Style for miles. – That’s the best Harry Styles pun I could think of.
Over time, I believe that Dunkirk will be remembered more for what’s missing, rather than what we witness on screen. It’s tense, it’s loud, and it makes you feel like you are standing on that beach with 400,000 other soldiers. I felt like I was part of the war, and Christopher Nolan really encompasses what I imagine it would literally be like to be stranded on that beach, waiting for a way home. It’s visually beautiful, in terms of filmmaking, its damn near perfect. With all that being said, I walked away from Dunkirk a little confused. For the first time in a very long time, I couldn’t remember any characters, not a single name. That’s not because there aren’t any characters, there is ZERO characterization within Dunkirk, and I’m not sure if that was done on purpose or not. It’s a war movie, so you usually find yourself rooting for certain characters or certainly getting attached to a few, but it was difficult to do so within the realm of Dunkirk. It just felt weird that even our greatest heroes within the movie, don’t receive any kind of backstory or personality that really bummed me out. That is Dunkirk’s biggest problem, there’s just a serious lack of substance to it, but that doesn’t take away from the actual movie. It’s just kind of something you have to deal with, and either you’re going to hate that aspect of Dunkirk, or you won’t mind at all.
The opening is so hauntingly beautiful, for me it was the best part of the movie, and it was a mere two minutes long. I won’t go into it, because I want this to be a spoiler free review, but it was really the only moment of the entire movie, that felt stress free. Any real moment where you weren’t worried about these poor helpless men. It’s a peaceful moment, right before we get 106 minutes of sheer action, suspense, chaos and death. Christopher Nolan once again delivers, I’ll say this isn’t his best movie overall, but the man really knows how to make a movie! He’s been on such an incredible streak, that it’s hard not to justify that he is the best filmmaker working today. I expect a best director nomination at next years Oscars, and he’s probably the front-runner right now to win the award. This movie screams Oscars. I’m going to say best supporting actor, best director, best picture, sound editing, sound mixing, best cinematography, and best costumes are pretty much all locks for Oscar noms. I’m looking forward to coming back and seeing if I’m right or not. That’s the thing about Dunkirk; it’s just so well made, but has other serious flaws, that for me weigh it down.
The cast is unique, because well the lead of the movie (Fionn Whitehead) might have 10 lines of dialogue throughout the whole movie. Which suited his character, but again it was tough to get behind a guy, who doesn’t speak and we know little to nothing about him. Tom Hardy plays a badass jet fighter, and in classic Nolan form, covers up his entire face. Also what’s with Tom Hardy and not being able to understand ONE word he says? I swear he puts peanut butter inside his mouth before he speaks. So that was frustrating, but he does pull a serious Kramer on his jet’s gas tank, that thing just kept going! Mark Rylance will get the supporting actor nod, I just couldn’t see this movie without him, and they needed his character, as he added the much-needed humanity and hope aspect. I’m shocked guys, Harry Styles is a good actor people. Like he works really well in this. Nolan making him a pretty boy d-bag is a masterstroke of genius. He’s part of some of the best scenes in the movie and is involved in arguably the tensest moment of the film.
With a run time of only 106 minutes, this is go go go from the start. You really don’t have a chance to breathe, after the opening few minutes. I found that ironic, in the sense that about every 10 minutes we find soldiers fighting for their lives in water trying not to drown themselves. For myself, watching people drown in movies is insanely stressful and there’s a ton of it in Dunkirk. There’s music going on throughout the film, which adds to the suspense, and builds on tense moments, the use of sound is extraordinary. When planes are flying over the heads of shoulders, it’s so loud and so effective, you almost have the urge to look up yourself. That’s how you make a movie, that’s how you get the most out of the audience experience.
One thing I wanted more of was some historical context. I wanted to know more about why the British and the French were in this situation. They really didn’t dive deep on that, and maybe they were expecting everyone to already know the backstory, but I think it could have been really effective if they were to touch on it a bit more throughout the movie. This was a really huge event in human history; I felt they should have maybe touched on that just a little bit more. This was about 400,000 men trapped on a bench, with nowhere to go, planes flying overhead dropping bombs. They were helpless, they were hopeless, and you felt that, but for me, it just needed a little more gravity to it.
A spectacle is the best way to describe Dunkirk, you have to see it in IMAX, and it’s something that everyone should see. It’s why movies are made, and it’s the definition of movie making. It also can be described as an art house war movie because it’s just so different from anything that has come before it. It’s extremely powerful, and you feel the pressure, you feel the tension. I felt for every single man on that beach and you understand and realize pretty quickly just how bad they wanted off. I just wonder if our main hero ever got the chance to take his number two.
It’s official, rent a clowns are going out of business.
The words “here, take it” have never sounded so scary in the history of mankind. Bravo Warner Bros. because you hit a home run with IT. Seriously with each new trailer, this movie just keeps getting more and more impressive.
FINALLY heard Pennywise talk, and it’s just so good. I’m so happy they are taking him in a completely different direction. He looks so good and now that I’ve heard his voice I’m totally on board. Remember 6 months ago when his first image was released and people thought, that he wasn’t scary and this was going to be garbage. Well jokes on you people because this has all the makings to be one of the scariest movies of all time. I’m not even kidding when I say that, this thing is rated R, and the trailers haven’t shown really any Pennywise yet. When he’s standing behind Beverly Marsh in her room, I can’t help but laugh, because it’s simply covering up the fact that I was scared shitless. All the kids in this look fantastic, my god, props to the casting director because this wasn’t going to work if all the child leads were terrible.
Once again the trailers for IT exceed my expectations and I can’t wait to see the final product. This is shaping up to be the most anticipated non comic book, non StarWars movie of 2017. This will be one of the scariest movie ever created, everyone hates clowns, and if you don’t. You’re lying to yourself.
Iron Giant check, Freddy Kruger check, the DeLorean check.
Earlier this year, I picked up a little book called Ready Player One. I had heard great things about it, and was told that if you love pop culture, you will absolutely fall in love with this book. It took no more than 4 pages, and boom, a Ghostbusters reference and I was instantly hooked. The book was simply like nothing I had ever read before, and I flew through the book in a matter of days. The best books are the ones that really make you use your imagination in the grandest ways possible, and Ready Player One was the pinnacle of that. When I heard that it was being adapted into a movie and none other than Steven Spielberg himself was directing it, lets just say I was a little more than curious. This has all sorts of MinorityReport vibes, one of Spielberg’s greatest achievements to date. This was the perfect man for the job, because he’s a great world builder and that’s exactly what you needed when tackling Ready Player One.
When books you read get adapted into movies, it’s really cool and interesting to see how the directors vision differs from your imagination and how you saw things when reading the book. Spielberg’s vision of the OASIS is interesting and the trailer is beautiful. What he thought the world of OASIS and what I thought it looked like are two vastly different things, but that doesn’t mean anything. Everyones imagination is different, and I’m just excited for this incredible story to be told on the big screen, and by none other than the GOAT of directors. It’s a complicated story and the trailer really doesn’t give you much, it’s a trailer to get people intrigued about the movie and more importantly I feel like it’s some serious fan service. I don’t even really want to say anything about the story (but I will) because it’s truly unique and I think that if you are a geek, or just so happen to like movies and pop culture references you need to read this book. I know I’ll be reading this book again in the near future, to prep myself for the movie.
Along with a great director the movie has a really stellar cast, Tye Sheridan, T.J Miller, Simon Pegg, and Olivia Cooke are playing our heroes in the movie. With Ben Mendelssohn rounding out the cast playing the bad guy, a role he is all too familiar with these days. Oscar winner Mark Rylance is playing James Halliday, the inventor of the OASIS, the virtual reality environment that everyone goes to in the not so far future. The real short Coles notes for the book. A guy invents a virtual reality in the future, and when he dies, he hides all of his money which is astronomically high inside the game, and everyone is on a mission to be the first person to solves all the riddles and puzzles that will lead to his riches.
You know a trailer is pretty dope, when you have to watch it on your phone a few times and it still tickles your fancy. Been waiting a long time for the newest JusticeLeague trailer to drop, and it didn’t disappoint. Pretty much perfect if you ask me, and ever since the colossal disaster that was BvS & SuicideSquad, Warner Bros. and the DCEU have been turning this ship around.
First things first, the past few days, it’s been rumoured that my boy the Batfleck is leaving the cape and cowl. He’s got some serious personal problems, so at the end of the day, it’s just a movie and fans should understand if he wanted to step away. But today at San Dieg Comic Con, he nipped those claims in the butt himself and promised fans that he isn’t going anyway. That’s a huge sigh of relief for me anyways. He’s the best part of the DCEU, and it really needs him to stick around.
