My 30 Favourite Movies

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When someone asks you, “what’s your favourite movie?” What is the answer you usually give them? What does it mean? Your favourite movie? Is it the movie you have seen the most throughout your life? The movie that you can quote the most? Maybe it’s a movie that makes you feel a certain way or it makes you think of a certain someone. All of these things can be true, and maybe a little bit of each one of those can be mixed together to form someone’s favourite movie. Well when I get asked that question, I usually stare off into space, because I simply cannot answer it. I do not have a definitive “favourite movie.” I have many favourite movies, but I can never just pick one. It’s just too much of a complicated question for me to answer. But I just turned 30 and I thought it would be pretty neat to travel back in time and pick my favourite movie from each year I’ve been alive. So we will be going all the way back to 1988, a simpler time in Hollywood, and a time where a shit-ton of fantastic movies were being made. I had loads of fun deciding and making this list. Comment on some of your favourite movies throughout your life, and maybe give this a like or share, because, well, it took me a while to write and watch all these movies, alright!!


1988. Who Framed Roger Rabbit. Release Date. June 22nd, 1988. Director. Robert Zemeckis. Box Office. 329.8 Million.

“C’mon Roger, let’s go home. I’ll bake you a carrot cake.” – Jessica Rabbit.

Kicking things off in style! This is a once in a generation kind of film. It needs two things. A creative and forward-thinking filmmaker and a little luck. The amount of work that went into making this masterpiece is something else and I wish Hollywood would take a little more risks and make movies like this more often. Sex, lies, and murder. Sounds like a kids movie to me! Or not someway I would describe one of my favorite childhood movies. After rewatching this movie as an adult, I was processing a lot of information. One, this is legit about sex, lies, and murder. Men are obsessed with a cartoon, and I learned a thing or two about patty cake. Second, this movie simply doesn’t get made in today’s world. We have Bugs Bunny sharing a scene with Mickey Mouse, that’s Disney and Warner Bros. in the same scene. We got Daffy and Donald Duck having a piano battle. Imagine trying to get the rights to all these characters. The closest thing I can think of would be this year’s Ready Player One. I remember watching this as a kid and being so invigorated by everything that was going on. I was also terrified of Christopher Lloyd and his portrayal of Judge Doom. Actually, I lied just now. He still scares me, it’s crazy to think this was made 30 years ago. I say that because the rendered animation mixed with the live action is pretty much flawless. The effects are just spectacular, well of course they are, this movie won 3 Oscars. The last 30 mins of this movie are so damn good, the battle between Valiant (Bob Hoskins) and the weasels and Judge Doom always cracks me up and is actually pretty entertaining. The whole movie is just so well put together. It’s a great story, Hoskins is actually acting his butt off. The guy is acting off of no one for the most part. All of his scenes with Roger and the other Toons are spectacular because he’s just doing it himself. Gotta give that legend some credit. This is also responsible for some strange fetishes towards Jessica Rabbit, but we don’t have to go there.

1989. Little Monsters. Release Date. August 25th, 1989. Director. Richard Greenberg. Box Office. 793,775 Thousand.

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“Who put piss in my apple juice!” – Ronnie Coleman

Peanut butter and onion sandwiches, yum! The movie that made Howie Mandel a germaphobe! Or at least led him down that path, I mean it makes perfect sense, doesn’t it? The guy spends countless hours sitting in a makeup chair having people not only touch his face but putting on god knows how much makeup. Well if that’s what had to happen for Howie to go off the rails I’m happy. Because as a kid growing up, didn’t everyone want the ability to just disappear to a place of fun and wonder? Well, enter Little Monsters, another weird but heartfelt kids movie that I fell in love with growing up. It had the baddest brothers in the world growing up, the Savage boys. Imagine befriending a monster who lives under your bed then going on countless adventures with that said monster, ruining lives everywhere. Sounds kind of messed up, but hey, when you’re a kid, you don’t think like that. Again, this movie is scary, weird and pretty dark for a child, because all the monsters are former kids. So that’s pretty twisted for a kids movie because Maurice is recruited to turn Brian into a monster, that’s pretty messed up. But I love the bond and the relationship that Maurice (Mandel) and Brian (Fred Savage) share. The ending showdown between the kids, Boy and Snik, is so damn good and it still somehow manages to give me chills. Because I just wanted to be a badass kid when I was younger, who didn’t? Also, Ronnie Coleman is Buzz from Home Alone, I just found this out and my mind is blown. If this scene doesn’t make you teary-eyed, then you have no soul. One of the most gut-wrenching moments of my childhood. Any movie that ends with Road To Nowhere by the Talking Heads is good in my book.

1990. Edward Scissorhands. Release Date. December 6th, 1990. Director. Tim Burton. Box Office. 66 Million

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“Sometimes you can still catch me dancing in it” – Kim

That Johnny Depp, he makin’ me cry! Remember that classic Seinfeld episode? It’s not important here, but I had to steal that line. The great modern fairy tale of this generation if you ask me. Forget Romeo and Juliet and all that Shakespeare BS. Give me some Tim Burton and Johnny Depp. With Burton being involved you know there are gothic tones all over this thing, and nothing screams gothic tones like the crazy woman capital of the USA. It’s my favourite Johnny Depp movie and performance. I’m not a huge Depp fan, I think he’s just a human character now, but this is APEX Depp, and I love every single second of his performance. So this is the strangest love story ever told, but dammit if it ain’t majestic. This whole movie is just stunning, from the colours, the cinematography, to the score, to the acting. Arguably the most weirdly beautiful movie ever made: girl meets boy, boy has scissors for hands, girl hates boy at first, girl falls in love with boy. Seems simple enough, right? I can’t get over how good Depp is in his performance, really is one for the ages. I can’t believe he wasn’t nominated for an Oscar. Throw in Dianne Wiest, Alan Arkin and god bless her in this movie, Winona Ryder. It’s peak Ryder, she destroys in this role, as the sweet-hearted, girl next door type. Rewatching it now, it’s hilarious to see buff Anthony Michael Hall. Ask 10 people, they will say, yeah the skinny nerd from Breakfast Club. Well, a lot can change in 5 years, because he’s so insanely different in this, it always throws me off. Watching a man with scissors for hands trying to use a waterbed, or trying to put on pants, is so next level comedy, it cracks me up every time. What pushes me over the edge for this movie is the score. Personally, I believe it’s the most powerful movie score ever made. It encapsulates the movie in all its essence. I know it’s not the best movie score ever, but how it fits in the movie, makes it so effective It’s Danny Elfman in true fashion, and this scene is so hauntingly beautiful, I just wanna cry every time. It’s fucking perfection. The film is so full of emotion, heart and human nature, I just hold it very near and dear to my soul. This will be my wedding song, so future wife, sorry not sorry.

1991. Point Break. Release Date. July 10th, 1991. Director. Kathryn Bigelow. Box Office. 83.5 Million

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“Young, dumb and full of cum” – FBI Director Ben Harp

We’ve had Bird vs. Magic, Ali vs. Fraser, Batman vs. Superman, but the world was not ready for Reeves vs. Swayze. This is what happens when an unstoppable force, meets an unmovable object. Titans in their own regard going toe-to-toe, making for one sure fire wild ride, that is a thriller from start to finish. When discussing Point Break, where does one even start? How about with the title itself? Point Break, a surfing term, but for this movie it’s the perfect title. It was almost called Johnny Utah, which would have been okay, but Point Break is like I said perfect. How about the casting? At this time Keanu was known only for Bill and Ted. Those lame ass goofball comedies, but Kathryn Bigelow wanted him and knew he could be an action star. Well, I think she nailed that one right on the head. The guy even took up surfing after the making of this movie, he’s just the greatest. Next up, Swayze. Bodhi is perhaps the first bad guy that people are rooting for throughout the film. His charisma is on another level. They don’t reveal him until minute 25, he’s like the scary villain in a horror movie. Not just Bodhi, but the Ex-Presidents themselves. Best bank robber masks in all of cinema, and maybe top 5 movie mask in all of cinema. It’s such a fantastic and innovative idea. Listen, this movie was made in 91, directed by a woman (so rare back then) and is pretty much flawless in my mind. One of the first modern action movies, where if they remade it today, they wouldn’t have to change pretty much anything. I know they remade it, but I’m not counting that. This movie shared a theatre with the runner-up for 91, Terminator 2. Directed by, at the time, Bigelow’s husband, James Cameron. Imagine that? These two juggernauts in the theatre at the same time, sheesh! I love bank heists movies because you always feel you could do it. It’s exhilarating, you’re sticking it to the man, you wanna know if you could pull it off. Point Break will never get old for me, everyone is doing some of their best work, even Gary Busey is exceptional. This movie has everything I want in an action movie, and you can see the seeds of what’s to come for Keanu, and he’s so god damn good in this movie. One of my all-time favourite movie characters. Keanu became a surfer, Swayze became a spiritual guru, I think they really liked their characters. Without this, there is no Fast & Furious franchise, this was the blueprint for so many movies to come, which includes the best chase scene ever. The biggest crime against this movie is how late I was to it. I can only imagine how many times I would have seen it by now if I came across it about 10 years prior, stupid me. Here’s the infamous and best chase scene (on foot) of all time.

