Episode 6. Director: Kenji Hachizaki, Story: Stan Berkowitz
(WARNER BROS.)
Imagine Batman without fear. His deepest fear is becoming what fights every night in Gotham. He never wants to cross that line, and become one of them. Well we kind of get that in this episode, when Scarecrow makes a new toxin that eliminates fear as we know it. So when Batman gets exposed to the gas, he thinks nothing of it. Until he starts acting radically and is being more dangerous and reckless. Sensing this, Robin decides he must do this on his own. Knowing Batman is a threat to not only Gotham city, but to himself as well. Probably the weakest Scarecrow story, but the idea behind Batman losing control is a really neat idea, and something that should be taken seriously. Doing this again, but making it a little more edgy could be awesome to see, because Batman without limits, is a scary man to think about. There is a great exchange between Robin and Batman in this episode. Where Robin knows, that Batman is now such a threat that he needs to stop Scarecrow alone, it’s just a really powerful scene between the two. Considering Tim Drake is just a kid, and he’s not afraid of Batman, even when he is unhinged. Grade C+
“Untie me, you little… UNTIE ME!” – Batman
48 – House And Garden. Season 3, Episode 14. Director: Boyd Kirkland, Story: Paul Dini –
(WARNER BROS.)
This episode is just straight up creepy. Poison Ivy is a broken woman in this one. We see her “building a new life” becoming free of crime and Batman is in shock. She’s turned a new leaf (plant pun!) and decided it’s time to settle down and start a family. She meets a nice professor that teaches at Dick’s school and together they raise his two sons. Batman at first is skeptical, and starts to spy on Ivy, but when he comes away with nothing, he even feels bad for pressuring her so much. Meanwhile, a giant plant like man is terrorizing Gotham, and it would appear that all fingers lead to Ivy, but Batman simply can’t connect the two. At one point in the episode Ivy tells Batman “She’s the happiest, she’s ever been”, and Batman tells her that he believes it. When it turns out, that Ivy is in fact making “people” and that her family isn’t real, Batman and Robin are able to put a stop to her insane plot. She eventually flees Gotham and is seen on an airplane, looking through photographs of her family, with tears in her eyes. Just an emotional episode, showcasing that even though her family and life weren’t real, it was in fact the happiest she’s ever been. Sad stuff. Grade C+
“She’s done nothing more incriminating than return an overdue video – even paid the late fee.” Batman
47 – If You’re So Smart, Why Aren’t You Rich? Season 2, Episode 12. Director: Eric Radomski, Story: David Wise
(WARNER BROS.)
The Riddler! One of my all time favourite Batman villains, and guess what? They do him such proper justice in this show! The episodes before the revamp that The Riddler is in, are just quality stuff. His origin story episode however, is my least favourite. The way he looks, speaks and intellect are all so on the money, it’s not even fair. So kudos to the guys for really nailing this character. So Edward Nygma creates a world famous game called “The Riddle of The Minotaur,” and is on top of the world. But when his boss, Daniel Mockridge fires him, so he can keep all the profits of the game for himself, Nygma vows revenge as he leaves the building. Fast forward two years, and Mockridge is getting riddles all across Gotham, and he knows it can only be one man. The Riddler ends up kidnapping Mockridge, and swears to put an end to Mockridge. Batman even feels a little for Nygma, knowing he was the creator of the game, and got screwed over. But they have to stop him from killing Mockridge, who he has hidden in the middle of a life size replica of the game he created. This is where the episode takes a downturn for me, I’m not a fan of the life sized game, it just seems so unrealistic (I know it’s Batman, but you know what I mean). It feels so out of place, and this is when we learn that Batman is a terrific riddle solver, and it damn near pisses Riddler off every time. Mockridge is saved, but he ultimately ends up living in fear for the rest of his life. Side note: I love how they got a guy who’s last name is Wise to write this episode…… Grade B
“My, my, my, can we actually have a brain beneath that pointy cowl of ours?” The Riddler
46 – Mad As A Hatter. Season 1, Episode 27. Director: Frank Paur, Story: Paul Dini
(WARNER BROS.)