Back to the trailer, everything about it was really well done. I’m glad they didn’t show too much, or ruin any big surprises. Still no Superman, and they haven’t really shown off the villain Steppenwolf either. The less we know going into this movie the better. The Flash is hilarious, the little gag at the end of the trailer about everyone just vanishing was fantastic and it’s so true. He’s got a great sense of comedic timing, and will give the DCEU a much needed comedic boost. Aquaman continues to be a rock-star, he actually came on stage today at SDCC playing his trident like a guitar, so Jason Mamoa remains to be a beauty. Like he surfed on a Parademon, what more do you want from the man. Even Cyborg looked way better than he did in the first trailer. So hopefully that will shut some people up that were complaining about the CGI months ago.
Happy we got to see Alfred in this. He seems to be playing a vital role in the movie and well I’m going to come out and say this, he’s the best Alfred we’ve ever had. He didn’t nearly have enough screen time in BvS. His Penguin reference was also interesting, that’s two Batman villains the DCEU has teased now, with The Riddler and now The Penguin. Commissioner Gordon appears again, in what seems like his only scene of the movie, but it’s shaping up to be one hell of a scene.
Listen WB has a ton riding on this movie. But it feels and looks so much different than anything that has come before it. I mean that in the best way possible. I think Zack Synder and company really listened to fans and changed up not only the tone of the movie, but added in some colour as well. I’m sure we will get one last trailer in the up coming months, but I’m sold on this movie and I’m sure everyone else is too. Let’s just hope Ben Affleck isn’t pulling a fast one on us, because I need the Batfleck in my life.
You know the drill by now, here are episodes 42-23!!
42 – Trial. Season 3, Episode 12. Director: Dan Riba, Story: Paul Dini
So many of Batman’s villains, all in one place! Batman is on trial people, after the new district attorney feels that he is actually a burden on Gotham. He promotes more crime and ends up doing more harm than good. It’s really awesome seeing his entire rogues gallery interacting with one another, and almost working together. They all want one thing, to see Batman go down, but not before finding out his true identity. One thing about this episode is, it sort of feels rushed. Having all these great charters together, you could have maybe stretched this out to be a two-parter. A few episodes in this section suffer from that same fate. Joker playing the judge is actually hilarious, and it turns out that Batman is responsible for a lot of the villains in Gotham. I hope that the writers of The Batman live action take a few notes from this episode, seeing how they want a lot of his rogues gallery to appear in the up coming live action movie! Grade B
“I just wanna say, if there was no Batman, there’d be no Joker, and I’d have never met my Puddin’. Thank you, Batman.” – Harley Quinn
41 – Catwalk. Season 3, Episode 18. Director: Boyd Kirkland, Story: Paul Dini
Selina Kyle is bored, she’s got nothing going on in her life. No longer dressing up like a cat and robbing people, Catwoman is no longer a part of her life. Until the Ventriloquist wonders if she still had an itch to suit up. Well guess, she does. So when he asks her to steal something from Gotham socialite Veronica Vreeland, Scarface ends up double crossing her. When she’s stealing one thing, they are doing another job. I just love the interaction between these two villains, and I enjoy watching a vulnerable Catwoman, as she is trying to decide what’s the best life for her. It’s always interesting with the Ventriloquist, because when Scarface usually goes bye bye, it’s a weird and emotional bit. He’s just a puppet, but he’s more than that to his creator. Always found that intriguing. Grade B
“Now we’re gonna found out if there really is more than one way to skin a cat.” – Scarface
40 – What Is Reality? Season 2, Episode 20. Director: Dick Sebast, Story: Marty Isenberg
Another great Riddler story! This time he sends Gotham PD a nice little present. A virtual reality video game, and when the commish gets stuck inside, it’s up to Batman to save him. This is a fantastic episode and one that really showcases Riddler’s intellectual side and his passion for riddles. Watching Batman battle wits with The Riddler is always a pleasure to watch, people can forget just how smart Batman is, he’s more than just a brawler. I always thought this episode would make for a great live action bit, and would be a great way to showcase The Riddler on the big screen. With the Riddler Easter egg we got in BvS, he might show up sooner rather than later! Grade B
“Careful, vigilante, you know what they say. Curiosity killed the Bat”. – The Riddler
39 – The Strange Secret of Bruce Wayne. Season 2, Episode 9. Director: Frank Paur, Story: David Wise
Man, they really screwed the pooch on this one. This would have made the best two part episode, but instead, sadly they crammed it all into one. Dr. Hugo Strange has built a machine that sees people’s thoughts. When Bruce Wayne goes to visit, well the good doctor finds out his secret identity. I love Hugo Strange, he was so incredible in Batman: Arkham City, and he’s only ever in this one episode, which is another failure on its own. When he ransoms off the video tape to The Joker, Two-Face and the Penguin, they are licking their chops to get their hands on this tape. That’s right, these three villains are in this episode, together, sharing scenes and it’s great. Another reason why I felt that this episode was rushed. You can’t have these three guys come together for only 5 minutes, it’s just a tease. At one point Two-Face and Penguin pull out guns and the Joker pulls out flowers and it’s so funny. In the end, Batman is able to pull one over on Strange, in a really clever way. It’s just a shame we really only get one episode like this, honestly it’s one of my favourites. Grade B+
“That’s absurd! I know Bruce Wayne. If he’s Batman, I’m the King of England.” – Two-Face
38 – Sideshow. Season 3, Episode 10. Director: Boyd Kirkland, Story: Michael Reaves
The start of this episode!!! Croc on a train, chained up and the guards are laughing at him. Well until he tells them, that crocodiles have the strongest jaw and boom he’s free! Batman shows up and it’s pretty awesome how he hunts and tracks Croc through the woods, and well almost gets smashed by a giant rock (hopefully you get that reference). Croc stumbles across a band of misfit circus freaks, and they welcome him in with open arms. Obviously he lies about who he is and what he is doing in their neck of the woods. When Batman shows up, they think he’s the bad guy, until Croc shows his true colours. I remember this episode clear as day from my childhood, the fight on the water wheel at the end is something I’ll always remember from this show. It’s one of the very few episodes I actually remember watching as a child, so it holds a special place in my heart. Doesn’t hurt that it’s also a great episode. Grade B
“You said you could be yourself out here, remember? I guess that’s what I was doing. Being myself.” – Killer Croc
37 – Growing Pains. Season 4, Episode 8. Director: Atsuko Tanaka, Story: Paul Dini
The final appearance of Clay Face, is also his saddest episode. Such a troubled soul, and has some of the most emotional episodes this show has to offer. This is also a incredible character building episode for Tim Drake’s Robin. The run down is this, Robin meets a girl, who can’t seem to really remember to much about herself. Robin begins to develop feelings for her. But something is off with her, and he can’t seem to figure out what it is. She’s looking for someone, and her “father” is looking for her. Turns out it’s Clayface, and she’s just a part of him. When we last saw Clayface he fell into the water, but managed to create this girl to go off and find a cure. Robin is devastated when he finds out, that not only is she not real, that he can’t save her. It’s just really sad and emotional to see him find out that sometimes in life, things just don’t work out. The quote I attached to his episode sums it up perfectly. Batman knows all too well about being broken, and he can see the pain that Robin is going through, but he can’t do anything to ease his pain. One of the episodes I wish took place during the first three seasons. It’s a shame really.