1992. Batman Returns. Release Date. June 16th, 1992. Director. Tim Burton. Box Office. 266.8 Million

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” I don’t know about you Miss. Kitty, but I feel so much……yummier” – Catwoman

By far the most under-appreciated and underrated comic book movie ever made. Tim Burton’s follow up to the ‘89 Batman is one of his crowning achievements in cinema. There have been so many renditions of Batman throughout my life, but no one, and I mean no one, understood the dark gothic aesthetics of not only Batman but Gotham City like Tim Burton. Not surprising that WB took so much influence from these incredible movies for their masterpiece cartoon, Batman The Animated Series. Burton just got the dark, gritty nuance of Gotham City, and he gave it an identity, some personality and that is important when creating a great Batman film. Again this was 92, you can’t compare Keaton’s version of Batman, to what we have seen after it. There are no grand epic action sequences or a ton of CGI; what this movie has going for it is its incredible characters. Keaton had the duality of Batman and Bruce Wayne down pat. It’s a crying shame we only got two performances out of him because the follow-up to this movie with Burton and Keaton would have been something special. Speaking of characters, Danny DeVito and Michelle Pfeiffer couldn’t be more perfect casting. Pfeiffer’s Catwoman is just one notch below Ledger’s Joker for the best on-screen portrayal of a comic book character in my mind. Selina Kyle’s transformation into Catwoman and just how different she becomes is one of my favourite comic book movie moments. She goes from a shy, intimated, lonely girl, to a badass, sexually charged, ass-kicking machine. The whole nine lives thing is just genius as well. The party scene when Selina and Bruce find out who each other really are, boy, it’s next level emotional stuff. Much like Edward Scissorhands, Danny Elfman brings it with such a fantastic score. The iconic Batman theme will always and forever be the best Batman theme and perhaps the best superhero theme. DeVito brings his A-game as the deformed Penguin. The play between Batman and Penguin is great, Bruce knows all too much about parents and the pain they can bring. So he at first feels for Penguin, only realizing later he would become one of his greatest foes. Just the look and feel of this movie is what I want in my Batman movie. If Tim Burton were to make a Batman movie today it could be really special. Especially if he tapped into his former self because he has gone off the rails, but I miss this Gotham City. You’re always left wondering what could have been. And what could have been, is, well, one of the best comic book trilogies ever made. Damn you, Hollywood!

1993. Jurassic Park. Release Date. June 9th, 1993. Director. Steven Spielberg. Box Office. 1.029 billion.

“God creates dinosaurs, God destroys dinosaurs. God creates Man, man destroys God. Man creates Dinosaurs” – Dr. Ian Malcolm.

The greatest blockbuster ever made. Period. Imagine saying that? A movie made in 1993 and it is the greatest blockbuster in the history of cinema. I hate to say it, but, they just don’t make em like they used to. Well, they simply don’t. Just look at the sequels that followed this up? All trying to recapture that magic, all failing miserably. They don’t even look better than the original. Animatronics and practical effects, they will take you far in this world. Movies tend to have about 3000 moments of CGI, for you know for your typical blockbuster. Jurassic Park has 55 total. That is an insane thing to think about considering the magnitude and gravitas of this film. Spielberg knew what he was doing. The man made Jaws for peep sake. You can see a little Jaws in Jurassic Park as well. Hiding the T-Rex, teasing him throughout the first hour of the film, much like he does with the shark in Jaws. Only for one of the most epic reveals ever. The thing that worked so well for this movie is the simplicity of it all. We don’t need hybrid dinosaurs, we don’t need a bunch of useless human characters. You knew this movie was made for Harrison Ford, but Sam Neil did such a great job as Alan Grant, his growth and character development are always so touching to watch as the film progresses. What makes this movie so scary, for me at least, is the fact that it’s seen through the eyes of two kids. That’s what makes the dinosaurs, especially the T-Rex seem even more frightening. When they are trapped in the car, that wouldn’t work if that’s two adults, but when the creature in a movie is just that much bigger than the victims it makes it that much more effective. We get the birth of peak Jeff Goldblum, who is a top-tier role player movie character. The definition of the cool guy aura, it’s a shame we never got to see this version again. I’m pretty sure he transformed into Ian Malcolm completely after this role and never looked back. All I’ve wanted is to go back to this wonderful place and feel the same way with the new Jurassic World movies. But we are so far gone from this, that it just makes you sad. This was a place of wonder, a place where even the appearance of a dinosaur was met with awe and excitement. God bless John Williams and another one of his iconic movie scores. The man was put on this Earth to make us feel emotions during movies through the way of music. Now we need to have raptor friends and hybrid dinosaurs just to make a quick buck. I still feel the same way every time I watch this moment. It’s an all-timer movie scene for Nathan.

1994. Dumb and Dumber. Release Date. December 16th, 1994. Director. Peter Farrelly. Box Office. 247.3 Million.

“You sold my dead bird to a blind kid? Petey didn’t even have a head! – Harry Dunn

Okay, I get it. 94 was an absolutely loaded year. Pulp Fiction, Shawshank, Lion King and Forest Gump. That’s one hell of a lineup. But no comedy at the time hit me as hard as Dumb and Dumber. Perhaps the movie I can quote the most, so the movie I am most annoying to watch with. Arguments could be made that this should sit on the Mount Rushmore of comedies. It’s kind of the perfect comedy. This is at the very top of the mountain for Jim Carrey. My god, the man made this and Ace Ventura in the same year, he was the funniest person on the Earth at this point in time, and went on a run of epic proportions. Now throw in Jeff Daniels a man that was coming off Speed and Acrophobia, and really wasn’t known for his comedic chops. These two are like electric dynamite together. They play and feed off one another so incredibly well throughout this whole movie, it’s amazing they didn’t become real-life best friends. I think one of the biggest flaws of the movie now, is simply the fact that they decided to make a sequel. One of the rare occasions that I wanted to get up and leave the theatre. The first one, Lloyd and Harry were innocent and dumb, kind of naive. It’s the subtlety of their humour that makes it so damn funny. Not over the top nonsense. The funniest parts of the movie, are things you can’t even notice the first few times watching. The whole “how’s your burger?” diner scene is one of the funniest things I’ve ever heard. Just how Jeff Daniels delivers that line is pure comedic genius. Llyod thinking Aspen is warm, them spelling it wrong, and that Mary is going to plug them into the social pipeline, whatever that means! These are the hilarious moments. It also helps that I can pretty much quote this movie start to finish. Like if Llyod and Mary got married, she would be Mary Christmas……..need I say more?

1995. The Usual Suspects. Release Date. January 25th, 1995. Director. Bryan Singer. Box Office. 34.4 Million.

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“The greatest trick the devil ever pulled, was convincing the world he didn’t exist.” – Verbal Kent

Let’s clear the air first. I’m aware that Kevin Spacey didn’t turn out the way we all planned, but things happen in life. That being said, he’s still one of the best actors of this generation and deserves an insane amount of credit for this performance. He won an Oscar for this performance, he is simply remarkable as Vernal. Was this the first movie that had a jaw-dropping twist at the end? For me, obviously, it wasn’t, because I came across this movie much later in life. That feat belongs to The Sixth Sense. But for the people who saw this right away, I couldn’t even imagine the reaction in a packed theatre when all is revealed at the tail end of this cult classic. It made less than 40 million dollars, people didn’t rush out to see this film, but that’s part of its allure. A film about a bunch of misfits, with a cast full of misfits, but guess what? They both work extremely well. Bryan Singer got the best out of everyone for this, Stephen Baldwin, are you kidding me? He’s so phenomenal, you can make this movie 100 times over, you couldn’t get a better cast. No matter how many times I watch this, it amazes me every single time. It almost shouldn’t work; in today’s Hollywood, it doesn’t work. Plain and simple. A young Benicio Del Toro, come on, “give me the keys, you cock sucka!” That line and scene will never grow old with me. Even the small role players and there is a ton of them work flawlessly. The interaction between these 5 guys is so good, they have such immaculate chemistry, you can tell they really bonded during filming. Keyser Soze, two of films most fascinating words. Man or myth? You don’t exactly know until the final moments of the film. The build-up, all the backstory, this guy is like the Joker. No one truly knows his origin or why he came to be. The payoff of the actual reveal is still one of the most satisfying movie-moments for me. I remember just laughing because I was so thrown off, couldn’t believe it, kind of still don’t to this day. One more thing, Christopher McQuarrie, the guy making the Mission Impossible movies right now, won an Oscar for writing this bad boy. That is one talented human being.

1996. Scream. Release Date. December 20th, 1996. Director. Wes Craven. Box Office. 173 Million.

“You can never have sex. You can never drink or do drugs. And never, ever, ever, under any circumstance say “I’ll be right back” – Randy Meeks

So I have an older sister. I’ll never forget it. She was having a birthday party/slumber party and this was one of the movies they had decided to rent and watch. Being, well, 8 years old at the time, let’s just say I wasn’t invited to the showing. However, I remember the poster to this movie that was on the rental case so vividly. I was enthralled by this movie for some bizarre and unknown reason. Over 20 years later and countless viewings later, Scream remains one of the all-time greats for me. Buckle up, this is going to be a doozy. First things first, when it comes to an opening scene of a movie, Scream is the gold standard. Probably the best first 12 minutes of any movie ever made, that could be a stretch but hear me out. This is pre-internet, Drew Barrymore is a pretty big star at this point, everyone going into Scream thought she was the main character. Killing her off in the first scene? That was unheard of. No one saw this coming, how could they, she was on the poster, not the star Neve Campbell. Scream is the most self aware movie ever made, it can be argued that it saved the horror genre. It was dead in the water at this point in history. Nothing but awful sequels were being made. No one had any great ideas. What I mean by self aware is that Scream is the first horror movie that acknowledges the existence of other horror movies. It’s so clever and reinvented the genre. People were finally talking about a horror movie again, and this movie was written in 3 days, I repeat 3 fucking days. It’s a great script and it’s actually a pretty fantastic story. The subtle references, and the perfect cast. Perhaps the most attractive young cast ever? Neve Campbell was born to play Sydney. She’s got the girl next door, mixed perfectly with a girl who could actually kick your ass combo down pat. It has the best movie mask in history and when they were scouting houses for filming they actually stumbled upon the Ghostface mask. They weren’t sure what to do at this point, isn’t that remarkable? Fate I tell you, all the stars align for this movie. Matthew Lillard is on another planet here, crazy to think he didn’t have a better career. He steals the whole movie, every time I watch it, I notice something different out of him. Scream kind of brought back the high school movie as well. There is a flux of high school movies that come out after Scream, this movie did so much for Hollywood. The double killer twist, the fact it was teenagers killing other teens. It was always adults as the killer. You can tell on the multiple viewings because well, Stu and Billy get their asses kicked a lot. The soundtrack, everything just holds up. There are just stretches of this movie that are top tier movie making, the more I think about it, the more I write about it. It could just be a top 5 movie for me ever. You always thought to yourself after seeing this for the first time. Would you survive a horror movie? I always thought I was Randy, so I know I’m surviving, until the sequel.