Jervis Tetch, a Wayne Enterprises scientist, is madly in love with one of his secretaries Alice. You know where this is going, he eventually snaps, and becomes his alter ego Mad Hatter. I like this character, I enjoy the play on the whole Alice in Wonderland thing. Jervis is a broken man, who just wants to be loved. When he can’t have that, he makes it happen, by mind controlling those around him. He can actually be a pretty worthy advisory to Batman, with his mind controlling devices, seeing how anyone can be targeted. So when Alice gets engaged to her boyfriend, Jervis doesn’t like that one bit, and sets off on a rampage to win her back. I’m a big fan of the end to this episode, with all the characters from Alice in Wonderland being involved, and I just think Mad Hatter is a really interesting and unique Batman character. Just an overall, really well done episode in my mind. Grade B
“You’re mighty in Gotham, Batman, but in Wonderland, the Mad Hatter reigns supreme.” Mad Hatter
45 – Fear of Victory. Season 1, Episode 24. Director: Dick Sebast, Story: Samuel Warren Joseph
(WARNER BROS.)
Imagine being afraid of just about everything and anything. Well Scarecrow’s newest toxin does just that. When he’s intoxicating star Gotham athletes and making a fortune off their poor performances, he thinks he has it made. He even gets Robin’s roommate, quarterback of their universities football team, and at the same time Robin becomes infected. He doesn’t know until he’s on patrol with Batman, and finds himself, afraid of heights all of a sudden. This episode is all about facing your fears, and being master of your own mind. In the first season, Scarecrow is involved in 3 incredible episodes, and I really wish they didn’t go away from that character in later seasons. He is always testing Batman’s limits, and in this episode, Robin feels like he is a burden to Batman. Once Batman finds the connection between the athletes and Robin, he knows it’s the professor of fear behind it, and when he goes to confront him in Arkham, well guess who broke out. There’s a great part, when it appears he’s in his cell, just rocking back and forth on his rocking chair, but it’s just an actual Scarecrow. Like just how bad is security at this place? Grade B-
“I need the money, Batman. You know the cost of chemicals these days.” Scarecrow
44 – Night of The Ninja. Season 2, Episode 7. Director: Kevin Altieri, Story: Steve Perry
(WARNER BROS.)
Kyodai Ken, man this guy was so cool! For being a lesser known rival to Bruce Wayne and later Batman, this guy was pretty badass! He’s only in two episodes of the show, but honestly they are two of my favourites. The reason I have it only at number 48, is well, remember what show we are talking about here. So when Bruce Wayne goes to Japan to learn the ways of a samurai, he meets Ken, who is a formidable foe. He is better than Bruce in the dojo, but he has his heart on a rare sword, and tries to steal it. When he is stopped by Bruce and their master, Kyodai Ken swear revenge. Some years later, robberies are happening all over Gotham, and to Wayne Enterprises subsidiaries, he comes face to face with a worthy opponent. When trying to get away, he notices a back tattoo, the same one that Kyodai Ken has. Fearing that he might not be able to beat him, like he could never do in the past, Batman is a little on edge. One of the reasons I love this episode so much, is there’s also a great Robin story in here too. That Robin sometimes feels like Batman isn’t proud of him, or that he isn’t grateful to have him around. Towards the end of the episode, it is Bruce Wayne that defeats Ken, but needs the aid of Robin, due to the fact that he’s fighting him in front of Summer Gleeson. He can’t defeat him with her watching, because it might start to raise unwanted questions. I think I’m really screwing up by making this episode 48, but the truth is, the next time Kyodai Ken comes around, it’s even better! Grade B+
“I have to be the best there is, no matter what it takes!” – Batman
43 – See No Evil. Season 1, Episode 17. Director: Dan Riba, Story: Martin Pasko
(WARNER BROS.)