“Sometimes there are no happy endings.” – Batman
36 – Sins of The Father. Season 4, Episode 2. Director: Curt Geda, Story: Rich Fogel
Tim Drake’s origin story. As we find ourselves without Dick Grayson being Batman’s sidekick. For the new Robin, they blended both Tim Drake and Jason Todd, both having unique characteristics, and compelling backstories. So the writers decided to go with the name Tim Drake, but he has parts of Jason Todd inside of him. When Tim’s dad goes missing and Two-Face is looking for him, Batman gets tangled up in this mess as well. I loved how they took a Batman villain and made him be a part of Robin’s origin. Am I fan of Robin being a little kid, absouletly not. It just made the show feel more childish, something I didn’t like about the revamp. But this is a great episode none the less, and one of the better episodes from the final season. Grade B
“Yeah, my dad used to work for old puke-face” Tim Drake
35 – On Leather Wings. Season 1, Episode 1. Director: Kevin Altieri, Story: Mitch Brian
There’s no better feeling, than when I put in season 1, disc 1, and the theme for ‘On Leather Wings’ starts playing. The start of the journey, and it’s a kick ass start. This is an all around fantastic episode. It certainly feels like the first episode also, with everyone out to get Batman, even Commissioner Gordon is unsure of the Cape Crusader at this point in the show. Harvey Dent is just the DA, and shows no signs of his alter ego, and even Batman feels like the new guy in town. I’ve always been a huge fan of the Man-Bat and they do him serious justice in his first episode. This is a rare episode that almost feels like it could be adaptive to live-action quite easily, just the way it looks and feels. It feels like such a classic Batman story, and there’s honestly no better way to start the show off. From Harvey and his S.W.A.T team attempting to take down Batman, from even the interactions between Batman and Alfred, I just love this episode so much. It’s honestly one of the Batman stories I’ll never forget. Grade B+
“I gather you’ve been reading, How to Make Friends and Influence People”. – Alfred
34 – Pretty Poison. Season 1, Episode 5. Director: Boyd Kirkland, Story: Paul Dini
Harvey, Harvey, Harvey Dent. Was totally getting it on with Poison Ivy!!! What a dirty dog. These are the little things I love about this show. Poison Ivy’s first appearance in the show and I just really love this episode. She’s pissed because well Bruce Wayne and Harvey Dent destroyed a ecosystem to make room for well a prison. A little ironic if you ask me. But when they did this, they destroyed a very rare plant. So rare that Poison Ivy now holds the remaining one and she’s used it to create a deadly toxin. When she kisses Harvey after a date, he slips into a coma, and it’s up to his pal Bruce/Batman to save him! A few things I love. It shows just how close Bruce and Harvey were before his “accident” and just how good of a person he truly was. The whole Poison Ivy kiss thing too, well that craptastic Batman&Robin movie totally stole that move! I always get a kick out of Bullock interrogating the chef and asking him what he put in the chocolate mousse. Batman also fights a giant Venus Fly Trap, and that’s totally badass! I was always a huge fan of Poison Ivy in this show, they portrayed her so well and this just happens to be her best episode. GradeB+
“Batman. A late night rendezvous? To what do I owe the honour?” – Poison Ivy
33 – Legends of The Dark Knight. Season 4, Episode 19. Director: Dan Riba, Story: Robert Goodman
Three different Batman stories in one episode! Different animation styles and voices! This is a very special and unique episode to say the least. It takes all sorts of different elelments from the 80s and the 50s, as we see kids telling their take on the Dark Knight. We they are confronted by Firefly, it’s up to Batman to stop him. My favourite part is by far the Dark Knight Returns part. Seeing how that’s one of the greatest Batman stories of all time. I love his fight with the Mutant Leader. And love the actual animated two part movie that came out a few years ago. They tried hard to make that happen in BvS, but that didn’t turn out too well. Grade B
“Batman! I call you coward! Come out and face your death like a man! I kill you! I eat your heart! I show you who rules Gotham City!” Mutant Leader
32 – Vendetta. Season 1, Episode 23. Director: Frank Paur, Story: Michael Reaves
Killer Croc’s first episode! And let me tell you, it’s a real doozy. I can never say enough good things about this character, especially when he’s done right. His appearances in the first three seasons are nothing short of spectacular, and well, they straight up RUINED him in the revamp. So Bullock has been framed for doing a lot of shady things, and no one seems to believe him. Until Batman gets on the case, and starts putting together the pieces to this puzzle. One thing I’ll never forget with this episode, will be the actual introduction to Croc. When Batman finds his underwater cave lair, which is so badass by the way, and hell of scary. When he appears from the water, it was actually really frightening as a child. He wasn’t always the brightest crayon in the box, but physically, he was always a lot for Batman to handle. This is another great Bullock episode, that deals with his past and how he just has so many enemies. That mixed with a great Croc story, makes for one hell of an episode. The fight in the sewer at the end, is one of the best action/fights, this show has to offer. This is the incarnation of Killer Croc I would love to see in live action, because I think it is simply perfect. Grade B+
“Terrific. Just what I need now. The freak job in the cape.” – Killer Croc
31 – Read My Lips. Season 3, Episode 8. Director: Boyd Kirkland, Story: Alan Burnett
Honestly, this show really waited a long time to introduce this awesome villain. I know, it’s a doll, I know the concept seems so stupid. But this show did this character right. This is such a fascinating and complex episode, and it’s such a shame it takes so long to introduce this guy. The Ventriloquist is actually quite the badass, and honestly one of the more impressive villains the show has to offer. He’s smart, has the best muscle, Rhino is the biggest goon this show has to offer. When Batman finally understands what is going on, it’s so cool for him to be kind of impressed with a bad guy, and Arnold’s ventriloquism skills. He’s the best he’s ever seen, and he was once trained by one of the greatest. It’s just such an interesting concept, the audience never really knows who is fully in control, is it Arnold Wesker or is it Scarface? When Batman uses some ventriloquism of his own, Scarface points a gun at Arnold’s head, when he thinks he is the rat among their group. It’s one of the most intense scenes, that ends with one of the more violent acts the show ever produces. Scarface gets riddled with bullets, and I know it’s just a doll, but it’s very violent and it symbolizes a ton. The back and forth between Scarface and his creator is incredible, and the vote acting is so perfect. It also has a very dark ending, with Arnold supposedly healed in prison, but when he is crafting another doll head, and stabs a knife into its wooden face, and starts dragging the knife down its face, makes for a very haunting moment. This episode really has everything I want in a Batman animated cartoon, it’s damn near perfect. Grade B+
“Now, Mr. Scarface, remember your blood pressure!” – Ventriloquist
30 – Time Out of Joint. Season 3, Episode 17. Director: Dan Riba, Story: Alan Burnett
Temple Fugate, what a name. Actually in Latin it means ‘time flies’ now that’s pretty neat. This should be a stupid, terrible, hilariously bad Batman villain, but guess what? He’s actually a smart, sophisticated and worthy opponent. Again, I can’t say this enough about certain characters, that just never got enough screen time in this show, and the Clock King is one of them. This is his second and last appearance in the show, and it’s a really fun and interesting episode. Time obsessed, Clock King is back on the scene, but this time, he literally has the power of time on his side. Stealing a device from a scientist, he is now able to manipulate time itself, and he is committing crimes using this very device. He’s full of hatred for Mayor Hill, but I’ll save that for his other episode! He wants to kill the Mayor this time around, and well, lets just say he wants him to go out with a bang. There’s an awesome part in this episode, where Clock King attaches one of these time devices to the bat-mobile, and Batman and Robin get stuck in time for a brief moment, and when they are able to break free a few days have past, and I just always thought that was really cool. Batman gets to show off his brains in this episode too, because well the show always did a great job, showing us that he’s more than just a brawler. I just never would have expected to enjoy this villain as much as I do, so I give tons of credit to the writing staff of this show, for making this guy interesting and giving us great stories, for who is honestly, a C level bad guy. Grade B+
“A trial run, and it went like clockwork!” – The Clock King
29 – Mudslide. Season 2, Episode 24. Director: Eric Radomski, Story: Alan Burnett
Its a shame he wasn’t in more episodes, but before the revamp apparently Clayface was super expensive to animate and thats why he wasn’t in more episodes. Sad episode, about love and wanting to be loved. Stella, who once worked with Hagen on set, is misguided and loves Matt Hagan, not Clayface. She knew him before the accident and even still watches his movies (creepy, right!) she wants him to return to normal so they can be together once more. A lot of movie and popular culture references in this one. Batman wants to help Clayface, but he’s deranged and insane, so he assumes the worst of him, but he wants to give him the same treatment the Stella is using. Always loved when Clayface absorbed Batman and tried to suffocate him to death, and when Batman bursts out of his body, it makes for an awesome moment. The ending is really sad, when Clayface falls to his apparent death, he was such a tortured character. It’s just a poetic episode, with a lot of meaning behind it, I’ve always had a soft spot for Clayface, he’s a fantastic character, I really loved his appearance in Arkham City, again he was used to perfection.He’s one of those villains that deep down you are somewhat rooting for. He never asked to be Clayface, and now he just wants to go back to his normal ways, he just has a misguided way of going about it. Grade B+
“Too late, curtains going down” – Clayface
28 – Perchance To Dream. Season 2, Episode 2. Director: Boyd Kirkland, Story: Laren Bright