1997. Good Will Hunting. Release Date. December 2nd, 1997. Director. Gus Van Sant. Box Office. 225.9 Million.

Do you like apples? – Will Hunting.

The movie that changed the game for me. Good Will Hunting literally made me fall in love with film. If you didn’t go to the theatre or rent a movie at Blockbuster, well you were shit out of luck. It wasn’t until I headed to university and came across the sharing platform DC ++. Every movie you could think of was at your disposal. So one night I put on Good Will Hunting and was so damn mesmerized by what I was watching. I remember it ending, and I kind of just sat in silence  as I watched Will Hunting drive out to California to “see about a girl.” Does a little Harvey Weinstein shadow loom over this movie? Yes. Does it affect the way in which I watch this movie, or how I feel about it today? No. For me, why this movie has aged so beautifully, is the fact that Ben and Matt have aged so beautifully. When you watched this movie for the first time, you knew these two kids from Boston were going to make it. You knew they would be Hollywood royalty in no time. That’s exactly what happened, they certainly went at it in different ways, but both Ben and Matt have had tremendous success in Hollywood and in life. No matter which part the movie is at if I catch it on cable, I’m staying till the end, the movie still hooks me in. I still laugh at all the same jokes, I get emotional at all the same beats, and I notice new smaller great details with every rewatch. That’s the mark of a great film. No matter how many times you watch it, it still hits you like the first time on your dorm room bed. This will just never not be funny. Miss you Robin.

1998. BASEketball. Release Date. July 31, 1998. Director. David Zucker. Box Office. 7 Million.

“First we get jobs, then we get the khakis, then we get the chicks”

I don’t care what anyone says. This movie is pure genius and genuinely one of the funniest movies ever made. It’s so on the nose, even more now than when it was made all the way back in 98. Trey Parker and Matt Stone might be a couple of odd ducks, but if they know one thing, it’s comedy. It’s parody, it’s in your face humour, these are the things that make them great. Maybe I love this movie, because well, as a teenager, I found myself playing BASEketball with my own group of friends. Anyone can play the game, you don’t need any skill, if you can shoot a ball, you’re golden. I think that’s what the movie and the real-life game so appealing. The opening moments where they are describing America’s landscape of sports encapsulates what they have actually become. Trey and Matt were totally onto something with this. They understood that sometimes people need to step back and just make fun of sports and why people take them so seriously and more than that, what they actually stand for. Al Michaels and Bob Costas genuinely perhaps have the funniest cameos of all time. Hearing the two talk about the filming and behind-the-scenes stuff is hilarious. Legends in their own rights, and having them involved is just another stroke of genius. Road Kill Caught On Tape needs to become a TV show. We have so much garbage television why not give the people what they want.

1999. Fight Club. Release Date. September 10th, 1999. Director. David Fincher. Box Office. 100.9 Million.

“First rule of fight club. You do not talk about fight club” – Tyler Durden

So I like movies with twists? Wanna fight about it? What an absolute psychedelic and psychological thriller. David Fincher with another dark noir thrill ride that left audiences stretching their heads. Who didn’t have a Fight Club poster in their dorm room? I don’t think Ed Norton has ever been better and at this point in his career, I don’t think he’ll do better. I can’t say this is peak Brad Pitt, because well he’s Brad freakin’ Pitt. When people think of Brad Pitt, their minds usually go to the 90s: he was a sex symbol, the man, and, on top of that, he was dating Jennifer Aniston. He was kind of on top of the world after Fight Club, even the name Tyler Durden is iconic. He was and forever will be the epitome of cool. A cult classic no doubt, Seven put David Fincher on the map, but this, this was his mark on the world. It solidified him as being one of the best working directors in Hollywood. Just like Norton’s character, this movie at times can be a blur. Bobbing and weaving in and out of scenes, chaotic dialogue, and stunning, weird visuals. What Fincher does better than anyone else, in my opinion, is dialogue (more on that later). His movies are like a pair of jackrabbits going at it: a fast-paced, high tempo talking that jabs and drags you in. It takes a while for Fight Club to get going, not until we are introduced to Tyler Durden does the movie really gain any real momentum. Things don’t really make a lot of sense until the end of the movie, you know where the steel curtain is finally pulled back and all is revealed. That holy shit moment, that no one saw coming. There are signs of the twist coming, but on first viewing, it’s near impossible to pick up. Norton and Pitt are in so many scenes together, that’s what makes the movie so brilliant. Fantastic role players here, Helen Bonham Carter has never been sexier than she is here. It also helps that she’s just fantastic. A super young Jared Leto that kind of put him on everyone’s notice. Finally the legend himself, Meatloaf. Also known as Bitch Tits Bob, he’s just such a corky dimwitted character, yet it works so flawlessly. Just the ultimate reveal that Pitt lives inside Norton’s head will always go down as one of the best “what the fuck” moments in my movie viewing career.

2000. Unbreakable. Release Date. November 22nd, 2000. Director. M. Night Shyamalan. Box Office. 248.1 Million.

“Do you know what the scariest thing is? To not know your place in this world, to not know why you’re here.” – Elijah Price

I know what you’re thinking. Really man? Another movie with a twist? I can’t help it okay! Sometimes you just flock to a certain kind of movie, and for me, those movies happen to involve some sort of twist. But this is more than just a movie with a twist. It’s arguably one of the best comic book origin movies ever made. Incredible feat right? Considering this movie doesn’t have a single DC or Marvel character in it. Shyamalan did something so special here, creating a world before our eyes and not even realizing it. Yeah, it took 17 years for everyone to come to the realization that David Dunn who is portrayed but Bruce Willis would be part of a larger universe. When audiences around the world saw Split and witnessed David Dunn appearing on screen in the very closing moments of the movie. Fans everywhere rejoiced. But this is about Unbreakable, the movie that started it all. In a world without actual super powers or heroes, Shyamalan was able to do something extraordinary. Whenever I go back and watch Unbreakable, I always notice just how quiet the movie is. There are minutes that go by without practically any sound, the dialogue is low key, almost whispers in certain moments. Realizing that you have “gifts” and learning how to hone and use them can be fun to discover and watch. As David Dunn figures out, no thanks to Elijah Price played by Samuel L Jackson. There is always an opposite, so Elijah makes it his mission to find his. They call him Mr. Glass because his bones break with ease, David has never been injured in his life, even after surviving a train derailing. I think what makes this movie so special is the back and forth between David and Elijah or good vs evil. For me, this is Jackson’s greatest role in acting, because it’s so far out of his comfort zone, so far from what we have all become accustomed to. The true reveal that Elijah was, in fact, causing all these tragedies and mass murders to find his counterpart, that he is, in fact, an evil genius. Again shocking, to say the least, another great Shyamalan twist. Bruce Wills is also spectacular as the calm and quiet hero. Everything will conclude in 2019 in Glass, and I can’t wait to revisit these characters and see what they have become in almost 20 years. Could make for one the best trilogies ever made, and no one thought that was possible or even an option all the way back in 2000 when this was released.

2001. Oceans 11. Release Date. December 7th, 2001. Director. Steven Soderbergh. Box Office. 450.7 Million.

“Tess, I told you I knew what I was doing.” – Danny Ocean

First things first. Brad Pitt is the greatest movie snacker of all time. He never stops eating in this movie, and it’s actually amazing. The amount of different foods he eats always cracks me up. Perhaps the most rewatchable movie of all time? Without a doubt the movie I have seen the most amount of times in my life. No movie is perfect, but this damn near close. The cast, the score, the cinematography, the acting, and everything in between. Clooney, Pitt, Damon, García, Roberts, Cheadle, all mega-stars in their own rights coming together like the Avengers or something. The dynamic duo, Pitt and Clooney are euphoric together. Sparks fly, their chemistry is through the roof. Sometimes when you build a super team they don’t work out, or in this case, it’s a home run. The whole movie flows to perfection, everyone contributing at the right moments, everyone playing their part. Soderbergh works wonders here, being able to get the best out of every cast member is something special. Like Julia Roberts is in 5-6 scenes, maybe has about 7 minutes of screen time total. But there’s no way any other actress could have done this role. She’s perfect, she was at this time America’s sweetheart, and it’s just perfect casting. I just love how Danny and the gang are always one step ahead of Benedict, that they know the moves he is going to take before he even takes them. I could watch Damon, Pitt and Clooney converse all day every day. Clooney has had an impeccable career, but this role is his crowning achievement. This whole thing doesn’t work without him, he’s so charming and charismatic and no one else could have done it. Watching Pitt play second fiddle was is a nice change of pace. But again, Pitt and Clooney are gods among men. This will always hold the championship belt for cable movies. By that I mean, no matter which part is on, I’m sitting down and watching. I say this about a lot of movies on this list, but this is the best of the best. That’s because of how well made it is. Great scenes are sprinkled perfectly throughout, so there’s always one classic moment right around the corner. Pitt, Clooney, and Damon are the original team up. Now here’s a montage of Brad eating in Oceans 11.

2002. Catch Me If You Can. Release Date. December 25th, 2002. Director. Stephen Spielberg. Box Office. 352.1 Million

“Two little nice fell in a bucket of cream. The first mouse quickly gave up and drowned. The second mouse, wouldn’t quit. He struggled so hard that he eventually churned that milk into butter and crawled out.” – Frank Abagnale Sr.