This episode for me at least, has it all. A great story, animation and a really good character. Lloyd Ventrix is a fresh out of jail father, who can no longer see his daughter. So he makes a suit, that’s made up of a special plastic that can bend light. He’s therefore invisible, and when he’s invisible he can see his daughter. See she thinks it’s her new best friend Mojo, and there’s something about this, that’s both sweet and creepy. He’s also using the suit to commit various crimes around Gotham, and when Batman goes up against him, and realizes what exactly he is going up against, he digs deeper into this matter. When he finds out the plastic is toxic and will eventually kill Ventrix, he tries to console him about losing his daughter. All the animation with him being invisible is incredible for the 90’s and they have some stellar fight sequences in this as well. Towards the end when Batman uses a dripping water tank to see Ventrix, and it’s just really well done. He’s only ever in one episode but man I just love that character, it’s a real mature story for a kids show. It really only gets better with each viewing in my opinion. Grade B
“See you ’round, Batman! Too bad you can’t say the same!” – Lloyd Ventrix
(WARNER BROS.)Everyone has their favorite television show; they can be a great place of escapism and can bring hoards of people together. I have fallen in love with many great shows throughout my life; Mad Men, Parks and Recreation, Game of Thrones, Breaking Bad and The Wire but for me one show trumps them all. Batman: The Animated Series, created in 1992 by Bruce Timm and Eric Radomski who at the time were working on Tiny Toones for FOX, Warner Bros. Animation decided it was time to venture into an animated Batman series due to the success of Tim Burton’s Batman movie. They pegged these two to shoot a short pilot episode, which ultimately ended up becoming the opening credits for the show. From the get go this show was praised for its quality of animation, which to this day is still considered to be top notch. The darker tones and overall thematic complexity of the show, which again dealt with some mature situations and subjects for being a kid’s show. It had a very film noir look to it, bullets fly (but they never hit anyone, terrible aim those bad guys!) the villains are out for blood, and in certain episodes a lot is at stake. I know people may think, this is just a cartoon, how can that be? For being a kids cartoon, it certainly has an adult feel to it and it’s one of the main reasons I fell in love with it from the very start. All of that makes the show feel timeless, and again the show was praised for its modernization of its titled character. For me, the thing I love most about this show, aside from the storytelling has to be the cast. The voice acting is some of the best to ever be in animation, and as the casting director Andrea Romano put it, they wanted to cast voices with character. Not just people doing cartoon voices. Kevin Conroy (Bruce Wayne/Batman) and Mark Hamill (The Joker) for me will always be those two iconic characters, and have been providing their voices in animation and video games for almost 30 years now! The show works so well, because in the end it wasn’t made with a younger audience in mind and I think that’s the main reason why I think the show still holds up so well today. Considered to be one of the greatest cartoons ever produced, actually only The Simpsons is held in higher regard. They produced 109 episodes, all unique and special in their own way. This show is responsible for some of the best Batman stories ever told, which is quite the feat, considering you are working with almost 80 years of Batman mythos and history. Batman: The Animated Series is actually responsible for the creation of Harley Quinn, and we can thank one of the shows writers Paul Dini for that. My only gripe with this show was how they changed the animation up after season 3. It never resonated with me, and when I stop and think about it, it honestly makes me angry. I understand why they did it, they wanted to have a more kid friendly show, but it almost ruins the experience. That’s the only problem I’ve ever had with Batman The Animated Series. I have a yearly tradition where I sit back and watch every episode, and I thought this time, I would rank every single one. So that’s exactly what I’m going to do, all the two part episodes will be considered as one, so in total I’ll be ranking 102! This show has a special place in my heart and I consider it to be the greatest representation of The Dark Knight outside of the comic books. So sit back, relax and enjoy this, because I know I’m going to enjoy writing it. I’m going to break it down into 5 parts! Here are the numbers 102-83! The grades don’t reflect the rankings; they are just there so you can get a better sense of the episodes