Bruce Wayne vs. Batman! Honestly what more can a Batman fan ask for? This episode is a rollercoaster of emotion, with so much going on. Batman is in pursuit of a few petty criminals, and all of a sudden he sees a bright light. When he wakes up, well lets just say there are a few changes to his life. The biggest one being that well his parents are alive, and oh yeah, he’s no longer Batman. Shocked by this revelation, Bruce Wayne can’t really explain what is going on. He is thrilled to have his parents back in his life, but he is confused. When he goes to see Leslie Thompkins, she tells them that he has created an alternate reality, one in which he is Batman and his parents were murdered that fateful night. He’s even set to marry Selina Kyle, who is no longer Catwoman. Bruce couldn’t be happier with his new life, and he believes that his nightmare is finally over. Until he tries to read the newspaper and well can’t make out a single word. When he realizes he is in a fantasy world, and this is not real, he is full of rage and anger. When he discovers that Mad Hatter is behind all of this, because of how he ruined his chance with Alice, Bruce Wayne is so full of rage and anger he does the only thing he can do. He kills himself inside this dream world so he can awake in real time. This episode for me asks so many questions. What if his parents never died, would he still become Batman? What does he truly want out of his life? What makes him happiest, having his parents or being Batman and protecting people. But Batman decides he would rather have his parents be dead, then live in a world that is a lie, no matter how attractive that lie or dream may be. It’s a really powerful episode, that leaves Batman and Bruce Wayne searching for answers, and you realize just how much being Batman means to Bruce Wayne. Grade A-
“Oh, but it is! It’s a beautiful story! You have love, wealth, a family, all you ever wanted! Your own private Wonderland!” – Mad Hatter
27 – Bane. Season 3, Episode 19. Director: Kevin Altieri, Story: Mitch Brian
BANE!!!! Remember when they tried to make Bane cool in Batman & Robin? Remember how they failed miserably, but at the same time, they kind of had the right idea? Then The Dark Knight Rises came around, and they grounded the shit out of the character? Both time, they just couldn’t find a common medium for Bane, one of my all time favourite Batman villains. But you know who did? The creators and writers of this show, because in my personal opinion, Bane from BTAS is the best representation of the character outside the comic books. Sadly, like usual, he really only appears in one episode. Until the revamp and they change his look so much, that he kind of looks like a dominatrix. Bane shows up to Gotham, after Rupert Thorn pays him to kill the Bat. He wants to get his attention first, and there’s a great scene when he crosses paths with Killer Croc in the sewer, you don’t see anything go down, just the shadow of Bane becoming bigger after his venom injection. It’s a really great scene, but I would have loved to see, Batman’s two biggest physical foes go toe-to-toe. The way he looks, the way he talks, his accent is perfect, and for me, they made Bane the perfect size. He’s not so big, that it looks fake, and he’s not so small, that he doesn’t tower over Batman. They have a great fight scene, and there’s actually a pretty scary part when Bane chases down Robin. Can’t say enough good things about how they represented Bane in this show! Grade B+
“You can’t do this to me, I am invincible, I am Bane!” – Bane
26 – The Clock King. Season 1, Episode 25. Director: Kevin Altieri, Story: David Wise
The Clock King is back! This time around, it’s his origin story. See Temple Fugate was a simple man, and he kept a very strict schedule. One day he just so happens to be sitting beside the soon to be Mayor Hill. When Hill tells him to change up his schedule and not be so tight, Fugate listens. When that backfires on him, and he loses everything, he goes into hiding. Resurfacing as the Clock King, out for revenge on the Mayor. He’s such a simple villain, but like I said during his previous episode, he actually is a challenge for Batman. Time obsessed can really come in handy, and he just always knows what he is doing, and always seems to be one step ahead. The battle at the end between him and Batman, in Gothams clock tower is pretty awesome, and actually Kevin Conroy gives one of his best Batman war-cries during this encounter. I also really enjoy Batman having a great MacGyver moment, when he’s stuck inside the bank vault and somehow is able to escape using only a cassette tape, pretty awesome Batman moment. It seems like Fugate goes out like a boss, and crumbles with the tower itself, but we all know that’s not the case. One of the best origin episodes for any villain in this show, big fan of the Clock King! Grade B+
“The 9:15, is always 6 minutes early” – The Clock King
25 – His Silicon Soul. Season 3, Episode 7. Director: Boyd Kirkland, Story: Marty Isenberg
Imagine Batman mixed with The Terminator. Because that’s pretty much what this episode is about. Remember H.A.R.D.A.C? The giant computer that made robot copies of the important people of Gotham? Well right before it got blown sky-high, it made one last copy, of Batman. The start of this episode is pretty awesome, as we see some petty thugs inside a warehouse, where they are trying to steal some goods. When they come across a box and open it, it appears Batman has come to save the day. You don’t really know what’s going on because they make such good use of shadows and the lightning that’s occurring outside. But when Batman is shot, well turns out he’s a robot. There’s a pretty deep emotional message with this episode, see this robot Batman as programmed so well, that it thinks its real. It has memories, and feelings and knows people, but when Rossum tells him it’s only data, well he flips the hell out. It’s also been programmed so well, that just like the real Batman, it cannot take a life. It has a soul, so when Batman is fighting the robot Batman, and it appears the real Batman falls to his death, the robot is so disgusted with itself, it blows itself up essentially. All the robot wanted was to be human, but that was an impossible task, but it also couldn’t tell the difference between certain human emotions. Here’s a great interaction between Batman and the robot Batman. Grade A-
BD: Why do you resist? HARDAC’s goals are identical to your own.
Batman: How do you figure that?
BD: Picture a world completely free of crime, free of suffering, free of frailty.
Batman: You mean free of choice, compassion, free of humanity?
“Could it be it had a soul, Alfred? A soul of silicon, but a soul nonetheless.” Bruce Wayne
24 – The Cape and The Cowl Conspiracy. Season 2, Episode 3. Director: Frank Paur, Story: Elliot S. Maggin
For those of you, who are still reading, did I rank this episode way to high? I feel like people dislike this episode a lot, but I think it’s genius, and one that continues to grow on me. It’s got no great villain, none from his famous rogues gallery, but it just has a really great story, and Batman just being a straight up boss. So Wormwood is a guy who is pretty much Jigsaw from the Saw movies, except like not so extreme. He uses death traps to get information out of people, so when Batman is on his trail, Batman sets out on a mission to take this guy down. Wormwood has also been hired to get Batman’s cape and cowl from him. So there is a ton of back and forth between the two, and Wormwood actually ends up getting his cape and cowl. In a really awesome trap I might add. But here’s the kicker, the guy who hires Wormwood to get it, WAS FREAKING BATMAN HIMSELF. Talk about a mindfuck, am I right? Batman was playing him for a fool the entire time, and it’s just such a great reveal at the end, and then they even have a awesome fight involving workout equipment, which is cool. The cherry on top of the sundae is Batman mails Wormwood his cape and cowl when he’s locked up in Arkham, with a little riddle attached to it, freaking awesome stuff! Grade A
This is an episode I feel like people hate, but i think its genius and one of the greats.
Kind of like a toned down Jigsaw, less blood and death, more just fear of dying
“Alright. I’ll get you the Batman’s cape and cowl. That won’t be difficult. He is only human, after all.” – Wormwood
23 – Day of The Samurai. Season 2, Episode 16. Director: Bruce W. Timm, Story: Steve Perry
Without doubt, this episode has the most intense moment in the show. Bruce Wayne’s and Batman’s enemy Kyodai Ken is back and this time he means serious business. He’s pissed at what transpired the first time they had an encounter, so he sets off to find some legendary scroll, that teaches you “the death touch”. He kidnaps a student at the dojo that they once trained at, so Batman must travel overseas to help. The ending to this episode is just so incredible and that moment I talked about, well actually now that I think about it, it really has two of these moments. The first is when Ken successfully applies the death touch to Batman, and it appears that he has died, but then you realize that, well he’s Batman so that’s not going to happen. But as a kid, you are more than likely freaking out. Secondly, and I just love this moment so much, after Ken realizes Batman is okay, they fight some more, and well they are fighting on an active volcano, I know, so badass! When Ken is corner and standing on a rock with no where to go, Batman throws him a rope so he can jump across to safety, and this fucking guy just kicks the rope away like a boss and goes down with the ship. There’s no way he survives this, not a chance and it’s just so a real moment for a cartoon, and something that really sticks with me as a Batman fan. Batman could not save him, and that really crushes him, but Ken did not want to be saved, and it’s just the look on his face before he literally goes up in smoke, that makes you realize just how incredible this show truly way. Grade A
Ken goes out like a champ, but Batman feels like its another death that must rest on his shoulders. He feels the burden of his actions.
No surprise here, women can make incredible movies and it needs to happen more often. Wonder Woman is simply delightful.
Well it only took 75 years, but the world finally got a Wonder Woman movie and boy it didn’t disappoint. Wonder Woman has so many things to be proud of. It’s the first superhero movie with a female lead in almost a decade (but we really shouldn’t count Catwoman), it’s the first ever superhero film directed by a woman (Patty Jenkins) who is a goddamn rock star, and it’s the first movie to gross over 100 million dollars in its first weekend with a female director! It took awhile, longer than it should have and this was a momentous and important weekend for woman and their role in the film industry. Along with the fact, it’s the first funny, and overall one of the best DCEU movie to date, with a staggering 93% on Rotten Tomatoes and universally loved by critics and fans alike – this movie was a grand slam for Warner Bros. The financial and critical success is wonderful, it’s exactly what the DCEU needed, but it shouldn’t over shadow the significant cultural impact this movie will have on the world. Wonder Woman has breathed new life into the superhero genre and certainly into the universe where she comes from. After last years Batman v Superman when the world got introduced to Gal Gadot and her portrayal of Diana Prince, I honestly knew then and there that this was a casting decision made in heaven. I had a blast watching this movie and when I left the theatre I couldn’t stop thinking to myself, “why don’t more women get the opportunity to make great movies.”