Leo vs. Hanks. Who knew that would be a fight of biblical proportions. God, I miss young Leo so much. What an all-time movie friendship between these two. Throw in the master Steven Spielberg directing and you have one of the best movies any of these three have been a part of. You know why the Yankees always win? It’s the same reason why this movie always wins. It’s got Leo and Hanks giving top-notch performances. Frank Abagnale Jr, what a man. Pilot, doctor and he passed the bar exam. This was no ordinary human being. I think that’s another reason why I fell in love with this movie so much, it’s based on true events. My man, the legend himself, Christopher Walken gives one hell of a performance. Nominated for an Oscar for this role, he’s just such a good loving father, who wants what’s best for his son. I’m a big fan of cat and mouse type movies. This is the top of the mountain for such genres if you ask me. It’s a sad story. About running away from your problems. About trying to be someone and something you’re not. Frank was always running, but deep down he wanted to be chased. He was just always trying to find his place in the world, but it turned out he was really good at being a criminal. One of the best con men the world has ever seen. The fact that they got Leo to play this guy, it doesn’t get much better. He just wasn’t a brilliant con man, he was sharp as a tack. I love when Hanratty asks him how he cheated on the bar exam. Turns out Frank studies for two weeks and passed. Frank could have been anything he wanted to be, a shame he turned to crime. But in the end, it led him to work for the very people trying to catch him. The bond that Frank and Hanratty develop is truly unique. Enemies at first, then start to appreciate one another, where Frank is always calling Hanratty on Christmas because he feels so alone. They ended up being lifelong friends and it’s just a special friendship captured by two world-class actors.

2003. Old School. Release Date. February 21st, 2003. Director. Todd Phillips. Box Office. 87 Million.

“Maybe Bed, Bath, & Beyond. I don’t know, I don’t know if we’ll have enough time!”- Frank Ricard.

FRANK THE TANK. FRANK THE TANK. FRANK THE TANK. Personally, this is Will Ferrell’s greatest performance. If you disagree that’s fine, but just know, you’re wrong. Picking a quote for this was extremely difficult. I went with one that is my favorite. Perhaps the most known quote from the movie, because every time you see that store, you can’t help be reminded or Ferrell and his bare ass while he wonders the streets wanting KFC. I can never get over how incredible he is in this, his comedic timing is perfect, and it’s before he was in a million other shitty comedies, so that’s why it’s the perfect role for him. Vince Vaughn shines like he usually does, I always feel like he’s freeballing all of his scenes. He tried to get serious after his breakout in Swingers but he was always meant for parts like this. He’s just so quick-witted and he’s just the perfect comedic sidekick. This is such a crazy premise for a movie, that today simply would not work. It came along at the right time. Comedies like this just don’t exist anymore. The language, the jokes, they just don’t fly anymore. Not saying that’s a bad thing, but nowadays, it’s just a different brand of jokes. Growing up in Canada there was a show called Popular Mechanics and it starred Elisha Cuthbert and then she disappeared. She pokes her head out finally in this breakout role and was the crush for millions of dudes. She literally  became the girl next door. But the biggest reason I love this movie so damn much, well, it’s Dean Pritchard of course. Played by Jeremy Piven, he’s an all-time movie villain. His entrance to the movie could be the best 2 minutes of the entire film. So here is that clip. And never ever forget, YOU’RE MY BOY BLUE, YOU’RE MY BOY!

2004. Friday Night Lights. Release Date. October 8th, 2004. Director. Peter Berg. Box Office. 62 Million.

“We’re gonna get laid. We’re gonna get drunk and we’re gonna win state but not tonight”. – Don Billingsley

Does it help that this incredible true story starts on the same day I was born? Yes, it does. Is this the greatest football movie ever made? Again, yes it is. I love this movie so god damn much. Does it help that Don Billingsley is one of my all-time favourite movie characters? Once again, yes. I can quote the crap out of it, I laugh and I still cry. There’s no other movie that I skip the same scene every time. I can not for the life of me watch Boobie Miles break-down in the car. Still to this day, one of the most painful things I’ve ever seen. Pete Berg just captures the essence and the feel for West Texas, it just feels so real. I think that’s why it hits me the way it does. I know the TV show is great, but the way he shoots everything is just so well done. Sometimes with sports movies, the actual sports scenes can be rubbish, but again they are excellent here. They feel powerful and lifelike, kudos again to Pete Berg. You just always cringe at Boobie’s story, it’s quite tragic. What could have been for that young man? But the cast is perfect, and Billy Bob is in rare form. But who gives the best performance? That award goes to Tim McGraw – CAN YOU TOUCH THAT, god he plays a deadbeat alcoholic Dad to a tee. His relationship with his son Don (Garett Hedlund) is an all-timer for Father/Son combos. Their story arc is just pure emotion, and that’s why I put the picture of them embracing after the state finals loss. It just so happens to have one of the most beautiful soundtracks of ever. It captures the emotions and the feelings that something like this would have on someone. So take a listen for yourself and get lost in all the magic.

2005. Batman Begins. Release Date. June 15th, 2005. Director. Christopher Nolan. Box Office 375.2 Million

“Bats frighten me. It’s time my enemies shared my dread ” – Bruce Wayne

I will be the first person to admit that when I sat down to watch the beginning of Christopher Nolan’s epic Batman trilogy I was a little skeptical. It was a different time back then. It had been 8 years since the world saw Batman on the big screen. We all still had a pretty awful taste in our mouths from Batman & Robin. The superhero movie craze hadn’t begun quite yet, so I didn’t have the highest of expectations going into Batman Begins. I even remember turning to my buddy in the theatre right before it was going to start wondering if we were even going to get to see Batman do any cool shit. Well, we all know what happened. Nolan knocked us all on our ass’s and we all once again became obsessed with the Caped Crusader. Grounded in his own little world, he made this Batman story almost seem believable. That what if, this was just an ordinary man trying to become something else, a legend. That he lived in a world with no superpowers or superheroes. No villains with powers, but rather, this story was told in the modern day. It worked so incredibly well, that well, countless other franchises soon began trying to adopt the “Nolan method.” I think this is the best version of Batman we have ever gotten, in terms of voice, costume and overall movie. The overhaul to both his costume and voice in The Dark Knight just didn’t do it for me, but I love the version of Batman we get in his origin story. Liam Neeson was perfect for Ra’s Al Ghul, it’s a shame this franchise was so grounded because exploring him further and his real mythos could have been really awesome to see. But he’s fantastic as Bruce’s mentor and his arch nemesis, and it came along right before he kind of became an action movie punchline. Obviously what made this franchise so successful was the all-around casting. Each serving a purpose and all fulfilling their roles so nicely, it’s what holds this universe together. I will also go on record and say I prefer Katie Holmes as Rachel, there I said it.

2006. The Departed. Release Date. September 26th, 2006. Director. Martin Scorsese. Box Office. 291.5 Million.

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“I am killing you” – Billy

Now, this is a super team. This is the Golden State Warriors of movie casts. It’s also probably the biggest dick measuring contest in the history of film among co-stars. Everyone is trying to one-up each other in every scene. We got Leo, we got Damon, we got Baldwin, we got Sheen, we got Nicholson and to top it all off; we got Marky Mark, who is trying his best to let everyone know that he’s the big dog on campus. My god is he good in this movie. Maybe 5-6 scenes, but each one is spectacular and you know he wants it bad. You know that Wahlberg wanted to let Leo and Damon know that they aren’t on his level. But we all know that not to be true, but I think he wins the movie? In the acting department and well being the only man left standing at the end of this bloodbath. They didn’t call it The Departed for no reason. I wonder if Leo was reading the script for the first time and was like hell yeah I’m going to be the hero and I’m going to get the girl! Then he flipped the next page and his jaw hit the floor and he says “Are you fucking serious Marty?” Talk about a death no one saw coming. I still get angry every single time I watch this movie because Leo deserves better than this. He goes through so damn much only for it to be over in a blink of an eye. Talk about a long opening, it’s about 12 minutes in before the title card appears. Scorsese, he finally does it here! He wins best director and this movie won another 3 Oscars. All the ones that signify an incredible movie. Only Wahlberg was nominated for an Oscar and rightfully so. As I said, this could be his best role ever, and he’s in about 15 minutes of the movie. His accent is so unbelievable, you gotta be tough, you gotta act tough in order to pull the Boston accent off and he does it to perfection. Others, like Jack, not so much. Even Vera Farmiga is great here. She’s really rolled around with the biggest studs in Hollywood. I’m just always amazed by the achievement of this film, they just don’t make em like this anymore if I’m being honest. I’ll be watching this one till the day I die.