102- Prophecy of Doom. Season 1, Episode 19 – Director: Frank Paur, Story: Dennis Marks
(WARNER BROS.)This guy was the villain of the episode need I say more? Starting off the list was the very forgetful episode, in which we see Batman take down a cult. The Brotherhood is run by the mystic Nostromos who has the ability to “predict the future.” Turns out he’s just a con artist who rigs near fatal accidents so he can warm up to Gotham’s elite and later take their money. One of the few episodes I will actually skip in my yearly run through, it’s just that bad. Grade F
“Do not apologize. She will believe. They all will believe….after the great fall” – Nostromos
101 – The Underdwellers. Season 1, Episode 6 – Director: Frank Paur, Story: Tom Ruegger
(WARNER BROS.)Batman wrestles a few alligators in this one, and that’s the only highlight or memorable moment. Premise on the other hand, it deals with some wackjob taking kids underground and essentially make them his servants. They go up to the streets of Gotham at night and rob its citizens, when one of them gets taken away by Batman, he brings him home to Alfred to care for the boy. Early on in the series, the show was still trying to get its feet wet. I just can’t take an episode seriously when the episodes villain was the Sewer King… Grade F
“You play chicken long enough, you fry” – Batman
100 – Critters. Season 4 , Episode 14. Director: Dan Riba, Story: Steve Gerber
(WARNER BROS.)So when a farmer goes crazy, I guess it’s up to Batman to stop him. Farmer Brown is his name, and after his failed attempt at creating bigger livestock, he becomes the laughing stock of Gotham, which leads to him losing all of his money. A year later, Gotham City is terrorized by giant animals and bugs. Farmer Brown plans to fire a rocket with all these “critters” into Gotham and watch it fall apart. All I can really do is shake my head at this episode, like this isn’t Batman, not at all. Just one of the many horrible episodes from season 4. Batman vs. a couple of hillbillies, come on Warner Bros. you can do better. Grade F
“That’s a lot of bull” – Tim Drake
99 – Mean Seasons: Season 4, Episode 13. Director: Hiroyuki Aoyama, Story: Rich Fogel
(WARNER BROS.)Honestly, it’s like they weren’t even trying for parts of season 4. Look out folks, Calender Girl is on the loose!! Some has been actress is kidnapping the people responsible for her apparent “botched” surgeries. Turning the dirty 30, once the brightest star of the film industry, now just a thing of the past. These botched surgeries aren’t true, she’s still the same beautiful woman she’s always been, but she cannot see that anymore. She just sees her flaws. Another painful episode to sit all the way through, because there’s just nothing exciting happening what’s so ever. Like one of her henchmen is a knock off Fabio, give me a break…. Grade F
“Beware the Ides of March!” – Calender Girl
98 -Cat Scratch Fever: Season 2. Episode 8. Director: Boyd Kirkland, Story: Sean Catharine Derek
(WARNER BROS.)Stray cats, this episode is about stray cats…. I might as well just end this review right now. Roland Dagget is planning on using the stray cats of Gotham and infecting them with a new viral plague. He will be the only person with the means to cure this new disease, for a quick and easy money grab. So When Isis goes missing (not that Isis, Catwoman’s cat) she investigates the matter and stumbles upon his scheme. When she becomes infected herself, it’s up to her beau Batman to save the day. Grade F
“Tonight on the news they called you a hero. You keep this up and they’ll start making Catwoman dolls” – Maven
97 – Beware The Creeper: Season 4, Episode 23. Director: Dan Riba, Story: Rich Fogel.