First things first, THIS MOVIE IS COLOURFUL PEOPLE! Holy moly, I was blown away by the entire thing, but the DCEU is kind of known to be dark and very “doom and gloom.” This movie had that stuff in it, but so much more, and some of the colors, and visuals throughout WonderWoman are breathtaking. The movie opens up with a young Diana Prince (Gal Gadot) in Themyscira as she watches over the other Amazonian warriors train, and she is mimicking their movements, she is determined to be the greatest warrior ever. When her mother Hippolyta (Connie Nielsen) forbids her from becoming the warrior princess she wants to be so badly, it’s up to her Aunt Antiope the fiercest Amazonian ever (Robin Wright) to secretly train her. Themyscira looks stunning, it has a real Troy vibe to it, dealing with the Greek Mythology background. The set pieces and on set locations are terrific and the first action sequence takes place on a beach and it’s epic. Robin Wright steals the show during this scene, showing an acting side we’ve never seen before. She also has one of the coolest moments on the movie during this scene where she shoots three arrows at once, at three different German soldiers. Before this epic battle, we have our male hero, Colonel Steve Trevor (Chris Pine) crash land in the waters of Themyscira. Now this place was hidden from the outside world, but not anymore, and the Amazonian’s are in fear, that everything they love and protect could be in danger. When Steve Trevor tells them exactly what’s going on in the outside world, that the ‘war, to end all wars” is going on, Diana feels the need to help. I should mention that the reason why they have been hiding all this time is due to the God of War himself, Ares. Now with this war going on, they believe it’s Ares behind it, and he needs to be stopped. I just want to talk about Chris Pine for a second here, and just how good he was in this movie. Without a doubt, this has the best love interest/relationship I think I’ve seen in a superhero movie. The chemistry between Gal and Chris was incredible, and even though this was a war movie, it had a lot of rom-com feels to it, and they played off one another extremely well. There are a few scenes that feel like they are straight out of a rom-com and when I say that, I mean the best of what a rom-com has to offer. The last scene of the movie between these two characters was so well done, and so brilliant and just nothing seemed forced between these two. You know that they will fall in love, but it’s really special how they go about doing it. These movies always have a love interest who is always finding themselves getting into trouble and need to be saved or it’s just cheesy and doesn’t really make sense, but with Chris Pine’s character none of that happens, and he’s a big part of the movie, he’s almost the driving force for the whole thing. So shout out to Chris Pine, who just continues to give really good performances, and I hope he returns to the DCEU.
So when Diana decides she is the only one who can stop Ares, she leaves with Colonel Trevor and heads for jolly old London. This is where the movie really opens up, and we get to see the side of Diana that’s very naive and innocent. One of the things the movie does so well, and Patty Jenkins did such an amazing job, at capturing the spirit and essence of the character. Diana is such a strong, independent and passionate woman, but now that she’s in the real world, she quickly realizes just how little women are appreciated or respected. She just wants to explore the world, and she loves the simplest things. There are a few great moments, one involving a baby and she just falls in love immediately, and another is actually taken from one of the animated movies, where she eats ice cream for the first time and her reaction is priceless. It makes sense, imagine going your whole life without ice cream and just think of what your reaction would be. It was just little things, and little moments like this, that truly made this movie special. Gal Gadot was born to play this role, and I know she might not be the greatest actress working in Hollywood today, but she owned this role, and has come a long way in such a short period of time. Usually when people get casted as a superhero, you spend some of the movie thinking if someone else could do better or someone that is more suited to play the character. That never happened once for me, at times, I felt like Gadot was ripped straight from the pages of a Wonder Woman comic book. Zack Snyder has really casted the DCEU perfectly, when you think about it. She owned this movie, and I really hope that puts all the haters and doubters of Gal to sleep, because she really gave it her all and it showed in her performance.
Once they arrive in London, they meet Sir Patrick Morgan/Ares (Professor Lupin!), and three of Trevor’s running mates, Charlie (Ewen Brenner), Sameer (Said Taghamoui) and Chief (Eugene Brave Rock). We also get to meet Steve’s secretary, Etta Candy (Lucy Davis) who was really funny in her role. From the little screen time she had, she did the best with it. She makes a routine shopping trip, into one of the funniest scenes in the movie. All the side characters work in Wonder Woman, just another reason why this movie worked so well. Honestly they all had something to do, and they are given just enough background and development that you end up caring about them. So when all of them arrive at the front lines of the war, known, as “No Man’s Land” which I thought was clever and smart. Diana wants to stay and help, but Steve insists they keep going, and that no man has ever crossed these lines and made it back alive. She tells him that ‘she’s no man’ and we have the best moment of the movie. When she walks out of the trenches in her Wonder Woman outfit, I had some goose bumps. This is where the colors of her suit shine and it’s just a really beautiful moment. Which leads into one of the best action sequences, it’s Wonder Woman’s warehouse scene (from BvS). Not only that, but from this scene I got a little Saving Private Ryan vibe, and whenever you can compare a movie to that one, well you’re only singing praises at that point. The whole second action sequence is something I will want to watch over and over again, it’s perfectly done, and they really show off just what Diana can do in combat. I loved how the lasso of truth looked, and how she used it throughout the movie.
With every great hero comes a villain, and in Wonder Woman we get a few bad guys. Not the greatest of villains but they were okay. Danny Hutson plays Erich Ludendorff; he’s a German general who does not want to see the war end. I got a Red Skull comparison in mind from Captain America, and he was hopped up on some sort of gas the entire time, but his character felt a little stale to me. His sidekick was actually a side chick, a chemist, Doctor Poison (Elena Anaya) who is creating some horrible toxic gas, which looks to end the war and kill millions of people. I actually really liked this character, I just think they didn’t fully utilize her, and she had some layers to her, and I wish they had explored her just a little bit more. It’s really hard to have a great villain these days, but they all did the trick. Now for Ares. He was okay, but he comes at the end of the movie, and really my only problem with this entire thing was the ending. Wonder Woman was doing such a great job at not being like every other superhero movie, and then it becomes just like every other superhero movie in the end. You know, the big CGI-filled fight scene with the big bad guy at the end. They didn’t need to do that, I understand why they did, but they had something really special going on, and it just takes you out of the movie. I also just found the fight scene to be really dark, and I had a hard time figuring out what exactly was going on. Honestly though, that was really my only nitpick of the entire thing.
A lot of movies in the past few months have been very forgetful, and I don’t really think about them too much a few days after I have seen them. This isn’t the case for Wonder Woman. I’m just amazed how this thing turned out; obviously going into it I had my doubts. The DCEU hasn’t been on the best of tracks lately, and the last movie they released was Suicide Squad, and well I’m just not going to go there. Gal Gadot and Chris Pine did their thing, they were the stars of the movie, but Patty Jenkins needs to get a lot of credit for this. I really hope executives from movie studios take note, and start to let women direct bigger budget movies. I just felt happy the entire time watching it, there are so many laughs and great moments throughout the movie, and I’m just really happy for her, because this is a really big deal, and I hope people can understand that. This isn’t like a top 5-superhero movie, but it’s the second best DCEU movie, but I have a feeling I will end up liking this more than Man of Steel in the long run, but it’s just a really good/well made movie. Wonder Woman is such an incredible character with great morals, and values and I’m glad that we finally got to see all this on the big screen. I don’t know if she becomes the driving force of the DCEU going forward, or can be the Captain America for the Justice League. I know I’m much more excited for the Justice League movie now, I just hope they can continue with this great momentum they have built. All I’m going to say, is this movie is way above average.
Also I’m fan casting Sofia Boutella as Cheetah for Wonder Woman 2.
Maybe. Maybe not. When you look into the abyss, the aybss looks back through you.
The dork knight is back! We have gone through the worst of the worst (in my opinion) of everyones favourite superhero cartoon! The bottom 20 episodes are out of the way and now it’s time to keep this party going! Things are going to get a little bit tougher from here on out for me. This is the grey area where certain episodes could almost land anywhere on my list. I think from here on out, I like every single episode I’m about to rank, but they all can’t be winners now can they, somebody has to be towards the bottom. So without further adieu here are numbers 82-63!