2007. Zodiac. Release Date. March 2nd, 2007. Director. David Fincher. Box Office. 84.8 Million.

“Just because you can’t prove it. Doesn’t mean it’s not true” – Robert Graysmith

The great American crime drama. Fincher’s masterpiece before his true masterpiece. Perhaps the greatest movie of the 21st Century? One of his movies is, more on that later. But ask 10 people, 8 of them have probably never seen this movie. David Fincher makes movies for me, he’s never done one that I didn’t think was unique and spectacular in some way. It’s known that Fincher is a legend when it comes to “takes” that’s what he is known for. He loves to do dozens or even sometimes close to 100 takes of a certain scene. That method almost killed Gyllenhaal and Downey. They were not used to his kind of filmmaking. The ironic and probably the most clever thing of all, I’m pretty sure Fincher did this on purpose. See the characters that they play, they become degraded and deteriorated by the end of it, trying to solve this irresolvable case of the Zodiac killer. So in order to fully become these men, Fincher needed to break them, break their spirit. That’s exactly what he did, and that’s the art of a true filmmaker. The who’s who on a cast, every “that guy” you can think of apparently makes an appearance, and they all do a bang up job. But the three stars, Gyllenhaal, Downey, and Ruffalo are just flawless. Fincher squeezes out one last Downey performance before he transformed into Tony Stark. Now that’s anything anyone sees when they watch him. But Fincher manages to capture something special from Downey, he’s terrific here. He’s such a big star, but 2/3 into the movie, poof, he’s gone. Vanishes, that simply does not happen with megastars like that in movies. Gyllenhaal has almost never been better. He breaks, just not his character but as the movie goes on, you get the sense that Jake himself, becomes a man obsessed, a man broken. Ruffalo gives another Oscar-worthy performance. All three of these guys are some of the very best actors of this generation. Them sharing the screen together before they all decided to suit up and join the MCU is something to behold. Just the level of detail that Fincher pours into his film is fascinating, he recreated 70s San Fransisco for peep’s sake. But this, this scene with Ruffalo and Gyllenhaal is, well, just watch for yourself. It’s the only scene in the movie, that gives you a sense of hope, a sense that this case could be cracked. In a dark and grim movie, full of darkness and blood and murder, this scene makes you feel that they finally solved it.

2008. The Dark Knight. Release Date. July 18th, 2008. Director. Christopher Nolan. Box Office. 1.005 Billion.

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Why so serious?” – Joker

Imagine this. The tragic passing of Heath Ledger never happens. When the Joker escapes from prison and we get this beautiful shot of him riding in the back of the cop car, the screen fades to black. Chaos has won. The movie is over. Setting up the finale to this beloved trilogy. The bad guy wins, he overcomes good, evil is victorious. THAT NEVER EVER HAPPENS. Audiences would be shook, but sadly that never happened. That for me would have been perfect because almost everything that happens afterward could have either waited or is just meh for me. I just wrote about a 1000 words for this movie with the 10th anniversary, so go check that out. Until then, this remains the greatest comic book movie ever made. But this forever.

2009. Watchmen. Release Date. March 6th, 2009. Director. Zack Snyder. Box Office. 185.3 Million.

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Watchmen (2009) Directed by Zack Snyder Shown from left: Patrick Wilson, Malin Akerman, Jackie Earle Haley

“Miracles. Events with astronomical odds of occurring, like oxygen turning into gold. I’ve longed to witness such an event, and yet I neglect that in human coupling, millions upon millions of cells compete to create life, for generation after generation until, finally, your mother loves a man: Edward Blake, the Comedian, a man she has every reason to hate, and out of that contradiction, against unfathomable odds, it’s you – only you - that emerged. To distill so specific a form, from all that chaos; it’s like turning air into gold. A miracle. Now dry your eyes, and let’s go home.” – Dr. Manhattan

Truly ahead of its time. That’s the first thing I always say when I talk about this film. It’s plain and simple, the world wasn’t ready for a movie like this by a film-maker like Snyder. He’s always been a complicated director, which people tend to either worship or loath, but one thing is certain when talking about him, he is a genuine visionary human being. Aesthetically, I believe that this is his best looking film, it’s beautiful. The colours, the imaginary, the costumes, just everything about Watchmen is simply mesmerizing. I remember being enthralled by the trailers, one was paired with Take A Bow by Muse and the other was Smashing Pumpkins song The Beginning Is The End Is The Beginning. Both trailers capture the character of the movie so perfectly that I was hooked. A band full of misfits is one way to put it — only the die-hard fans knew about this beloved graphic novel. Since these heroes are not the most well-known it was clearly important to get the right actors/actresses to play them — which they nailed. Jeffrey Dean Morgan, Jackie Earle Harley, Patrick Wilson, and Milan Åkerman are all so brilliant. They simply carry this film, and I watch this not for the action, but for the performances. That is a rarity when you talk about a comic book movie, for Watchmen, It’s true. Billy Crudup who physically is in the movie for 5 whole minutes is magnificent as Dr. Manhattan, the most under-appreciated comic book character ever. So powerful, so wise, so tortured and so misunderstood, I just love all of the things his character goes through. But Jeffrey and Jackie carry this whole thing. The Comedian and Rorschach, I didn’t know after all these years, that they would remain at the top of my leaderboard for comic book movie performances. When the action hits, it hits hard, like really hard, like turn your head if you have a weak stomach hard. But that doesn’t take away from its brilliance. Zack knows how to shoot action sequences almost better than anyone. Next June will be the 10 year anniversary of its release. I believe there will be a ton of articles coming out praising and rejoicing in it. That people over time have come around on it and rightfully so. Like I said in the beginning, this was ahead of its time and now, audiences and its critics have caught up to it and have come appreciate it for the masterpiece it is. My only regret of this movie and people don’t agree with me on this. I wanted the giant squid at the end, I know they had to change the ending, make it different from the graphic novel because the squid just wouldn’t have worked. The new ending does work, but who didn’t want the Watchmen fighting a giant ass squid? WHO DOESNT WANT THAT IN ANY MOVIE? Not many scenes get me every time, make me feel the same way each time I watch them. It’s rare and there are a handful of scenes that do this for me, this is one of them.

2010. The Social Network. Release Date. October 1st, 2010. Director. David Fincher. Box Office. 224.9 Million

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“If you were the inventors of Facebook! You would have invented Facebook!” – Mark Zuckerberg

Who knew that a movie about Facebook, the social media device where you block all your annoying Aunts and racist Uncles, would turn out to be the greatest film of the 21st Century? I remember the awesome marketing campaign for this, “Creep” was being used in the trailers but it was being sung by an orchestra, and I was immediately hooked right in. Ambition, greed, the American dream, class consciousness were all themes that were touched on throughout this film. This could very well be one of the last prestige, mainstream studio movies that have ever gotten made. A movie with a budget, a movie star and a world-class director like David Fincher, where there is no studio interference, a smallish budget, but a movie that seems big. A movie that is about a true story, that is still relevant today, actually more than ever. Facebook is the worlds biggest advertising network in the world, and it’s funny how the whole idea about The Social Network is trying to figure out what “The Facebook” wants to be. Zuckerberg hates the idea of ads on his site, he wants to make “The Facebook” cool, and he believes adding advertisements for Mountain Dew would ruin the experience. Well, now you can’t be on the site for 10 seconds without seeing an ad. I find that notion very interesting and it’s one of the reasons I love the movie. There’s actually so much going on within this film, it feels like beauty, anxiety, and pain all meshing together to create something that is so unique and so heartfelt. That mixed with Trent Reznor’s hauntingly beautiful score, it manifests a near perfect film. I mentioned in my Zodiac review that Fincher is the master for multiple takes, and here is no different. 99 takes, that what it took to get the ideal one for the opening scene, between Mark and Erica at the bar. Imagine that, imagine having that much patience. Apparently when Sorkin wrote this screenplay, one of the best of all time I’d say. It was 162 pages long, a page usually equals a minute of screen time, not here. People are talking fast, I guess they even used a stop-watch when filming. This film introduced me to Armie Hammer, who I swore was an actual twin, that’s another thing, the CGI of Armie is incredible. something that goes under the table when discussing this. It just gives me all the feels, makes me want to accomplish something special, to work hard, no matter what it is. The score just wraps me up in so much emotion and everyone is so perfectly cast. Jesse Einsberg not getting an Oscar nomination will forever be a complete and utter failure by the Academy. Thank goodness Shia Labeouf dropped out because as interesting as that may have been, David Fincher would have broken that man.

2011. Moneyball. Release Date. September 23rd, 2011. Director. Bennett Miller. Box Office.110.2 Million

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“How can you not be romantic about baseball” – Billy Beane

Much like the movie above, Moneyball hits all the right notes for me. These are two movies which I turn to whenever I’m feeling blue. Moneyball just isn’t a great sports movie, it’s a movie about going against the grain. Being different, no matter what the outside world may think of you. Brad Pitt and Jonah Hill are both phenomenal here, feeding off one another really well. You wouldn’t think that a movie about baseball could get Jonah Hill an Oscar nomination, but it did. He’s just so comforting and sweet and genuine in this role, it really is something to behold. As usual, Brad is snacking throughout the entire film, I swear this man must love to eat or he  always has the munchies because he does love his weed. We get Chris Pratt before he becomes well Chris Pratt, in probably his most down to earth character ever. It’s really great to see him just be kind of normal. Not joke about everything and just be in the background, but also gives a great performance. There are very few baseball scenes, but they capture the essence and the spirit of the game. This is about trying to do the impossible. The opening moments of it really set the stage for what you’re about to watch. Oakland’s journey really is David vs. Goliath and it’s hard not to root for the underdog in sports. Billy Beane is such a unique person and is story and history was fascinating to watch. I would love to see more sports movies like these that explore the inner workings of how things work, behinds the scenes. Football tried with Draft Day, but it was too commercial and was just bad. From the score, the performances and just how well the movie was made, this is a top-tier sports movie. One that I know I’ll watch for the rest of my life. One of the main reasons is this scene below. No matter how many times I watch, I still get chills.