(WARNER BROS.)A knockoff Joker, in an episode with the Joker. News reporter Jack Ryder, falls into the same vat of chemicals that made the Joker who he is. But Jack was also covered in Joker’s laughing gas, makes for a weird combination. We get The Creeper out of it, all I can say is wow. Pretty much just a horny Joker, I’m not even kidding. They leave the episode open-ended and that’s the worst part, because as an audience we never get to see The Creeper again. So that makes it even worse, just another terrible villain season 4 managed to pump out. Grade D
“They call me, Yellow-Skinned Wacky Man!” – The Creeper
96 -Birds of A Feather. Season 2, Episode 19. Director: Frank Paur, Story: Chuck Menville
(WARNER BROS.)I feel like people might enjoy this episode much more than I do. Penguin gets out of the slammer and still thinks he’s high society. Until no one comes to pick him up or throw him an extravagant party for his return. Veronica Vreeland is also feeling the heat with her recent struggles to throw a great party. So she whips up the idea to invite the Peguin to her next bash. It works to perfection, actually too good, because the bird starts to fall for Ms. Vreeland. It’s not until he overhears her telling someone she’s just using him, that everything goes to complete crap. The Peguin is usually involved in great episodes, but this is by far the worst. Just rich snobs being rich snobs. Grade D+
“I guess what they say is true: society is to blame. High society” – The Penguin.
95 – Showdown. Season 3, Episode 22. Director: Kevin Altieri, Story: Kevin Altieri.
(WARNER BROS.)Again another episode that I think would be higher on other people’s lists. It involves Jonah Hex, and this episode just never clicked with me. I’ve never liked it, maybe it’s because I’m salty about this being the last episode we get to see Ra’s Al Ghul and he is completely WASTED! One of my favourite villains from the whole show, and this was his swan song, honestly it’s somewhat heart breaking when you think about it. He tells this story to Batman about Jonah Hex and how his son, who is part of the story as well is still alive today. He was also exposed to the Lazarus Pits and is very old. So when Batman finds him at a retirement home and they chase them to the nearby airport, Batman actually lets him walk free. Shows that deep down Batman actually has some feelings. Fun fact about his episode though, Robin straight up dick punches a guy, the one and only punch of its kind in the show! Grade D
“Come now detective, I still have a few good years left. We will cross swords another day” – Ra’s Al Ghul
94 – Love Is A Croc. Season 4, Episode 9. Director: Butch Lukic, Story: Steve Gerber.
(WARNER BROS.)Okay, quick rant before I breifly talk about this episode. How bad does Croc look in the new animation style? My god, it’s painful, he looks so bad and they even changed his voice and the new guy just sucks. He was so good in the first three seasons and they completely ruined him and made him be involved in this putrid episode. Baby Doll is back (yay – that’s sarcasm) she feels for Croc for being an outsider, as she’s always felt that way. So they team up and become a common law couple and live in the sewers and the whole thing is just a disaster and it turns out chicks dig guys who look like crocodiles, who knew. Just the weirdest pairing of two rogues from Batman’s famous gallery that I can remember and truthfully it just didn’t work out. Croc straight up beats Baby Doll also, which I found to be a little disturbing. Grade F
“Ordinarily, I don’t approve of spanking but in her case…” – Batgirl
93 – The Demon Within. Season 4, Episode 18. Director: Atsuko Tanaka, Story: Rusti Bjornhoel
(WARNER BROS.)Without question one of the weirdest most out of place episodes. When you compare it to all other episodes, it just feels so out of place, so far from the realm of what the original feel of the show was. Also they have the creepiest villain, Klarion the Witch Boy, who possesses Jason Blood’s alter ego Etrigan the Demon. I know that was a mouthful to take in. I don’t even know what I’m talking about when it comes to this episode. It’s weird and certainly not the BTAS I grew to love. Grade D
“Whoa! So all of this is what I think it is, right? Magic? Sorcery?” – Tim Drake.