82 -Girls Night Out. Season 4, Episode 20. Director: Curt Geda, Story: Hilary J Bader
So heres a bad idea, lets not put Batman in an episode of BATMAN THE ANIMATED SERIES!! I’m not saying he needs to be in every episode, I’m just saying I would have liked to see him interact with Supergirl. The only episode where we really get the “shared universe” experience and Batman isn’t even around. Kind of a kiddy episode, where Supergirl comes to Gotham to help out Batgirl, after Livewire wreaks some havoc on the city, and semi-teams up with Poison Ivy and Harley Quinn. I feel like this should be lower on my list, because I just don’t think it’s a great episode, I merely ranked it higher, due to the coolness factor or Supergirl being in it, and this being the first episode that we really got the idea of a larger universe. Grade D
“Sure. How hard can it be? Two against one, right?” – Supergirl
81 – Eternal Youth. Season 2, Episode 1. Director: Kevin Altieri, Story: Beth Bernstein
So Poison Ivy turns people into trees……..I can’t even make this stuff up sometimes. She gets all pissy, about some of Gotham’s elite hurting the environment, so she invites them to her “spa” called Eternal Youth, where she feeds them, makes them bathe in this chemical and ultimately sprays them, so they turn into helpless trees. Lucky for Bruce Wayne he ditches the spa retreat but sends Alfred and his friend Maggie instead. They leave the spa, but feel the urge to go back, and when they do, poor Alfie and Maggie get turned into trees. Batman comes and saves the day! This episode isn’t as bad as the premise might suggest, I enjoy episodes that focus a little more on Alfred, because I think BTAS does a fantastic job at portraying the character, and the voice acting is mere perfect. Poison Ivy is so great before the revamp, but I can’t stand her look afterwards, so I can’t even imagine how I would feel about this episode if it came during season 4, it’s the stuff nightmares are made of. Grade C-
“Of course, I have the patience of a redwood.” – Poison Ivy
80 – The Terrible Trio. Season 3, Episode 15. Director: Frank Paur, Story: Alan Burnett
MAAAAN. I have a big love/hate relationship with this episode. I have a feeling people HATE this one. I almost wanted to rank it much higher, I don’t know what it is. The more times I watch the terrible trio, the more I like it. Simply put, three rich brats have done it all in life. So they decide to turn to a life of crime, just for the fun of it, and guess what – they are good at it! Masters of land, sea and air, these guys are friends of Bruce Wayne (shocker!!!) and when things get a little personal, a few of this trio, might start to think they bit off a little more than they can chew. It’s also hilarious how easily it is for Batman to take these clowns down, always makes me laugh! Grade C+
“Because we were good at it!” – Warren Lawford
79 – Terror In The Sky. Season 2, Episode 17. Director: Boyd Kirkland Story: Steve Perry
The Man-Bats back and there’s going to be trouble! Well I guess Woman-Bat, they never really address that situation. I’m a huge fan of this villain and it’s a damn shame he/she are only in two episodes. I’ve always wanted to see this character on the big screen, because even though it’s kind of a B-villain, I just think it would look incredible in live action. So this time it’s Dr. Langstrom’ wife who gets infected and his terrorizing Gotham. Even Batman has a hard time figuring out who this bat is. The biggest downfall for this episode is simply it’s just not as good as the original Man-Bat episode, and it’s not even close, that’s my reasoning for my ranking. Grade C-
“Is this what it’s going to take? Your daughter’s life, before you end this insanity?” – Batman
78 – The Mechanic. Season 2, Episode 27. Director: Kevin Altieri Story: Laren Bright
This is a weird episode. It’s like not bad, but I’ve seen it before, in Batman Returns and it’s way better in live action. So the batmobile gets smashed to shit no thanks to The Penguin, so Batman needs to repair his precious ride. Penguin gets some inside information from a cars part dealer, so he decides to hunt down Batman’s mechanic and sabotage the batmobile. I like the backstory of how Batman and his mechanic came to be, it shows that he enjoys helping out people with big hearts. But it’s like I said, we’ve seen this already, so it’s hard for me to really enjoy this episode. I’ll admit, the first ever batmobile that they show, is so terrible and hilarious and I refuse to believe billionaire Bruce Wayne would ride around in such a piece of crap. Seriously it’s god awful. Grade C-
(See’s the damaged car) “You been letting the kid drive again?” – Earl Cooper
77 – Jokers Wild. Season 2, Episode 13. Director: Boyd Kirkland Story: Paul Dini
Boy, does the Joker ever make it seem easy to escape from Arkham. He does it with so little effort in this episode, that I wonder how he even spends anytime in that place. It’s actually funny, just how terrible the security is, for a place holding the worlds craziest villains. So Cameron Kaiser opens a new casino, and he calls it “Jokers Wild” and well Mr. J isn’t too happy about this, so that’s why he breaks out, so he can go teach this guy a lesson. Here’s the thing, that’s exactly what the guy wants. Talk about a serious mind fuck, but the guy sunk so much money into opening the casino, that he’s broke. So he figures that if he builds it, with a joker theme. The clown prince of crime is bound to show up and destroy the place. Therefore he will collect all the insurance money. Smart guy, but Batman is on to this little scheme and kind of works with The Joker to make sure that doesn’t happen. In the end, Mr J goes back to jail and hopefully they kept him there for more than a few days. Overall not a terrible episode, just not one of the strongest Joker stories. I feel like out of the 20 I’m about to rank, this could end up being the one that is the most mis-ranked. Grade C
“Jumpin’ Jimmy Christmas! It’s a homage to me! I’m kind of sorry I have to blow it up!” – The Joker
76 – Be A Clown. Season 1, Episode 9. Director: Frank Paur Story: Ted Pedersen
The Joker is a clown, and in this one, he pretends to be a clown…….Maybe this should be lower on the list. Now that I’m thinking about this episode, there really isn’t any good stuff to talk about. Mayor Hill is throwing a birthday party for his son. His son wants to be the next great magician, and well Daddy isn’t having any of that nonsense. He bashes Joker on the news, so he decides it’s time to teach him a lesson and plans to bring a pretty big party favour, – a bomb. Of course Bruce Wayne is at the party and saves the day, but not before the mayors son hitches a ride with Joker, obviously not realizing it’s him. Again, just not a great Joker story, there’s a decent part where he traps Batman in a tank full of water, but it’s Batman, of course he gets out!! They fight on a rollercoaster, which is pretty cool I guess, because actually sometimes Joker can go toe-to-toe with Batman, that guy can actually throw some haymakers. Also you know you’re a sick and twisted bastard when you want to go blow up a bunch of kids at a birthday party, man Joker really needed more hugs in his life when he was a child. Grade C
“They don’t make straightjackets like they used to. I should know.” – The Joker
75 – Batgirl Returns. Season 3, Episode 29. Director: Dan Riba Story: Michael Reaves
THIS EPISODE MAKES ME MAD ALRIGHT? This is the very last episode before the animation revamp and it doesn’t even have Batman in it. You heard me, the last episode with the perfect animation and style doesn’t even feature our guy. And guess what? It’s not even a great episode. It also is the last episode before they ruined Batgirl, she sucks in the revamp, THERE I SAID IT! She teams up with Catwoman and Robin and it’s just not a great episode, trying to take down Roland Dagget, who’s finally back and then is gone, vanishes like a fart in the wind. I get so sad everytime I get to the last episode of season 3, because it’s this episode and I know I have to deal with season 4 afterwards. So maybe I’m letting that cloud my judgement, but it’s just not the best episode. I loved Batgirl during season 3, she was almost perfect and again she’s just ruined in season 4, they change her voice and the way she looks and it’s just really upsetting to me. This episode is just really bittersweet. Actually wait, the opening scene of this episode is so incredible, that it makes what follows even worse. I just wish that would of actually been the climax of this one, instead of some fantasy dream of Batgirls. Grade C+
“Bats are just mice with wings, little girl” – Catwoman
74 – P.O.V. Season 1, Episode 7. Director: Kevin Altieri, Story: Mitch Brian
This episode is about a sting gone wrong, and three different stories from three different GCPD officers. Detective Harvey Bullock, Renee Montoya and “Wilkes.” Another character created for the show, Renee Montoya (created by Mitch Brian and Bruce Timm), another foil and thorn in the side of Harvey Bullock and another alley for our Batman. She’s a good cop, who thinks Batman is doing good, and wants to help anyway she can. This is kind of the first episode where you see just how Shady Bullock can be, he’s lying to cover his own ass in this episode. Where all three stories aren’t lying up properly, and Commissioner Gordon doesn’t know who to believe. One of the great things about this show, was its understanding of the need for strong female characters, and Montoya is just that. She’s a strong and brave character and they build her character and her story throughout the series. Overall its a pretty good episode, but we are getting to the point where maybe tomorrow I would rank it 20 spots higher, maybe it’s just the mood I’m in..Grade C
“Freeze maggots, you’re all under arrest!” – Harvey Bullock
73 – The Forgotten. Season 1, Episode 8. Director: Boyd Kirkland, Story: Jules Dennis
Am I the only one who thinks that piece of cartoon chicken looks delicious? Maybe I should have ranked this episode higher because of it. Also I happen to think this man has style, but thats not the purpose of this list now is it! Homeless people are disappearing and the shelter Bruce Wayne volunteers at, even some of its employees have gone missing. So while investigating and going undercover, BOOM! He gets knocked on the head pretty good, and when he recovers, he’s got a case of old bat brain, or well amnesia. See this fat guy up here in this photo is taking them and making them mine for gold. While trying to get his memory back, he meets a few guys, one who happens to work at the same soup kitchen he volunteers at, and still he can’t remember a thing. He can still kick all sorts of ass, but it’s not until a he hears the word “family” when everything comes rushing back. I will admit, this episode has a classic scene in it. When Alfred is flying the Batwing, and he wants it to land, but it’s refusing to, is some of the funniest stuff from the entire show. Batman shows up, saves the day and everyone at the camp, and even gives those two guys proper jobs at Wayne Enterprises. I love happy endings! Grade C
“Land you bucket of bolts!” – Alfred
72 – I’ve Got Batman In My Basement. Season 1, Episode 13. Director: Frank Paur, Story: Sam Graham
Why do I have a funny feeling that everyone hates this episode. You know what. I kind of like it! Wouldn’t it be cool to have Batman hanging out in your basement. Fight he Penguin and drive the batmobile. These are all things I wanted when I was a kid, hell still do today! So Penguin steals a rare jewel and this two kids who want to be detectives happen to stumble upon this. Batman shows up, and he gets gassed, so it’s up to the kids to save the day. They bring Batman home and stash him in their basement. I enjoy this episode, it’s awesome when the kids get their hands on some of Batman’s stuff and fight off Penguin and some of his thugs. I’ve always thought Penguin was done so well in this series, he’s the kind of Penguin I want to see Josh Gad tackle in The Batman! I’m team Josh Gad everyone!!! Grade C-
“Say, Batman, you wouldn’t happen to be single, would you?” – Sherman.