2012. 21 Jump Street. Release Date. March 16th, 2012. Director. Phil Lord/Christopher Miller. Box Office. 201.5 Million

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“Ya’ll some Justin Beaver, Miley Cyrus lookin’ mother fuckers” – Captain Dickson

Man, Jonah Hill really went on a tear – he still is – but he really needs to thank his agent, because this was a stretch of insane proportions. I truly believe this was the last “great” comedy that has come out. I know they made a sequel and everything, but it didn’t feel the same, and it is not even in the same universe as this. When the movie itself makes light of that situation, I know I’m right. It’s been a long time since a comedy as come along and floored me like this one. I remember being so excited to see Jonah Hill and Channing Tatum work together. Tatum wasn’t a made man yet, and this really put him on the map, and let everyone know that he had some serious acting chops. He steals the show, he really does. But their chemistry and the way they feed off one another, really makes you think that these guys did become really close friends during this. This movie does have star power as well, Brie Larson is almost unrecognizable in this, and whenever I turn it on, I smile just like Jonah does when we see her for the first time, because she’s excellent here, and I love her. Dave Franco and Rob Riggle, who eats his own dick. I clearly remember seeing this in theatres and when it was all over, a Mother stood up but she had a few kids with her, like maybe 13 at the oldest, and I said to my friend “they just witnessed Rob Riggle eating his own dick.” I even tweeted that at the man himself once I left. Not to mention, perhaps the greatest movie cameo of all time? Fucking Johnny Depp comes out of left field and his presence is felt immediately. But my god, the legend himself, Mr. Ice Cube. Words cannot express how much I appreciate this man in this movie. All of his lines are iconic and he’s just incredible. I can’t believe the career path he has gone down, and this part right here, tears every time. This will be a comedy classic, I think it already is, when 6 years have past and nothing even comes remotely close to this, well you have to be putting this is a small group of great comedy movies. Honestly, the closest movie in my opinion that has made me laugh the way this did the first time I watched it, was this year’s Game Night. I’m sad they stopped making these, but these two guys are Hollywood royalty now,  but maybe in the future when this gets rebooted again, they will play the role of Depp, because that will be awesome sauce if it happens.

2013. Pacific Rim. Release Date. July 12th, 2013. Director. Guillermo Del Toro. Box Office. 411 Million.

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“Today we are cancelling the apocalypse!” – Stacker Pentecost

Arguably my most enjoyable movie-going experience I’ve ever had in my life. This is not my favourite movie of all time, but when it comes to theatre experience, this ranks pretty close to the top, if not the top of the mountain. One other movie could stand in its way, more on that later, but for now, Pacific Rim. The trailers were always so loud, and friends would turn to me and almost be laughing at how ridiculous the movie looked, but not me. I knew this was right up my alley, I love monsters, I love beautiful things, I love the visionary expertise that Del Toro brings to all of his movies. The man has a serious sense of style and taste. He grew up loving monsters, probably just as much as I did, so when the opportunity came about to make a movie about 100-foot monsters (Kaiju) and 100-foot robots (Jaegers) he was fully on board. Who didn’t play with toys when they were younger and pretend the fate of the world was on the line, and imagine things were bigger and badder than you could possibly imagine? Well, Del Toro went right on ahead and made that exact movie. I think that’s why it resonates so well with me, because I was that child, and during moments of this film, it took me back to my childhood. On top of that, they got an excellent cast of characters and actors on board as well. I clearly remember being sucked into this universe, I was transfixed by what was happening on the IMAX screen before my eyes. Then the battle of Hong Kong occurred, and I was a 7-year-old kid again. I have never enjoyed a greater stretch on cinema in the theatre then I did the very first time watching that sequence. Usually, in big action movies, it’s so damn hard to follow the action, tell what’s going on. But Del Toro crafted something so breathtaking, that I was legit mesmerized. That is a movie-going experience that I will never ever forget, and I wish that feeling could occur more often then it does when I visit the theatre. So thank you, Del Toro.

2014. Edge Of Tomorrow. Release Date. June 6th, 2014. Director. Doug Liman. Box Office. 370.5 Million

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“Come find me when you wake up” – Rita

This movie should have made over 500 million dollars. I’m going to start off by saying that this is one of the most underrated movies I’ve ever watched. No one, saw this movie opening weekend, it was all word of mouth that even got this to 370 million. Maybe it was the title of the movie itself that drew people away. Whatever it was, it was a real shame, because I remember walking out of it, and thinking that it was one of the best science-fiction movies my eyes had ever seen. Two of the worlds biggest stars, Tom Cruise and Emily Blunt, kicking all sorts of ass, in incredible mech-suits. How could anyone not be hooked from the get-go? Throw in the late Bill Paxton, who like always gives a marvelous performance. This is a legit nonstop action thrill ride, and it’s simply one of the coolest concepts for a film. Yeah I know the movie Groundhogs Day exists, but they don’t blow up aliens in that movie, so this tops it. It’s written by Christopher McQuarrie, so there’s no surprise that it’s a fantastic story. I’m pretty sure it bombed opening weekend and I was in utter shock. Because well, movies like this, especially great science-fiction movies don’t come around too often. This is all you need to see, this trailer is one of my all time favourites.

2015. Mad Max: Fury Road. Release Date. May 15th, 2015. Director. George Miller. Box Office. 378.9 Million.

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See all that shit going on? None of that, and I mean none of that is CGI. Yes, that’s a dude playing a guitar with fire coming out of it. Dear god, this movie is a pure adrenaline rush, it’s cocaine and dynamite for your eyes and ears. Visceral physical filmmaking at its finest, bow to the man who made Happy Feet, Babe, Babe: Pig In The City, and then Mad Max: Fury Road. One of the craziest things about this film, it was shot in sequence, which means the started filming on page one and went through each script page in order. Very unorthodox in filmmaking, especially when discussing a movie like Mad Max. Arguably one of the most difficult movies ever made as well, because like I mentioned above, there is hardly any CGI in this film. I think that’s why I love it so much, Miller created something so beautiful, and awesome, and bat-shit crazy, but he did it all without using green screens and all the other tricks directors use now. Charlize Theron joins the ranks of some of the most badass women in film. We have Ripley, Rita, Sarah Conner and now Furiosa. Such a memorable performance and character. There aren’t too many words spoken in this, but we don’t need words, the action speaks louder than any words could conjure up. Take Max for instance. Tom Hardy doesn’t say much in this, he gives a great facial performance, but no one else could have played Max in my opinion. Hardy embodies the essence and soul of this character to a tee. Seeing this in IMAX was one of the more enjoyable theatre experiences of my life, it’s why I go to the movies. You are wrapped up in this world, and I honestly couldn’t believe my eyes. Knowing how many practical effects went into it and knowing all the hard work that goes into something with the magnitude of Fury Road. You can’t help but wipe your jaw off the floor when it was all said and done. Enough can’t be said about this masterpiece. The IMAX re-release in 20 years is something I’m already waiting to see. Without a doubt the hardest movie to pick a scene for. The whole movie is just fucking nuts.

2016. The Nice Guys. Release Date. May 20th, 2016. Director. Shane Black. Box Office 62.8 Million.

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“You wanna see my dick?” – Yarn

I didn’t want to put this on my list, because I’m very angry at Shane Black right now. He just ruined one of my most beloved franchise Predator. Head over and check out my review of The Predator (spoilers – it’s awful). But that is a different movie, and this is The Nice Guys, and it’s fantastic. Another movie I was late on, another movie I wish I had seen in theatres, and a movie that not a lot of people have heard of, let alone seen. But my god, Shane Black does know how to do black comedy, and when you get Ryan Gosling and Russell Crowe firing on all cylinders, it’s going to make for one enjoyable movie. I think the main reason I like this movie so much is due to Gosling and his performance. I already love the man to death, he’s my favourite actor working today, and it was really nice to see him talking and doing comedy for once. We have seen a ton of Ryan Gosling the mute lately, so him opening up and letting people know that he can do comedy was great. He’s just so goddamn funny in this movie, and his sidekick is also perfect. 2016 was a weird year for movies, for me at least. Going into the year, I would have called you crazy if you told me that Batman v. Superman wouldn’t have been my favourite movie of the year, let alone one of my favourite of all time. Well it doesn’t even crack my top 5 of the year and it got beat out by Ryan Gosling doing toilet humour, the world truly is a beautiful and unique place.

2017. Blade Runner 2049. Release Date. October 6th, 2017. Director. Dennis Villenuve. Box Office. 259.2 Million.

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“To be born, is to have a soul I guess” – K

The most expensive art-house film ever created. And in my opinion, the most beautiful movie ever made. At least in my eyes, and that’s not because Ryan Gosling is the star of the show. Even the opening scene, the very first visual of the film is breathtaking. It was just last year I sat down to watch the original Blade Runner. Made by the legendary Ridley Scott, so people hold it in the highest regards, one of the best science-fiction movies this world has ever seen. I thought it was so-so. But when word got out that they were doing a sequel and Villeneuve was behind it, I was on board. The man hasn’t stumbled yet in his filmmaking career and was coming off the 2016 smash hit Arrival. Now toss in Jared Leto and Ryan Gosling? What could go wrong? This blows the original out of the water in my mind. I know the first set the standards and did all the groundwork, but this is just so damn beautiful. Just like Mad Max, the visuals here are simply stunning, and I have a hard time telling what is real and what isn’t. That’s always a great sign that you have made one hell of a movie. Ryan Gosling again shows new colours here, and proves he can be a “movie star.” The leading man for a franchise and he just gives one of his best performances. He can do so much, with doing so little if you know what I mean. The clip I will link down below is the best example of him doing just that. These are two movies that need to be on the bucket list of any film junkie, but getting to experience 2049 in glorious IMAX is something I won’t forget. This is just another example of a movie that didn’t get enough recognition, and not nearly enough people saw it. This could have had all the star power in the world and it wouldn’t have made a difference.


Well that’s all she wrote here folks. I know I said 30 films but 2018 isn’t over and I can’t decide on a movie now. I know my favourite is still to come, because 2018 has been pretty lackluster to say the least. Fingers crossed!

90th Annual Oscar Predictions

I did pretty good last year, so if you want to make a quick buck, I’m your go to guy for this.

The Oscars are this Sunday, so it’s time for some predictions! Who got snubbed? Who’s going to take home the most gold? Who’s getting a little more attention then they should? All of these are valid questions that I will try to answer below. I’m going to run down all the nominees for each category and then pick who I think will take home the award! I’m going to have a lot to say for certain categories and awards and very little about others.