92 – The Lion and The Unicorn. Season 3, Episode 21. Director: Boyd Kirkland, Story: Diane Duane
(WARNER BROS.)A call back to British spy films – this episode focuses on Alfred. When he gets a mysterious phone call from his “cousin” Alfred drops everything at Wayne Manor and heads across the pond to London. I really try to like this episode but I can never really get into it. The one thing, I do enjoy though, is how they dive into Alfred’s past. Even Dick doesn’t know about how much of a badass Alfred used to be back in the day working as a British government spy. His cousin, who turns out to be his old partner and Alfred have the secret launch codes for a nuclear mission silo. They showcase his skills throughout the episode, but it’s biggest downfall has to be having Red Claw. She’s a terrible villain and we never really get to understand why she’s a terrorist or why she does the things she does. Her voice is also incredibly annoying. Grade D-
“There’s only one London Master Bruce” – Alfred
91 – Moon of The Wolf. Season 2, Episode 15. Director: Dick Sebast, Story: Len Wein
(WARNER BROS.)So this episode is hilariously bad, but I don’t hate it as strongly now as the first few times I watched it. It kind of grows on you to be honest, but that doesn’t excuse it from being laughable. Batman is suppose to be the worlds greatest detective, yet he thinks this werewolf is just a mugger in a mask. I don’t like when the writing dumbs down our Batman and makes it appear that he’s not so smart. Anthony Romulus was a star athlete, but wanted to be the very best. So he’s offered a chance of a lifetime, to experiment with a new drug provided by Dr. Milo. Turns out that there’s some timber wolf estrogen in the steroids, so it ultimately turns him into this wolf man. Just a classic filler episode, with little to no story, and just making Batman seem weak and stupid at times. Bruce Tinm once said that it was a “Tuesday” episode. Whatever that means. Grade D
“Do me a favour, Shaggy!” – Batman
90 – Tyger, Tyger. Season 2, Episode 14. Director: Frank Paur, Story: Michael Reaves
(WARNER BROS.)I don’t know what the producers of this show were thinking when it comes to Catwomans story arc. She’s such an incredible character, yet she’s apart of some of the most bizarre and quite frankly some of the worst episodes. Like she gets turned into a cat this episode… that’s right. Dr. Dorian has other pet projects, a giant ape like man, and Tygrus. Another giant cat, Tygrus serves as another love interest for Selina Kyle in this episode, and it makes the whole thing even stranger. She has such a complex relationship with our hero, and that’s kind of explored, but she’s just always part of some half-assed story. We just never get that great Batman/Catwoman story, like again SHE GETS TURNED INTO AN ACTUAL CAT. Grade D+
“Tyger, Tyger, burning bright. In the forests of the night. What immortal hand or eye. Could frame thy fearful symmetry?” – Batman
89 – Chemisty. Season 4, Episode 22. Director: Butch Lukic, Story: Stan Berkowitz
(WARNER BROS.)Another fine example of the writers making our Caped Crusader look kind of stupid. Bruce magically falls for a women and decides pretty easily that it’s time to hang up the cape and cowl for good. Really Batman? Just like that, regardless if she is the one, something seems off and Batman really doesn’t take notice, until it’s almost too late. Susan is her name, well that’s the name Poison Ivy gives her, see she’s one of her newest creations. Where she makes the perfect match for the wealthy of Gotham and poor Bruce can do nothing to stop the affection he has for dear old Susan. I just could never believe Bruce Wayne would fall that hard for someone, even if it’s out of his control somehow. He’s Batman, his mind control is like no other, and the fact that they just make him seem pretty weak and stupid in this episode bothers me a bit. Grade D +
“Everything’s changed for me in the past few weeks. The pain of my parents deaths…it’s still there, but it seems smaller” – Bruce Wayne
88 – The Cult of The Cat. Season 4, Episode 15. Director: Butch Lukic, Story: Stan Berkowitz
(WARNER BROS.)Another episode involving cats….I get it, she’s Catwoman and all but come on. Some original ideas would be nice. Here we find Selina stealing a rare cat statue from a cult, to only find out she has a lot in common with these people. Like a lot of episodes in the final season, we see Batman square off against larger than life animals, this time around it’s a saber-toothed cat. For this being the last time we ever get to see her in the animated series, it was just overall a lacklustre episode to say the least. In the end we realize that no matter how much Selina loves Batman, her true loves lies with her cats and well stolen jewellery. As we see her living in Paris, with those two things I just mentioned. Grade D+
“You can’t get rid of them. They are like old boyfriends. Or warts.” – Catwoman.