71 – Avatar. Season 3, Episode 13. Director: Kevin Altieri, Story: Michael Reaves
Batman gets bit by a poisonous snake and takes it like a champ!!! That utility belt, it really does have everything. A mystic Egyptian scroll is stolen by Ra’s Al Ghul from a Gotham museum. Ra’s wants to hunt down a sorceress and bring her back to her glory days. See he’s been searching for her, for a very long time. When he arrives, he doesn’t realize what he has unleashed, and she sucks the life from him. It’s up the Batman to stop her, with a little help from his beloved Talia. I like this episode until the end, there’s like this green goo that tries to kill everyone and it’s just super weird. Again after his first appearance, every episode that follows with Ra’s Al Ghul is kind of a letdown, but I will admit, it is pretty awesome when Batman saves Ubu’s life. He is so rattled, yet so grateful, that it makes for a really great scene. Grade C
“You sound like a bad afternoon serial, Ra’s.” – Batman
70 – The Ultimate Thrill. Season 4, Episode 11. Director: Dan Riba, Story: Hilary J. Bader
Okay, I know it’s a cartoon, but this chick was all sorts of horny in this episode! It’s kind of weird, I’m not going to lie to you people, and her name is Roxy Rocket, LIKE COME ON! Once the best stuntwoman in the movie business, Roxanne got board, so she turned to a life of crime, with a twist. She loves adrenaline more than life itself, so all of her crimes are crazy and that’s how she is able to pull them off. Working for Penguin, she soon realizes that maybe she’s not in it for the crime, but rather just the adrenaline itself. This was the first time I ever watched this episode, and I enjoyed it, maybe that’s why its not towards the bottom of the list. It’s nothing special, but when it comes to season 4, there really aren’t too many great episodes to choose from. Grade C-
“You missed your calling, Batman. You should have been in the movies!” – Roxy Rocket
The last episode ever……It features this guy above……..So many emotions, so many problems, just so many questions. REALLY??? That’s how you wanted to end the show, the worst part about season 4, is there is no final episode, no wrapping everything up nicely, NOTHING! Kind of sad, actually it’s really sad. Like being dumped on your birthday sad. So “The Judge” is going around Gotham and dealing his own type of justice to Batman’s rouges gallery. Turns out that this is just Two-Face! He’s some how developed a third personality, and this is him! So he doesn’t know what’s going on, and man does Harvey really have some deep rooted issues. I liked the Judge, don’t get me wrong here, he’s cool and I kind of liked the idea of Two-Face becoming Three-Face, or maybe Tri-Face, either or, I’m in! But the fact that when you pop in season 4, and this is the last episode you watch, it kind of makes season 4 that much more frustrating. I remember the first time I watched this episode, I actually didn’t know who it was going to be, I thought it was probably Joker, but they really pull one over on you! He carries a sword, so he’s kind of a badass! Also, quick rant. I’m pretty sure this episode features the only dialogue from The Riddler in season 4. Can you believe they went 24 episodes and didn’t give that guy one freakin’ episode! What a joke, and he looks awful, he looks like a Conehead…. Grade C
“Hey, diddle diddle, time for a riddle” – The Riddler
68 – Off Balance. Season 2, Episode 22. Director: Kevin Altieri, Story: Len Wein
The introduction to the Al Ghul family!! So Count Vertigo is on the loose, and he’s got some crazy eye piece that makes everyone lose their balance. He steals some important sonic drill, and when Batman goes to investigate he mights some of the Secret Shadow gang, and quickly realizes there is more at play here. There he meets Talia, who actually is the first person in the show to discover Bruce Wayne is Batman, when she needs to take off his mask to clean his wounds. There’s such a great scene in this episode, where Batman and Talia have to walk across a room full of traps, while they are “off balance” and when they reach the other end without a scratch. Talia asks how they did it, and Batman simply tells her, he closed his eyes! Such a badass Batman moment, he let his other senses do all the work, what a genius. In the end Talia turns on Batman, shocker, only to find that Batman had destroyed the drill without her knowing. The ending is pretty cool too, because they set up Ra’s Al Ghul! Grade C+
“One of these days, I’m going to nail his feet to the ground” – Commissioner Gordon
67 – Holiday Knights. Season 4, Episode 1. Director: Dan Riba, Story: Paul Dini
Three Christmas stories in one episode! So we got Clayface running around a mall, and this is by far the worst of the three stories, so I’m not going to talk about it, really that’s all it is. Clayface makes a bunch of kids and has them shoplift, what a waste of 7 minutes. Next is the best, Ivy and Harley team up once more, and this time they take Bruce Wayne and his credit cards hostage. It’s actually a really funny bit, they even think they kill him at one point when they anciently make Bruce Wayne fall down an elevator shaft. They seem sad at first, but realize who they are. Lastly is Joker is going to drop a bomb when the clock strikes midnight on NYE, but not before Batman and Robin can foil his plans. It’s an alright bit, actually this is the first episode of the revamp and they show blood, which they never did before, so I was thrown off the first time watching it. But the best part and one of the best scenes really in the whole show comes at the very end. Batman and Commission Gordon meet for coffee every year after the new year rings in. They sit have a cup of coffee and wish each safety for the next year and hope they will be in the same place a year from now. Batman always bails early, but always pays. What a guy! It’s actually a really touching scene and makes you realize the friendship between these two men, but this one scene alone can’t make it go higher on my list. You can thank the Clayface part for that!
“Oh my God, oh my God, oh my God! We-we killed him!… Oh well.” Harley Quinn
66 – Make Em Laugh. Season 3, Episode 27. Director: Boyd Kirkland, Story: Paul Dini
Introducing some of Batman’s greatest rogues ever!!! My personal favourite villain of all time, in movies, comics or video games. The Condiment King!!! Kidding guys, but he’s actually pretty jokes, and uses all sorts of food puns, and who doesn’t like a good mustard pun every once and awhile. All Joker wants is to be a funny guy, and when he gets tossed from the Comedians competition, he seeks revenge on the judges. So he steals some microchips from Mad Hatter, and makes these famous comedians commit crazy crimes, and that’s how we get introduced to some of the weirdest villains ever. I don’t know if the year prior, the Joker was in costume or not, and I would love to know if this is part of his origin story kind of. They never really tell you, and that kind of pisses me off! Robin also gets spanked by one of the judges turned bad, and it’s a sight for sore eyes. They really should have put Condiment King in the new Injustice video game! Grade C+
“Now listen Mustard Man, or whatever you call yourself!” – Batman
65 – Joker’s Millions. Season 4, Episode 7. Director: Dan Riba, Story: Paul Dini
So one of Joker’s arch-rivals dies and leaves his entire fortune of 250 million dollars to him. Joker was broke, he had nothing, he even fired Harley Quinn, and when he gets this money and is the happiest guy in Gotham. King Barlowe the man who gave him all this money, well lets just say he got the last laugh on old Mr. J. See most of the money was fake, so now the Joker is in even more trouble, and he’s super pissed. At one point he holds auditions for a new Harley and it’s pretty damn funny. He hires some air head girl who turns out to be a real dud. I feel like this is a well respected episode and people really like it. For me, it just gets a mehhhhh. The new Harley bit is hilarious, but other than that there really isn’t too much to say when it comes to Joker’s Millions.