Sound Mixing

Everyone’s favourite award of the evening! Sound mixing. Actually a pretty big toss up, not going sit here and lie and pretend I know anything to do with sound mixing. I do however know how movies sound inside the theatre and for me, the movie that sounded the best was Dunkirk.

Winner: Mark Weingarten, Gregg Landaker & Gary A. Rizzo – Dunkirk.

Sound Editing.

You know, these things kind of go hand in hand. One wins mixing, why not just give them both. Listen Dunkirk was an extraordinary technical movie. So I’m giving it both of the sound awards. You felt as you were in the battle during it, you were transported back to the beach. The gun fire sounded so real, everything to do with sound was quite spectacular.

Winner: Richard King & Alex Gibson – Dunkirk.

Original Song.

I’ve heard mixed reviews on The Greatest Showman, but one thing everyone can all agree on is the music, and the soundtrack. It’s catchy, it’s the best part of the movie, and apparently that’s why people have been going to see the film. But Coco was a mega hit, with great cultural music and it’s Pixar, they own the award season when they are nominated. So it’s a toss up between This Is Me and  Remember Me from Coco. I’ll give credit to Mystery of Love in Call Me By Your Name is a beautifully haunting song, really closes out the movie in spectacular fashion.

Winner: Kristen Anderson-Lopez and Robert Lopez – Coco

Original Score

You have to go with the GOAT in this situation. Hans Zimmer and his epic score from Dunkirk will surely bring home another Oscar for himself. He won back in 1994 for The Lion King. Like I said, Dunkirk in terms of technical achievement and sound is incredible. They should take home at least 3 Oscars. Hans Zimmer also just has a really cool and awesome name to say.

Winner: Hans Zimmer – Dunkirk.

Film Editing

Editing, the most strenuous part of any movie. Now when I watch a movie, one thing that bothers me to no other, is god awful editing. It’s such a vital part to what makes a successful movie. Baby Driver, had such fantastic editing throughout the entire film. Considering some of the sequences that involved music, and car chases, and all around craziness, but was pull off to such perfection, it would be difficult to give this award to anyone else.

Winner: Paul Machliss and Jonathan Amos – Baby Driver

 Production Design

The vast open world, or the beauty of a small lavish space? I would say there are three front runners to this category; The Shape of Water, Dunkirk and Blade Runner 2049. I personally think that Blade Runner 2049 is going to take home the award for production design. Not enough people went to see this movie, and the landscapes and set pieces are quite remarkable. It deserves recognition come awards night. Shape of Water is a beautiful movie, but the first time seeing each movie, I was taken aback by the production and the sights of Blade Runner 2049 much more than Shape of Water. That is why it is my winner here.

Winner: Sarah Greenwood & Katie Spencer – Blade Runner 2049

Costume Design

In a category for costume design, I think it’s pretty obvious that the movie based on an obsessed craftsmen would win. Phantom Thread the movie about costumes, about designing costumes is nominated for best costume design, it’s a little too much on the nose isn’t it?

Winner: Mark Bridges – Phantom Thread 

Animated Short

A pretty tough category to choose a winner for, considering I never got around to seeing any of these animated shorts. So I will just go with my Mamba mentality and pick Dear Basketball, because KOBEEEEE!

Winner: Glen Keane and Kobe Bryant 

Live Action Short

I drew names out of a hat!

Winner: Kevin Wilson, Jr – My Nephew Emmett

All of these movies are worthy of this award. I saw every single one of these in IMAX, the biggest screen I could find, and they didn’t disappoint. But these days when it comes to visual effects, ones mind tends to lean towards one man, Andy Serkis. You know the guy who was in all the Lord of The Rings movies, King Kong, the Hobbit movies and now played Caesar in the new Planet of The Apes trilogy. The guy is a legend when it comes to motion capture, he has changed the game. Most of those movies won for this such category and they have mostly Andy to thank for that. So why should this be any different? War For The Planet of The Apes was the best visual effects I saw all year at the movies. Each new installment got better, and they need to be recognized on the grandest stage. I’ll be shocked if they don’t win. This isn’t taking away anything from any of the other nominees, they all had incredible effects, Kong: Skull Island actually blew me away with how gorgeous it looked on the big screen.

Winner: Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist – War For The Planet of The Apes

Makeup & Hairstyling

Listen, you don’t have someone wake up at ungodly hours in the morning, and make them sit in chair for hours and hours to do their hair and makeup and not get the recognition you deserve. On top of that Gary Oldman got into a fat-suit everyday during the production of the Darkest Hour, and this will no question be taking home the gold. They managed to quite literally transform him into Winston Churchill, and that really is a feat on its own.

Winner: Kazuhiro Tsui, David Malinowski and Lucy Sibbick – Darkest Hour

Again, I don’t want to sit here and pretend I know anything about foreign films. So I’m taking my best guess here, and did a quick little google search. A Fantastic Woman was well received and appears to be the front runner.

Winner: Chile – A Fantastic Woman

Documentary Short

If there’s one thing the Academy loves, it is the city of Los Angeles. Take last year for instance, yes La La Land didn’t end up winning best picture, but it took home some awards and the Academy loved it to pieces. Remember that’s their town they are talking about here, so Traffic Stop is a shoe in for this award. Based on the 405 highway in LA, I won’t be surprised when it walks away with the Oscar.

Winner: Kate Davis and David Heilbroner – Traffic Stop

Documentary Feature

I don’t watch nearly enough Documentaries, so with that being said, I have no idea what any of these are about. Icarus once flew to close to the sun and well his wings burned up and he died. Poor guy, the universe has a funny way of showing karma.

Winner: Bryan Fogel and Dan Cogan – Icarus

Adapted Screenplay

This is a difficult category. Master writer Aaron Sorkin vs. Tommy Wiseau. I’ll say congrats to Logan for being nominated for such a prestige Oscar, writing it a big deal when it comes to the big night, so James Mangold should be proud of himself. But for me, the winner shall be James Ivory for Call Me By Your Name. If not only for the last scene of the movie, which is so damn beautiful and well written that it probably won the award right in that very moment.

Winner: James Ivory – Call Me By Your Name

Animated Feature

The odds of Coco winning are -5000. That means if you bet 5000 bucks on Coco to win, you would only get 100 in return. It’s the lock of the century

YOU GO GLEN COCO!!!!

Winner: Lee Unkrich and Darla K. Anderson – Coco

Original Screenplay

One of the toughest categories of the evening right here. I feel three films have a chance here. Three Billboards, the dark comedy highlighting racism, police brutality and the abuse of women. Really caught the eye of movie goers, and was revered for it’s sharp and serious real world problems writing. Get Out also highlighted racism but from a much different perspective and angel, and was done so brilliantly that people at first didn’t get it. I think Lady Bird also has a chance to walk away a winner here. The coming go age tale and the importance of a mother/daughter relationship.

Winner: Greta Gerwig – Lady Bird 

Cinematography

There is one winner and one winner only for this award. Fun fact, Roger Deakin’s has never won an Oscar before. 14 nominations, Shawshank, True Great, Assassination of Jesse James, Jarhead, No Country For Old Men. All of these movies, done by this man. That is just the tip of the iceberg. Now he comes along and does Blade Runner 2049, without question, the most beautiful looking movie of 2017. The visuals were stunning, sharp, vast and out of this world. It is finally time to recognize this marvellous man and all the incredible work he has done over the years. This one award simply won’t make up for it, but it will be a good start.

Winner: Roger Deakins – Blade Runner 2049

Supporting Actor

Let’s just all agree that yes, Sam Rockwell’s character in Three Billboards was a racist, no good son of a bitch. But it’s a movie, and he acted the hell out of that role. He’s been sweeping the award season and it’s not going to change come Sunday. I thought he gave a unnerving and chilling performance. One that stuck with me for a few days after I watched Three Billboards, always a good sign. One huge snub though, Michael Stuhlbarg for Call Me By Your Name, actually it’s more than a snub, it’s down right rude.

Winner: Sam Rockwell – Three Billboards. 

Supporting Actress

It’s a cage fight between two of these lovely ladies. We have uptight mother, who just wants what’s best for her daughter. The type of Mother who does everything for her family but her daughter still is a little shit about it, well meet Laurie Metcalfe’s character in Lady Bird. In the other corner, we have another Mother, one who loves to curse, throw kitchen knives at their daughter and loves her pet bird. It’s Allison Janney from I, Tonya. I keep going back and forth between these two women, who give just remarkable performances. On the one hand Janney has more comedy in her role, where as Metcalf is the person we feel sorry for. I want Metcalf to win, but Janney is the lady who will win.

Winner: Allison Janney – I, Tonya 

Leading Actor

Daniel Day Lewis, the freight train of acting. Stopped by a guy in a fat-suit in his last ever acting performance. Who would have seen this coming? First Churchill stops Hitler, now he stops Daniel Day Lewis. What a legacy that man has achieved. In all seriousness, again  the male acting category kind is a known commodity at this point. Gary Oldman will win, because, well he gave the best performance of the year, no questions asked. Would it be cool if the new kid of the block Timothee Chalamet won? Yeah totally, the kid is 22 years young and would be the youngest winner ever for this category.

Winner: Gary Oldman – Darkest Hour

Leading Actress

If the supporting actress category was a cage fight, then this is an all out war. I have no idea who I want to win this award. All these ladies gave such inspiring and beautiful performances. The Skater Girl, The Shit Talker, The Fish Fucker (sorry for cursing), The Lady Bird and well Meryl Streep. They all give their own unique and mesmerizing  performance, each sticking with you in a different fashion. Cross of Streep, because she’s won enough and actually for once is the weakest member of the group. Next people will say cross off Margot Robbie, which is unfair, because that’s who I think SHOULD win this award, but she won’t. Sally Hawkins speaks about 30 words in the entire movie, but does more acting in her face, then most people do in a lifetime. Now it’s down to new school vs. old school and much like the other acting nominees who have been winning at every award show, Frances McDormand was a powerhouse in Three Billboards. She’s earned it, and I think gives speech of the night.