87 – Cold Comfort. Season 4, Episode 3. Director: Dan Riba, Story: Hilary J. Bader
(WARNER BROS)Remember when Paul Dini came up with the idea that Mr. Freeze shouldn’t be a joke anymore. That they created one of the best Batman stories ever told with “Heart of Ice” which we will get too later. Mr. Freeze is one of the more sympathetic characters in the animated series, he’s lost all emotion, and you feel for the guy after he loses his wife to a rare disease (Well she’s frozen, but you knew that already!). That being said, this character probably gets the biggest change in the animation revamp and I HATE IT. He was literally perfect in the few episodes he appeared in with the old animation style, and now he just looks stupid. On top of that, he’s just a head, just a human head now, with a robot body, are you kidding me? They ruined his character completely, and the only saving grace is that they didn’t change his voice actor (Michael Ansara) who does such a terrific job at portraying this heart broken and completely loss man. This episode deals with Freeze being pissed off after his now cured wife has moved on with her life and she has remarried, so he’s going around Gotham destroying a bunch of things. Move on buddy and find another gal, I guess that’s hard to do though, when you are just a head I guess. He’s even got two stupid lady sidekicks and the whole thing makes me mad, so I’m going to stop writing now. Grade D
“You don’t have to do this. Wayne Enterprises helped save your wife’s life, and we can help you” – Bruce Wayne
86 -Animal Act. Season 4, Episode 16. Director: Curt Geda, Story: Hilary J. Bader
(WARNER BROS.)Man I don’t know who Mad Hatter pissed off, but wow, just wow. Mad Hatter is a terrific villain, and is feature in some of the best episodes this show has to offer. Why on Earth is this his last appearance? Why did they make him take control of circus animals as his final insane plot? So Robin’s old circus is back in town, and just like that, crazy robberies involving animals is going on in Gotham. This is straight up one of the more childish episodes we ever see. Not a single dark tone, or adult vibe to it, and that was the big concern for the revamp. I hate to throw people under the bus, but Hilary J. Bader is responsible for writing some of the worst and more immature episodes ever. For having Dick Grayson re-visit the place where he lost everything, you would think this episode would pack a little bit more of an emotional punch, No! Talk about a missed opportunity, and for a life long Batman fan, thats something us fans want to see. Grade D-
“You sure it’s locked this time? We’ve got enough yahoos running around this city without having to deal with Yogi and Boo-Boo too.” – Harvey Bullock
85 – Double Talk. Season 4, Episode 4. Director: Curt Geda, Story: Robert Goodman
(WARNER BROS.)The good old Ventriloquist, another great villain ruined by the revamp. Yes, he’s a little strange, but that’s the best part about him. I don’t mind that its a puppet, and to be honest it’s kind of scary that a man can get to be that insane. So Arnold Wesker is out of jail and got a sweet hook up by Bruce Wayne himself to start working at Wayne Enterprises. He’s “cured” of his aliment of being control by his other half Scarface. Well little does he know that’s not the case, and he plans a little robbery at his newly acquired workplace. Just not a great episode, they made Arnold look like a low budget grown up Charlie Brown. They even made Scarface look worse and he’s a puppet, just so not cool Warner Bros. animation. Grade D
“He’s not coming back! He’s gone!” – Arnold Wesker
84 – The Worry Men. Season 3, Episode 9. Director: Frank Paur, Story: Paul Dini
(WARNER BROS.)Veronica Vreeland, one of Gotham’s rich girls heads overseas for a vacation and comes back with some little dolls. These dolls are suppose to take away all of your worries. When she was in Central America, these dolls according to legend were put under your pillow at night, they would take away your worries for you. Little did she know, each doll had a tiny microchip placed inside by the Mad Hatter, and he was making the wealthy give him all of their money. Sneaky guy that Mad Hatter, I’ll give him props for the genius scheme, but the episode just kind of falls flat, and I want to like this episode every time I watch it, I just can’t AND I DON’T KNOW WHY!!!! Grade C-