“I may be crazy enough to take on Batman, but the IRS? No thank you!” – Joker
Guess what? This episode isn’t that good at all! Guess what again? I happen to really like the villain FireFly, so that’s why I have it so high on my list! The pyro-maniac Garfield Lynns is super pissed about being dumped by his rockstar girlfriend Cassidy. So he decides, hey I’m just going to set you on fire and watch you burn. What a psycho!!! It’s a bad breakup episode, but with fire! Maybe if Maury came on the show, this could have been easily resolved, and you know, without fire and a crazy person. I like FireFly, he’s a unique bad guy, and I really enjoy him in the Arkham games and maybe that is clouding my judgment a bit when it comes to this episode. But another awesome thing with this episode, is we get to see a pretty kickass batsuit at the end of it. So he can take on FireFly, something we never get to see again in the show! So when I really think about it, it’s all not that bad, because that suit is straight fire. Grade C+
“Hey! You’re the expert on burning people, you little tramp!” Garfield Lynns
63 – Paging The Crime Doctor. Season 2, Episode 25. Director: Frank Paur, Story: Mike W. Barr
So Rupert Thorn is kind of fat right? He decides to have himself a little heart attack, and lucky for him, his brother is a doctor. Well used to be, still kind of is I guess. See his brother Matthew Thorn, once was a great doctor but he got his medical license revoked and now is known as the “crime doctor.” He deals with shady people, and criminals and mostly people involved with his brother Rupert, but Matthew can’t do the surgery alone, so he turns to an old friend, Leslie Thompkins. She wants no part in helping, but she must, and when Matthew finds out after the surgery is successful, Rupert planned on having her killed, even he won’t let that happen. Batman is around too, he finds out she’s missing and goes to search for her. You see Matthew is connect to Batman, because he actually went to medical school is Thomas Wayne. This episode does something so special in the last scene. It has one of the best emotional moments in the entire series, everything about it, it’s just perfect. After everything is settled, Bruce Wayne goes to help and talk with Matthew Thorn, and asks him for a favour. Matthew takes this the wrong way and think he wants money, but instead Bruce tells him, he simply wants to know more about his father. He just wants him to tell him what his father is like. The animation of Bruce’s face and you can hear the pain in his voice, Kevin Conroy is brilliant in this scene, all he ever wants is to know as much as he can about his parents. It really is a beautiful moment in Batman mythos, well for me at least. I feel like the more I watch this episode, the more I will come to appreciate all of it and just not that incredible ending. Grade B-
“Your father, God rest him, he called you stubborn from the day you were born. Always used to say you had a hard head. He didn’t know the half of it” – Leslie Thompkins
Another 20 is in the books folks! We are getting there, slowly but surely! Hopefully have part 3 done sometime early next week! Again feel free to comment below on anything I might have missed or if you care to discuss your favourite episodes!
There’s no way this isn’t the movie of the summer right?
Okay, first things first. I want all of you to just take a minute. Get down and your knees and say a little prayer to the movie gods, and thank them for having Matt Freakin’ Reeves directing The Batman! Can you believe that, he’s going to tackle the Dark Knight and after watching this trailer I had to wipe the drool off my lip.
Everything about this trailer was just incredible. The visuals are insane, what this team of directors and producers have managed to accomplish with motion capture is revolutionary for the film industry. I just can’t get over how fantastic the apes look, everything just feels so real. You always forget that these are people acting out the apes, but movie technology has come so far in the last little bit, that you sometimes forget these things.
I think this is going to be the last movie, at least this movie will be the end of Caesar’s story. From the looks of it at least, which I’m okay with, he’s been such a great movie character. This has potential to be one of the all time great movie trilogies, and I even think these movies are not underrated, but I don’t think as many people have seen them, that should have. Maybe they just think of the Tim Burton version and say I’ll pass, and I don’t blame them, but these are a must watch for any movie fan.
I’m curious to know what exactly the story is going to be. It seems we have apes fighting along side humans fighting apes, and that seems a little strange to me. So I want to know how that comes to be! Woody Harrelson looks like he will make a kick-ass foil to Andy Serkis’s Caesar.
Just with the tone and style and everything that’s going on, I just know Matt Reeves is the perfect man to direct the next Batman movie. There are even parts in this trailer where it kind of feels like a Batman movie. It’s so doom and gloomy and I think he’s going to nail the look and feel of Gotham City to perfection. Him and Batfleck are going to make for a great dynamic duo.
After this final trailer, I can officially say that I’m most excited too see this movie in the next few months. I really hope it turns out to be everything I want it to be.
So I guess I should watch the original Blade Runner now.
Wow, wow, wow. This movie trailer is simply breathtaking. After the smash hit Arrival last year, Denis Villeneuve he’s back in the director chair for the follow up the the massive hit Blade Runner. Right away I’m going to say that I really don’t know anything about Blade Runner, it’s a movie I feel ashamed for not have seeing yet. I will be getting around to sometime in the near future. I know it’s one of the most respected science fiction movies ever made.
Everything in this trailer is just gorgeous, Villeneuve makes some of the most boring landscapes pop and every frame seems to be packed full of fantastic colours and backgrounds. So I’m not so sure what this movie is about, but they are bringing back it’s original star Harrison Ford. Who seemed to play some sort of cop and now Ryan Gosling has come along and needs his help. Ryan Gosling back at it, doing his thing. You know not saying a whole lot, but doing most of his acting through his facial expressions. Jared Leto looks creepy as hell, who appears to be the films villain. Coming off his Joker role, he is well suited to be the baddie in another blockbuster.
I honestly think I’m going to watch the original and I could care less if I didn’t see another thing for this. I’m sold, I will be there opening night. It’s hard for movies to do that these days, with trailers being rolled out every few months. So kudos to their marketing team for already getting me in a seat, that’s a hard thing to do from just one full trailer. Harrison, Leto and Gosling seem to be a trio movie match made from heaven.
Fanboys unite, Marvel’s ex godfather is potentially jumping ship, and he’s being eyed to helm a Batgirl movie.
A news report from Variety today has Joss Whedon, former Marvel guru to produce, write and direct a Batgirl movie. This is just speculation right now, and it seems negotiations are underway for that to happen, and this is all around great news for fans of the DCEU. If this news happens to be true, is Joss Whedon the man who can save the DCEU? If so, what does this mean for the future landscape of Warner Bros. most prize possession? No stranger to comic book movies or strong female leads, I think Joss Whedon is just the man to tackle this iconic DC character.
Fans of Buffy The Vampire Slayer know just how much Joss cares about strong female leads, and he certainly knows how to tell a good story, something that comic book movies may lack these days. With Wonder Woman fast approaching, I really dig how DC might be giving us another female led comic book franchise, something Marvel has yet to do. Barbara Gordon known as Batgirl, is the daughter of Commissioner Gordon and a trusty ally to Batman. She hasn’t been heard from since she was portrayed in Batman & Robin, and well that was just hot garbage. After his experiences with making Avengers: Age of Ultron, and how tiresome of an experience that was for him, maybe a lower stakes movie, with focusing on just one single character is just what Joss needs right now.
It will be interesting to see where they go with the character, in the comics she ultimately ends up becoming paralyzed by the Joker, and becomes Oracle, Batman’s eyes and ears of Gotham, and we don’t know her current state in the DCEU at this time. She’s a fantastic character, and a big part of the Bat family, and giving her a proper solo movie would be awesome to see. If this ends up happening, I’m sure casting rumors won’t be far behind, and personally I think Allison Williams (fresh off her on screen debut in Get Out) could be a really cool choice for the character. Something about her makes me believe she could pull of Batgirl, and do the character justice. Another casting choice would be Alexandra Daddario, she’s up and coming, and has been apart of a franchise before. I’m sure Emma Stone will be everyone’s first pick, but I just don’t see her being Batgirl, and she’s already been apart of comic book franchise, and that didn’t really work out too well for her. Warner Bros. has a tendency to eye directors and then scare them away, it happened just last fall. So here’s hoping this becomes reality, because Joss Whedon just might be the man to save the DCEU!