Winner: Frances McDormand – Three Billboards.

Directing

Another stacked category! I think it’s between Greta Gerwig and Guillermo Del Toro. Del Toro, that man loves his monsters, probably more than anyone in Hollywood. What he made was simply breathtaking and such a beautiful story. It’s a shame, that it’s being known as the “fish fucking movie” but hey, beats not being known at all. Greta Gerwig made one of the most refreshing movies I saw all year. They made such polar opposite movies, that is hard to choose one over the other. I feel like Del Toro has paid his dues, and he’s been around, and sometimes the Academy repays you for that kind of thing. So with that being said, it’s going to the man responsible for the greatest love story since Romeo and Juliette.

Winner: Guillermo Del Toro – Shape of Water

Best Picture

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Blade Runner 2049, it would not have won, but they are allowed 10 nominees and it should have been included. That’s all I have to say about that. What an incredible year for movies. I saw every single best picture nominee except The Post (Sorry Tom, Sorry Meryl). All 8 films I saw were remarkable in their own way, and deserve a shot at the biggest prize of the night.

Seriously, I can’t believe Get Out came out almost a year ago, and PEOPLE ARE STILL TALKING ABOUT IT! I think it would be one of the best moments, if not the best moment in Oscars history if Get Out took home best picture, but it just can’t. People fell in love with this movie, and rightfully so, but I just think having came out almost a year ago, hurt it in the long run. If you asked me in the summer, I would have said Dunkirk wins best picture, but I feel like the campaign push for Dunkirk was really weak. It’s a great film, and was fascinating to see in IMAX, but the buzz around it going into Sunday is pretty much dead. Toss out, Phantom Thread, not enough buzz and all around isn’t getting the acclaim of some the other movies. Now, rope in Darkest Hour, Call Me By Your Name, and The Post. Thanks for coming, but we will see you later. It’s a three woman race, Lady Bird, Three Billboards and Shape of Water. Like most of the night, these movies will battle it out for soul survivor of the evening. Culminating in once last award that decides who is the best. All centered around strong female leads (that’s a wonderful thing!!), all different visually, style wise, tone and all around the way each movie was made. I legit have zero idea who will win, they all deserve it in some manner. But two of the acting winners will be from Three Billboards, it’s feels like an important movie, during a time when we need important movies like this, and movies like Get Out. I want Get Out to win, it just isn’t humanly possible. Three Billboards is my winner, and I’m not happy about my choice

Winner: Three Billboards Outside Ebbing Missouri 

‘Blade Runner 2049’ Review 

Simply marvelous, one of the best science fiction movies of the decade. Unlike anything I’ve ever seen

(WARNER BROTHERS)
A sequel 35 years in the making, some people have been waiting their wholes lives for a follow up to the masterpiece that was 1982s Blade Runner directed by the legendary Ridley Scott. It’s crazy to think about a sequel being made 35 years later, and it turns out to be one of the greatest sequels in the history of cinema. This is why we go to the movies; it’s movies like Blade Runner 2049 that make people like myself realize why I love film so much. It had everything I want in a movie it is simply marvelous. This dark and twisted, futureristic, neo-noir film, that is exstential in every sense of the word, is just all around stunning. Denis Villeneuve directs the follow up, and he is fast approaching becoming one of the best, if not the best director in Hollywood right now. Villeneuve’s track record right now is uncanny and something I can’t really fathom at this point. Every time he steps up to the plate, he hits a walk off home run. I think it was a mistake not getting this man to direct Episode IX because he is the perfect man for the job, especially after watching this science fiction masterpiece. Blade Runner 2049 is the kind of movie that inspires young filmmakers, or creates new ones. This will be a vague review because I don’t want to spoil a single thing about this movie, you need to go experience this for yourself, because it’s unlike anything I have ever seen. I knew it would be one of the most beautiful movies, but it even exceeded my expectations in that regard.

So the movie follows Blade Runner, Agent K (Ryan Gosling) as he is investigating a case from the past. As he learns more about the case and himself, he starts to question everything he knows and his beliefs. The case ultimately leads him to Deckard (Harrison Ford) and the two of them must work together for the common good. I’m really going to leave it at that, and not getting into any specific plot points, because going in and just experiencing this movie is what it’s all about. Everyone knows that Ryan Gosling is an A-list actor, a movie star, but he reaches new heights in this. It’s weird, I don’t think anyone else could have been in this role, Gosling does so much acting in his face, and he really is a master brooder. He really showed that he could lead a franchise, that he is more than just a love interest in a rom com. Like I said, everyone already knows this, but I don’t know I was just really blown away by his performance, and he worked really well alongside Harrison Ford. Imagine playing a character 35 years later. I thought he might mail it in here, but Harrison Ford was simply delightful as Deckard again. He did not take any scenes off and he seemed to relish being back playing this character. This is his best performance in a long time, I know he came back as Hon Solo, but this role and performance is vastly superior to his in The Force Awakens. I think Ford fed off Ryan’s intensity and they just complemented each other so well here, and I would really love to see them work together again. The rest of the cast is fantastic, Dave Bautista is great, and he just keeps on impressing me after his shift towards becoming an actor. Some of the cast has very minor roles, where they are only in a few scenes, but the scenes that they are in, they are all in for their roles, and that’s what you need in a movie like this. Everyone committed and wants to be the best they can be. Robin Wright as Joshi, who is K’s boss is also great, she’s good in every thing, so that should not shock anyone. Jared Leto who plays Niander Wallace is good. It’s Leto and I think there’s a fine line between people really loving Leto and people who are just sort of “mehh.” I like Leto so I thought he was great as the bad guy Wallace, I guess he really isn’t a bad guy; it’s hard to describe his character. The two people I was pleasantly surprised about were Ana de Armas who plays Joi; I’m not going to go into detail about her character, because it’s actually really interesting and unique, so I will just say that I thought she did a fantastic job. She’s in a ton of scenes with Gosling and they were so good together. But for me besides the two leads in Gosling and Ford, the best performance has to go to Sylvia Hoeks, who plays Luv. She is Wallace’s assistance/body guard, and she is menacing and just really stood out in the movie. Again I don’t want to say to much, but after the movie, I thought this women, just got a lot of people’s attention and we will be seeing her in more things to come.

But the real star of the movie is the cinematographer Roger Deakins. I can’t overstate how beautiful this movie is. At times and certain moments the visuals are actually distracting because of how beautiful they are, you’re almost not paying attention to the actual movie, but rather taking in all the scenery. Without doubt the best cinematography that I can ever remember seeing in the movie theatre. Some of the visuals and imagery are breathtaking and I couldn’t really believe what I was looking at. The movie takes place in the year 2049, and I swear, there wasn’t one moment where I thought, yeah that looks fake, or that’s too much CGI. It’s flawless, and perfect and so crisp looking. The detail and the colors are so incredible, and again it’s just something you need to go see, because it’s so hard to describe and put into words. Just give Roger Deakins his Oscar now, like don’t even bother having the cinematography category this year, because there really is no dog in this fight other than Roger. This movie will win a bunch of Oscars, the score and the sound is also perfect. You need to go find the biggest screen you can, that has the loudest speakers, get a large soda and popcorn and just get transported to this world. The reason I go to the movies is to escape from life, you want to be transported to another world, and this is exactly what happens. Blade Runner 2049 is a film from start to finish. One of the best parts about this movie is that it just wanted to be its own movie. They didn’t try to build this massive universe that will have a ton of other sequels or spin off movies. They had an idea in mind for the movie and they executed that plan to mere perfection. You just get immersed into this world and you don’t want to leave, I know I didn’t. At a run time of almost 3 hours, it flew by, because you just want to keep seeing these incredible landscapes and I felt that the movie was paced beautifully. The movie is also very thought provoking they ask you questions and challenge your way of thinking. Just like the original, they want to open your mind and that’s exactly what happens.

I really can’t express enough how much I loved this movie; it’s one of the best sequels ever made and also one of the best science fiction movies ever made. It’s a shame that I don’t think a lot of people are going out to see this movie, so I think with word of mouth that could change. I can also see this movie not being for everyone. This is a piece of movie art that will live on forever. I really can’t wait to see it again. This is one of the best movies of the year! GO SEE THIS MOVIE.

Check ya later

Nate’s Movie Tour Reviews – Blade Runner 2049 = 96/100

‘Blade Runner 2049’ Looks Breathtaking 

So I guess I should watch the original Blade Runner now.

(WARNER BROS.)

Wow, wow, wow. This movie trailer is simply breathtaking. After the smash hit Arrival last year, Denis Villeneuve he’s back in the director chair for the follow up the the massive hit Blade Runner. Right away I’m going to say that I really don’t know anything about Blade Runner, it’s a movie I feel ashamed for not have seeing yet. I will be getting around to sometime in the near future. I know it’s one of the most respected science fiction movies ever made.

Everything in this trailer is just gorgeous, Villeneuve makes some of the most boring landscapes pop and every frame seems to be packed full of fantastic colours and backgrounds. So I’m not so sure what this movie is about, but they are bringing back it’s original star Harrison Ford. Who seemed to play some sort of cop and now Ryan Gosling has come along and needs his  help. Ryan Gosling back at it, doing his thing. You know not saying a whole lot, but doing most of his acting through his facial expressions. Jared Leto looks creepy as hell, who appears to be the films villain. Coming off his Joker role, he is well suited to be the baddie in another blockbuster.

I honestly think I’m going to watch the original and I could care less if I didn’t see another thing for this. I’m sold, I will be there opening night. It’s hard for movies to do that these days, with trailers being rolled out every few months. So kudos to their marketing team for already getting me in a seat, that’s a hard thing to do from just one full trailer. Harrison, Leto and Gosling seem to be a trio movie match made from heaven.

Check ya later.