“As the great Lewis Carrol himself once said, ‘One, two, one, two, through and through. And then the rope went snicker-snack. He left it dead and with its head, he went galloping back!” – Dr. Jervis Tetch/Mad Hatter
83 – Baby Doll. Season 3, Episode 20. Director: Dan Riba, Story: Paul Dini
(WARNER BROS.)I need to say this first. I don’t hate this episode, any episode written by Paul Dini isn’t bad. I understand the meaning behind it and why some people think this episode is freaking genius and really good. I feel that way about it too. The emotional punch and baggage that come along with this episode is pretty haunting. It’s different and unique and I totally understand that part. For me, it always boils down to the fact, that I just can’t ever picture Batman running around Gotham chasing a little girl. Yes I know, she’s actually 30 and she’s born with a rare disease that makes her not age or grow. But there’s something about Batman, the freaking Dark Knight chasing this little girl and I just laugh, because that just doesn’t happen, or maybe that’s just me? Baby Doll a once bright star, had herself a hit TV show, until well someone stole the spotlight from her, and when that happened, Baby Doll got super upset. She tried other methods of acting, but nothing worked, so her career ended pretty quickly. 10 years later she’s out for revenge, and starts kidnapping all her ex cast-mates, and well essentially wants to kill them all. I’ll admit the last few minutes of this episode are spectacular but that can’t justify putting it higher on the list. Baby Doll just never clicked with me as a villain. Grade C+
“Remember that time when Poison Ivy nearly smothered us in those vines?” – Robin
Well there you have it, the first 20 episodes are in the books! That took a lot longer than I expected, so hopefully the next part will be ready in the next week! Please feel free to leave a comment and let me know how you feel about my rankings!
I really don’t think Luke is getting off that island.
Star Wars trailers are always the best trailers am I right?! Episode 8 is dropping this Christmas and everyones favourite lightsaber Jedi is back. Obviously this was a teaser so not much is shown and zero plot is explained. We know for a fact that we got some Yoda stuff going on here, with Luke training Rey, to make her become the most powerful Jedi perhaps? So strong that she could be the one to end all Jedi’s, I don’t know but the little dialogue we did get in this trailer indicates that Luke wants the Jedi to end for some reason.
Maybe he feels that he is turning to the dark side, and that no matter how powerful you are, you always end up taking a trip on the dark side, and he can’t have that happening anymore. This to me, will probably be the last movie with get to see our beloved Luke Skywalker in, just a vibe I got from watching the trailer, who knows though!
We get to see small tidbits of other characters here, Leia, Poe, Finn and everyones favourite brat Kylo Ren. I actually really like Kylo Ren, but does he bitch an awful lot, really hoping for a Luke vs. Kylo Ren showdown. The thing about these trailers is, they show such small little quick glances at things that it makes you wonder what it all means, and now I just want it to be December so we can all go see this movie! I’ll say one thing, those ships with the red mist coming out from them looked really cool. That was just so beautiful and was my favourite part of the trailer, curious to learn more about those things.
This trailer did what teasers should do, it will get people talking about Star Wars and make Youtube crash for a little bit. It was a great first trailer and honestly Disney you don’t need to show us anything else, we are all sold on it, just don’t do what most movies do nowadays and ruin the movie with 5 different trailers. But fun fact, Tom Hardy is going to be a Storm Trooper in this, and that is simply amazing.
